scholarly journals Akademicka „międzynarodówka” kobieca? Solidarność, rywalizacja i samotność w Szwajcarii (1870–1900)

Wielogłos ◽  
2020 ◽  
pp. 5-34
Author(s):  
Monika Bednarczuk
Keyword(s):  
Female Students ◽  
The Self ◽  
The Other ◽  
Text Corpus ◽  
National Group ◽  
The World ◽  
Autobiographical Accounts ◽  
The One ◽  
Rosa Luxemburg

An Academic “Internationale” of Women? Solidarity, Rivalry, and Loneliness in Switzerland (1870−1900) This paper examines the experience of the first generations of women studying in Switzerland. The text corpus consists of autobiographical accounts, letters, and fiction by German, Russian, and Polish authors. Among the first female students in Switzerland, there were such figures as Vera Figner, Olga Lubatovich, Franziska Tiburtius, Ricarda Huch, Rosa Luxemburg, Anna Tomaszewicz-Dobrska, Gabriela Iwanowska-Balicka, Zofia Daszyńska-Golińska, and Józefa Joteyko. The paper discusses the issues of (international) female cooperation and solidarity, on the one hand, and, on the other, it highlights the disparity between the self and the world, as well as the efforts to maintain the separateness of the national group.

A conversation

2013 ◽  
Author(s):  
Zoltan J. Acs
Keyword(s):  
Free Market ◽  
The Self ◽  
The Other ◽  
Individual Freedom ◽  
Wealth Creation ◽  
American Values ◽  
The World ◽  
American Style ◽  
The One

This book examines the interplay between entrepreneurship and philanthropy, on the one hand, and wealth creation and opportunity, on the other. Using historical and institutional evidence, it traces the story of American philanthropy through the centuries. It shows that many philanthropists had humble beginnings, worked hard to make something of themselves, and later used their money to help improve the world. It also demonstrates how most Americans, wealthy and otherwise, historically have exemplified an unstated principle that lies at the heart of American-style capitalism: that those who amass wealth must continually create opportunities by investing in society. The book makes a distinction between philanthropy and charity and argues that philanthropy has the potential to mitigate inequalities as it softens the hard edges of the free market. Finally, it describes philanthropy as consistent with the self-made American values of individual freedom.

scholarly journals Between History and Universality: Understanding Identity in the Public Sphere

2020 ◽  
Vol 12 (1) ◽  
pp. 19-36
Author(s):  
Nisar Alungal Chungath
Keyword(s):  
Public Sphere ◽  
Meaning Making ◽  
The Self ◽  
The Other ◽  
Human Being ◽  
The Public ◽  
Other Hand ◽  
The World ◽  
The Public Sphere ◽  
The One

Identity is not a fixed and frozen prison-house for the self, but a liquid continuum, affected and shaped by the ‘outside’ or the world. The self, which is situated and which undergoes revisions and transformations, keeps identity as a frame within which it makes sense of things. On the one hand, there is a ‘history’ within which an identity is rooted and through which meaning-making is made possible, and on the other hand, every person aspires to be a ‘universal’ and recognition-worthy human being. Both inherent identity and inherent universality of the self should be considered in their interactions in the public sphere, which has been traditionally viewed as a space of discrete individualities. The ontological force of this argument aside, the paper demonstrates that reduction of an identity without crediting its aspiration for universality and consideration of universality without crediting the historical underpinnings of identity are both acts of violation. 

The Machine in the Garden in the 21st Century

2017 ◽  
Vol 49 (1) ◽  
pp. 83-99
Author(s):  
Stephen Dougherty
Keyword(s):  
Human Nature ◽  
21St Century ◽  
Short Circuit ◽  
The Self ◽  
The Other ◽  
Technological Condition ◽  
Crucial Aspect ◽  
The World ◽  
Liberal Humanism ◽  
The One

