scholarly journals Ethnonationalist Capitalism And The Illegitimate Legacies Of The Yugoslav Wars

2021 ◽  
Author(s):  
Faruk HADŽİĆ
Keyword(s):  
Yugoslav Wars

scholarly journals Religion in the Yugoslav conflicts: post-war perspectives

2006 ◽  
Vol 19 ◽  
pp. 256-275
Author(s):  
Christian Moe
Keyword(s):  
Moral Responsibility ◽  
Relevant Literature ◽  
Human Agency ◽  
Holy War ◽  
Religious Wars ◽  
Yugoslav Wars ◽  
Post War ◽  
Critical Notes ◽  
The Way

The wars that dissolved Yugoslavia – were they religious wars? Why are conflicts increasingly coded as religious, rather than as, for example, social or ethnic? What constitutes a ‘religious’ or ‘holy’ war. This article attempts an inventory of important cat­egories and hypotheses generated in the relevant literature so far, with a few critical notes along the way. The author considers the role assigned to religion in structural, cultural, and actor-oriented explanations of the Yugoslav wars. Structural and cultural explanations downplay the role of human agency and, hence, of moral responsibility; actor-oriented approaches focus on it.

scholarly journals Yugonostalgia as a Kind of Love: Politics of Emotional Reconciliations through Yugoslav Popular Music

Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 119
Author(s):  
Ana Petrov
Keyword(s):  
Popular Music ◽  
General Relation ◽  
The People ◽  
Yugoslav Wars ◽  
Memory Practices

In the aftermath of the Yugoslav wars, listening to Yugoslav popular music has often been seen as a choice charged with political meaning, as a symptom of Yugonostalgia and as a statement against the nationalistic discourses of the post-Yugoslav states. In this article, I will show how the seemingly neutral concept of love is embedded in the music and memory practices in the post-Yugoslav context. In dealing with the issue of love, I draw on the research regarding emotions as social, cultural, and performative categories. The research included the analysis of the interconnectedness of the discourses on love and the discourse on Yugoslavia (promoted by both the performers and the audience). In addition to the striking intertwinement of the two, the actual term love was quite often used when describing the general relation to Yugoslavia, or its music in particular, or the relation of the people from the former country. Pointing to the multifarious meanings and usages of the concept of love as understood in the post-Yugoslav music space, I will argue that Yugonostalgia can be understood as a kind of love. As such, Yugonostalgia can be used for commercial purposes and be a means for the commodification of feelings and memories.

Southward and Otherwise

ARTMargins ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 79-89
Author(s):  
Uroš Pajović ◽  
Naeem Mohaiemen
Keyword(s):  
National Identity ◽  
Middle East ◽  
Eastern Europe ◽  
East Africa ◽  
Central And Eastern Europe ◽  
Shadow Play ◽  
Yugoslav Wars ◽  
Blind Spots

This project comes out of a conversation between Mohaiemen and Pajović, about the relative absence of Non-Aligned Movement co-founder Josip Broz Tito, from the three-channel film Two Meetings and a Funeral (2017, dir: Mohaiemen). In the film, a series of conversations between Vijay Prashad, Samia Zennadi, Atef Berredjem, Amirul Islam, and Zonayed Saki sketch out the shadow play of warring forces inside the Non-Aligned Movement, especially around the decolonizing nations of the Middle East, Africa, and Asia that found an option to look toward an "Islamic" supra-national identity. Because of that focus, the role of Central and Eastern Europe, especially that of Yugoslavia under Tito, is absent from the film. Pajović's text re-integrates the Yugoslav bloc into Two Meetings and a Funeral. While Pajović's text concludes with a hopeful view of the potential of the Non-Aligned Movement, Mohaiemen's images and superimposed quote from Tito express an ironic doubling back. Indira Gandhi's Indian coalition of 1971, while maneuvering for Bangladesh independence from Pakistan, encountered Tito's confident comment that such problems of “tribalism” were only happening in Asia. Yugoslavia had solved the “Balkan problem”– this was spoken confidently twenty years before Tito's nation would split apart during the Yugoslav Wars. The geopolitical struggles that Tito fails to see in 1971 are harbingers for the blind spots that would cause Non-Alignment's collapse.

A Multicultural, Multiethnic, and Multiconfessional Bosnia and Herzegovina: Myth and Reality

2002 ◽  
Vol 30 (4) ◽  
pp. 623-638 ◽  
Author(s):  
Cynthia Simmons
Keyword(s):  
Bosnia And Herzegovina ◽  
Democratic Institutions ◽  
The Past ◽  
The Future ◽  
Yugoslav Wars ◽  
Post War

In early 1992, the “three m's” (tri m), which denoted a multicultural, multiethnic, and multiconfessional Bosnia and Herzegovina (BiH), became the rallying cry against the forces of disintegration, or more accurately, of partition. These identifying characteristics or national ideals could not avert catastrophe. Indeed, BiH's liminal position at the crossroads of cultures, religions, and history rendered it the most vulnerable of republics in the Yugoslav wars of succession. However “three m” Bosnia and Herzegovina was in 1992, it was less so by 1995. Yet, despite the bloodshed, forced expulsions, migrations, and the inevitable rise in nationalism, citizens of BiH have no choice, in the aftermath, but to examine what their country was before the war and the potential for a new “multi-multi” Bosnia and Herzegovina. Such an investigation must begin with the past, as a Sarajevan colleague implied when I asked her how she envisioned the future in Bosnia. She replied that Bosnians could hardly conceive a future when in 1998 they still had no idea what had happened, and why. This work addresses the reality behind the epithets that gained currency during and after the war, of a “three-m,” “multi-multi,” and multi-kulti (multicultural) Bosnia and Herzegovina. Within the framework of a particular understanding of multiculturalism, it will suggest why, despite its multiethnic and multiconfessional reality, BiH proved in many instances vulnerable to nationalistic rhetoric. This analysis proceeds from the conviction that multiculturalism must be both studied and encouraged in the international community's efforts to support the growth of democratic institutions and practices in post-war Bosnia and Herzegovina.

Joining the War: Masculinity, Nationalism and War Participation in the Balkans War of Secession, 1991–1995*

2006 ◽  
Vol 34 (3) ◽  
pp. 265-287 ◽  
Author(s):  
Aleksandra Sasha Milićević
Keyword(s):  
Everyday Life ◽  
Social Scientists ◽  
The Balkans ◽  
Organized Violence ◽  
Break Up ◽  
Yugoslav Wars ◽  
Ethnic Wars

Why do people go to war? My own interest in this question emerged from the context of my dissolving country and Serbia's increased engagement in a very strident form of ethnonationalism. Although social scientists have sought to understand the roles of ethnonationalism in fostering state-organized violence, few scholars have sought to understand the gendered nature of men's motivations for participating in war. The case of the inter-ethnic wars in Croatia and Bosnia, following the break-up of Yugoslavia, presents an unparalleled opportunity to understand more about how the processes of ethnonationalization and masculinization operate in everyday life, and about how men from Serbia made sense of their decisions about participation in the wars. In the present paper I explore the ways nationalism and masculinity intersect and overlap, influence and are influenced by war participation, by looking closer into the war volunteers from Serbia who joined the Yugoslav wars of secession, 1991–1995.

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