scholarly journals PENERAPAN METODE FRAME BY FRAME DALAM PEMBUATAN ANIMASI TATA CARA HAJI SESUAI SUNNAH RASUL MENGGUNAKAN APLIKASI 3DS MAX

2021 ◽  
Vol 5 (1) ◽  
pp. 9-16
Author(s):  
Aldina Syahfaridzah ◽  
◽  
Khairunnisa Khairunnisa ◽  
Dharmawati Dharmawati
Keyword(s):  
3D Animation ◽  
Visual Form ◽  
Present Information ◽  
Frame Method

Advances in technology in the field of information are developing very rapidly at this time, especially information in the field of animation. The animation is a visual form that moves and is used to present information and learning that is difficult to understand if delivered in general. The use of animation media is specially made to find out the procedures for the Hajj pilgrimage in order to increase knowledge for someone who wants to perform the Hajj or want to know the Hajj procedures because Hajj is the fifth pillar of Islam where if someone carries it out, much wisdom will be gained. Information about the pilgrimage procedures is packaged with 3D animation and created using 3Ds Max application and the frame by frame method, where all movements of the animation are arranged using frames. So that the resulting learning media, namely animated videos that add insight and information for someone because it is packaged with media that is more attractive and easy to understand, namely animation.

The Potentials of Scanning Microscopy

1968 ◽  
Vol 26 ◽  
pp. 352-353
Author(s):  
A. V. Crewe
Keyword(s):  
Salient Feature ◽  
Secondary Emission ◽  
Resolving Power ◽  
X Rays ◽  
Scanning Microscope ◽  
Forming Process ◽  
Additional Tool ◽  
Detection Systems ◽  
Conventional Microscope ◽  
Present Information

If the resolving power of a scanning electron microscope can be improved until it is comparable to that of a conventional microscope, it would serve as a valuable additional tool in many investigations.The salient feature of scanning microscopes is that the image-forming process takes place before the electrons strike the specimen. This means that several different detection systems can be employed in order to present information about the specimen. In our own particular work we have concentrated on the use of energy loss information in the beam which is transmitted through the specimen, but there are also numerous other possibilities (such as secondary emission, generation of X-rays, and cathode luminescence).Another difference between the pictures one would obtain from the scanning microscope and those obtained from a conventional microscope is that the diffraction phenomena are totally different. The only diffraction phenomena which would be seen in the scanning microscope are those which exist in the beam itself, and not those produced by the specimen.

The perception of visual form.

1902 ◽  
Vol 9 (1) ◽  
pp. 93-93
Author(s):  
Charles H. Judd
Keyword(s):  
Visual Form

Die Pleuropneumonektomie beim malignem Mesotheliom als 3D-Animation

Pneumologie ◽  
2005 ◽  
Vol 59 (S 1) ◽  
Author(s):  
M Lindner ◽  
C Bruckschwaiger ◽  
J Müller ◽  
J Reinmiedl ◽  
J Sklarek ◽  
...  
Keyword(s):  
3D Animation

Becoming Present, Becoming Absent: Movement and Visual Form in the Film Adaptation of Comédie

2012 ◽  
Vol 21 (2) ◽  
pp. 157-180
Author(s):  
David Foster
Keyword(s):  
The Other ◽  
Film Adaptation ◽  
Visual Form ◽  
Sergei Eisenstein ◽  
Basic Framework ◽  
Global Movement ◽  
Local Movement

This article examines the use of movement and visual form in the film adaptation of Samuel Beckett's Comédie (Marin Karmitz, 1966). The article broaches the kinetic elements of the work through addressing the manner in which the diegetic motion of the film can be seen to reflect extra-diegetic cinematic processes. The sense of movement that is created through Comédie's montage is then considered at length, making use of work on this theme by two quite different (though tangentially related) theorists: Sergei Eisenstein and Jean-François Lyotard. The article then charts the film's different manifestations of formal movement, and a basic framework is proposed to explain the manner in which the film creates moments of intensity, through what is termed the ‘local movement’ of the montage, and the manner in which the film manifests an overall curve of intensity, through what is termed the montage's ‘global movement’. It is argued that each form of montagic motion is reflected in the other, and that ultimately these movements might be seen to dramatise a human drive towards, and a concomitant flight from, an impossible state of ontological totality.

