scholarly journals Academic Voice in Scholarly Writing

Author(s):  
Garry Gray

Tensions across disciplines and methodologies over what constitutes appropriate academic voice in writing is far from arbitrary and instead is rooted in competing notions of epistemology, representation, and science. In this paper, I examine these tensions as well as address current issues affecting academic voice such as gender bias and the rise of social media. I begin by discussing reflexivity in research and then turn to the ways in which personal-reflexive voice has been hidden and revealed by academic writers. I also illustrate how the commercialization of academic science intersects with the use of distant-authoritative voice in sometimes corrupting ways. I examine variations in academic voice as they relate to issues of researcher emotion, class, race, and gender. Finally, I discuss the scientization of qualitative research and resulting increased interaction between scholars of varying epistemological positions which I argue can increase attention to the epistemological underpinnings of academic voice.

2018 ◽  
Author(s):  
Patrick S. Forscher ◽  
William Taylor Laimaka Cox ◽  
Markus Brauer ◽  
Patricia G. Devine

Many granting agencies allow reviewers to know the identity of a proposal’s Principal Investigator (PI), which opens the possibility that reviewers discriminate on the basis of PI race and gender. We investigated this experimentally with 48 NIH R01 grant proposals, representing a broad spectrum of NIH-funded science. We modified PI names to create separate White male, White female, Black male, and Black female versions of each proposal, and 412 scientists each submitted initial reviews for three proposals. We find little to no race or gender bias in initial R01 evaluations, and additionally find that any bias that might have been present must be negligible in size. This conclusion was robust to a wide array of statistical model specifications. Pragmatically important bias may be present in other aspects of the granting process, but our evidence suggests that it is not present in the initial round of R01 reviews.


Author(s):  
Kamesha Spates ◽  
Wangari Gichiru

What challenges can race and gender present for researchers of color? As Black women, we draw on personal reflections to look back at our graduate training and its influence on how we conducted ourselves in the field as graduate students and now as researchers in the academy. We particularly consider how mainstream pedagogical approaches to teaching qualitative methods might work to marginalize researchers of color throughout the qualitative research process. We lay out these complexities, not necessarily to offer solutions but rather to allow others in similar situations to think about their own journey as we collectively move qualitative research and teaching to new heights. We conclude this article with a short discussion of the direct implications for teaching and doing qualitative research.


2020 ◽  
Vol 4 (1) ◽  
pp. 1 ◽  
Author(s):  
Young Joon Lim ◽  
Jennifer Lemanski

This study examined recent virality of “Ok Boomer” in the United States. The term of Ok Boomer gained overnight momentum in the public sphere as the symbol of a generational war. While previous research has primarily examined racial and gender tensions, this study introduced a new phenomenon of the generational conflict between “Ok Boomers” and “Baby Boomers,” in which social media originated the term of Ok Boomer and traditional media diffused it with framed meaning. Diffusion of Innovation theory was used to better understand the path of how “Ok Boomer” as a catchphrase, hashtag, noun cluster or trend resulted in attracting a massive amount of media and public attention. Relying on Node XL, Google Trends, and Nexus Nexis for data gathering and analyses, this study categorized four themes for a word, or an idea as an innovation to be publicly acknowledged: collaboration of social media and traditional media, public figures’ involvement for debate; confrontational social issues, and media-framed agenda. In sum, this study argues the term of Ok Boomer symbolizes the advent of a generational war in society in line with the long-standing race and gender wars in the media coverage.


Author(s):  
Brad N. Greenwood ◽  
Idris Adjerid ◽  
Corey M. Angst

2022 ◽  
pp. 245-259
Author(s):  
Qinghua Liu

In this chapter, the author proposes using the qualitative research method of autoethnography to improve one's practice in teaching English to students of other languages (TESOL). This chapter first includes an overview of autoethnography followed by discussion of evidence-based practices and learning activities that apply the methodology. The chapter then explores the method through a case study involving the author and her son. Through this autoethnography account, the author demonstrates the process of collecting, analyzing, and interpreting autobiographical data to gain a deeper understanding of ourselves and our students. The case demonstrates how intersectionalities, including race and gender, have an impact on the learning experiences. In this way, this protocol has methodological and pedagogical implications for TESOL praxis. This chapter finally discusses the implications of this methodology in TESOL as a viable qualitative research methodology to gain new insights and understandings for TESOL educators.


Author(s):  
Hans Bauer ◽  
Fikirte Gebresenbet ◽  
Martial Kiki ◽  
Lynne Simpson ◽  
Claudio Sillero-Zubiri

2014 ◽  
Vol 13 (3) ◽  
pp. 257-274 ◽  
Author(s):  
Lisa Nakamura

‘Trophy’ photographs of African men and women who pose holding signs, either naked or in outrageously bizarre outfits and positions, are prized memetic images produced by ‘scambaiters’. The unusual activities staged in these photographs and videos, such as men wearing bras, hitting each other in the face with fish, and pouring milk on each other’s heads, invite viewers to enjoy and speculate about their origins. Scambaiter trophy images originate in sites devoted to users who wish to deter would-be scammers and they circulate widely on image-boards where they are often reposted without their original context. This visual staging of the savage African digitally extends previous visual cultures of the primitive, showing how durable these have proven, despite our current ‘post-racial’ moment. Scambaiter trophy images extend colonialism’s show-space, rendering it even more powerful and far reaching, and allowing it to migrate freely into multiple contexts. This article argues for a new digital media archaeology that would investigate or acknowledge the conditions of racial coercion and enforced primitivism that gave rise to these digital imaging practice pictures. The author examines how sharing affordances on image boards and social media sites encourage users to unknowingly circulate abject images of race and gender.


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