In this essay I will suggest Leo Marx’s debt to a style of thinking about technology which cuts against the grain of the liberal humanism and liberal progressive ideology that informs his writing. This style of thinking, associated with the word technicity, underscores the intimacy of our relation to technology. The Machine in the Garden insists that technology is a crucial aspect of our human nature—it encourages us to see that nature is inseparable from our technological condition. In this sense, the machine and the garden are confounded in Marx’s book. The book’s key themes and conflicts short-circuit the mission to promote the liberal individualist illusion of escape from the shaping forces of history. What we can begin to glean in The Machine in the Garden is that there is no place for a transcendence that guarantees the “naturalness” of nature, or the romantic integrity of the self. There is only the world—an increasingly technologically mediated world—which on the one hand creates the very means for our access to nature, and on the other hand, dispels the very ‘Nature’ it reveals through an inevitable process of contamination across the nature/culture divide.

A personal quest: Travel writing as self-exploration in Eddy L. Harris’s Native Stranger: A Blackamerican’s Journey into the Heart of Africa

2016 ◽  
Vol 53 (3) ◽  
pp. 363-378 ◽  
Author(s):  
Nicklas Hållén
Keyword(s):  
Travel Writing ◽  
Collective Identity ◽  
The Self ◽  
The Other ◽  
Double Consciousness ◽  
The Past ◽  
Social Narratives ◽  
Other Hand ◽  
The World ◽  
The One

In Native Stranger: A Blackamerican’s Journey into the Heart of Africa (1992), Eddy L. Harris explores what it means to be the person he is. What, if anything, connects him to Africa? What is the relation between the person he knows himself to be, and the person others see? Searching for answers to his questions, he finds himself caught between his attempts to remain open to new ways of seeing and understanding the world, on the one hand, and succumbing to the pressures of monolithic narratives about African otherness, race, belonging, roots and the past, on the other hand. This tension gives rise to an ambiguity and a number of contradictions which make the text fold back on itself. His literary project therefore ultimately serves to raise questions not only about his own identity and place in the world, but also about the conditions of writing about the self. Central among the contradictions that permeate the text is a doubling of epistemological perspectives, which can be described as an effect of what W. E. B. Dubois famously termed double-consciousness. While Harris is able to use the contradictions that arise from his writing to explore and represent the complexity of the questions that are foregrounded in his text, he is unable to answer them. His project is in other words a kind of failure, but as this article argues, this failure is the price that Harris pays to access the full complexity of selfhood, beyond political and social narratives about collective identity and how the present is shaped by the past.

Exhibiting the Modern: The Creation of the First Chinese Museum, 1905–1930

2004 ◽  
Vol 179 ◽  
pp. 684-702 ◽  
Author(s):  
Qin Shao
Keyword(s):  
Community Identity ◽  
The Self ◽  
The Other ◽  
Early 20Th Century ◽  
New Era ◽  
Local Elites ◽  
National Image ◽  
The World ◽  
World Expo ◽  
The One

This study examines the birth and use of the first Chinese-sponsored museum, in Nantong county, Jiangsu province, in the context of local elites' effort to make the county an example of modern progress. It reflects on the changing notion of progress among Chinese elites since the self-strengthening movement of the 1860s, and also illustrates an often neglected dimension of modernity – exhibitory modernity, or presentation. The Nantong elites proved to be masters at manipulating exhibitory modernity to reconstruct their community. Understanding exhibitory modernity in the early 20th century sheds light on China's current modernization effort. One of the distinct marks of the new era has been the tremendous energy and resources invested in exhibitory institutions and activities, as demonstrated in the national zeal for China to host the 2008 Olympics and the 2010 World Expo. These sorts of activities are in part aimed at showing the rising status of China. By bringing the world – globally recognized symbols for power, strength, respect, modernity and cosmopolitanism such as the World Expo – to China, it wishes to remake its national image as part of that advanced world on the one hand, and boost nationalism at home on the other. This and the Nantong experience illustrate both the artificiality of national and community identity and the enduring force of modernity.