Reforming Arab Reason

2018 ◽  
Vol 11 (1-2) ◽  
pp. 19-42
Author(s):  
Khalid Shibib
Keyword(s):  
Arab World ◽  
Legal Reasoning ◽  
Decisive Role ◽  
Arab Countries ◽  
Religious Knowledge ◽  
Intrinsic Factors ◽  
Knowledge Based ◽  
Present Information ◽  
Cultural Construct ◽  
Political Economic

As a humanitarian worker who was professionally involved for decades in crisis- and war-shaken countries, the author strove to understand the political, socioeconomic, and cultural factors contributing to conflicts. This contextualization, with a focus on Arab countries, confirmed what other thinkers found: the majority of political, economic, social, cultural, religious, and finally humanitarian crises in the Arab world are man-made and can be attributed to both extrinsic and intrinsic factors. Central to the latter appears to be a shared cultural construct that can be termed “Arab reason.” This essay tries to present information on various aspects of the crisis; to understand why reform efforts come so late and why are they are more difficult for Arabs than for other Muslims. It continues by looking at the knowledge systems that govern Arab reason and their evolution, including the decisive role of the religious knowledge system. From there, it proposes some reform ideas including a renewed legal reasoning process with the goal of a future-oriented, knowledge-based, and inclusive Arab Islamic vision. A pragmatic way forward could be an additional unifying eighth legal school (madhhab/madhāhib) to counter sectarian conflicts and violence. This essay is built on a targeted literature search and is not a comprehensive review of the growing literature generated by distinguished thinkers on various aspects of Arab Islamic identity.

The Diversity of the Visual Form

2016 ◽  
Author(s):  
Georgeta Merişor Dominte
Keyword(s):  
Visual Form

Dealing with imperfect elicitation results

2019 ◽  
Author(s):  
Rens van de Schoot ◽  
Elian Griffioen ◽  
Sonja Désirée Winter
Keyword(s):  
Statistical Parameter ◽  
Research Practices ◽  
Popular Method ◽  
Questionable Research Practices ◽  
Present Information

The trial-and-roulette method is a popular method to extract experts’ beliefs about a statistical parameter. However, most studies examining the validity of this method only use ‘perfect’ elicitation results. In practice, it is sometimes hard to obtain such neat elicitation results. In our project about predicting fraud and questionable research practices among PhD candidates, we ran into issues with imperfect elicitation results. The goal of the current chapter is to provide an over-view of the solutions we used for dealing with these imperfect results, so that others can benefit from our experience. We present information about the nature of our project, the reasons for the imperfect results, and how we resolved these sup-ported by annotated R-syntax.

Indian Horse

2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Casey Shea Pollon
Keyword(s):  
University Students ◽  
Key Words ◽  
Point Of View ◽  
Main Element ◽  
Text And Image ◽  
Design Studies ◽  
Visual Form ◽  
Diploma Program

Type as Image: Eliciting Emotions is a project of VCDE233 Typography II (Constanza Pacher) and VCDI223 Design and Pre-Press Production (Jess Dupuis), both courses in the Design Studies Diploma Program at MacEwan University. Students were asked to capture the essence of the book Indian Horse, by Richard Wagamese, and translate it into a three-poster series using typography as the main element. Under the premise that the visual form is dictated by the content, students were encouraged to analyze plot, characters, point of view, imagery, tone, themes and symbolism to extract key words, sentences and passages as the basis for their designs. Students were asked to challenge literal interpretations by exploring the use of expressive typography and text and image relationships.

Efisiensi Lighting Dan Rendering Dalam Film Pendek Animasi 3d Bed Time Story

2016 ◽  
Vol 8 (1) ◽  
pp. 15-22
Author(s):  
Christian Aditya
Keyword(s):  
Basic Knowledge ◽  
3D Animation ◽  
The World

Light, Everything we currently, ever, or will see in the world, the fact is due to the presence of light. without light there is no color, shape, and of course we cannot distinguish the material, distance, and the nature of the object when not it’s not illuminated by light. Therefore the author felt it is important to discuss about lighting, especially for applications in the author’s field of interest, 3D Animation. In this journal, will be found an alternative to a more efficient way to do lighting and rendering in 3D animation projects using a variety of theories and basic knowledge of light. Keywords: Bed Time Story, animation, 3D, lighting, rendering

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