Stories and the Self

2020 ◽  
Vol 32 (2) ◽  
pp. 47-58 ◽  
Author(s):  
Stefan Krause ◽  
Markus Appel
Keyword(s):  
Meta Analysis ◽  
The Self ◽  
The Other ◽  
Lower Degree ◽  
Contrast Effects ◽  
Self Perception ◽  
Self Perceptions ◽  
Other Hand ◽  
The One ◽  
Implicit And Explicit

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Keeping Company with Sondheim’s Women

2014 ◽  
Author(s):  
Stacy Wolf
Keyword(s):  
Musical Theater ◽  
Married Couples ◽  
Feminist Perspective ◽  
The Self ◽  
The Other ◽  
Female Characters ◽  
Other Hand ◽  
The One

This chapter examines the eight female characters inCompany, what they do in the musical, and how they function in the show’s dramaturgy, and argues that they elicit the quintessential challenge of analyzing musical theater from a feminist perspective. On the one hand, the women tend to be stereotypically, even msogynistically portrayed. On the other hand, each character offers the actor a tremendous performance opportunity in portraying a complicated psychology, primarily communicated through richly expressive music and sophisticated lyrics. In this groundbreaking 1970 ensemble musical about a bachelor’s encounters with five married couples and three girlfriends, Sondheim’s female characters occupy a striking range of types within one show. From the bitter, acerbic, thrice-married Joanne to the reluctant bride-to-be Amy, and from the self-described “dumb” “stewardess” April to the free-spirited Marta,Company’s eight women are distillations of femininity, precisely sketched in the short, singular scenes in which they appear.

scholarly journals Hiketeia

1973 ◽  
Vol 93 ◽  
pp. 74-103 ◽  
Author(s):  
John Gould
Keyword(s):  
Dominant Role ◽  
Ancient Greece ◽  
Social Institutions ◽  
The Other ◽  
Sixth Century ◽  
Dead Body ◽  
Greek Literature ◽  
The World ◽  
The One ◽  
Working Out

To Professor E. R. Dodds, through his edition of Euripides'Bacchaeand again inThe Greeks and the Irrational, we owe an awareness of new possibilities in our understanding of Greek literature and of the world that produced it. No small part of that awareness was due to Professor Dodds' masterly and tactful use of comparative ethnographic material to throw light on the relation between literature and social institutions in ancient Greece. It is in the hope that something of my own debt to him may be conveyed that this paper is offered here, equally in gratitude, admiration and affection.The working out of the anger of Achilles in theIliadbegins with a great scene of divine supplication in which Thetis prevails upon Zeus to change the course of things before Troy in order to restore honour to Achilles; it ends with another, human act in which Priam supplicates Achilles to abandon his vengeful treatment of the dead body of Hector and restore it for a ransom. The first half of theOdysseyhinges about another supplication scene of crucial significance, Odysseus' supplication of Arete and Alkinoos on Scherie. Aeschylus and Euripides both wrote plays called simplySuppliants, and two cases of a breach of the rights of suppliants, the cases of the coup of Kylon and that of Pausanias, the one dating from the mid-sixth century, the other from around 470 B.C. or soon after, played a dominant role in the diplomatic propaganda of the Spartans and Athenians on the eve of the Peloponnesian War.

scholarly journals Two Conceptions of Second Nature

2020 ◽  
Vol 3 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Georg W. Bertram
Keyword(s):  
The Other ◽  
Human Beings ◽  
Open Future ◽  
Second Nature ◽  
Other Hand ◽  
The World ◽  
Cognitive Activities ◽  
The Open Future ◽  
The One ◽  
First Nature

AbstractThe concept of second nature promises to provide an explanation of how nature and reason can be reconciled. But the concept is laden with ambiguity. On the one hand, second nature is understood as that which binds together all cognitive activities. On the other hand, second nature is conceived of as a kind of nature that can be changed by cognitive activities. The paper tries to investigate this ambiguity by distinguishing a Kantian conception of second nature from a Hegelian conception. It argues that the idea of a transformation from a being of first nature into a being of second nature that stands at the heart of the Kantian conception is mistaken. The Hegelian conception demonstrates that the transformation in question takes place within second nature itself. Thus, the Hegelian conception allows us to understand the way in which second nature is not structurally isomorphic with first nature: It is a process of ongoing selftransformation that is not primarily determined by how the world is, but rather by commitments out of which human beings are bound to the open future.

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