scholarly journals Religion in the Yugoslav conflicts: post-war perspectives

2006 ◽  
Vol 19 ◽  
pp. 256-275
Author(s):  
Christian Moe
Keyword(s):  
Moral Responsibility ◽  
Relevant Literature ◽  
Human Agency ◽  
Holy War ◽  
Religious Wars ◽  
Yugoslav Wars ◽  
Post War ◽  
Critical Notes ◽  
The Way

The wars that dissolved Yugoslavia – were they religious wars? Why are conflicts increasingly coded as religious, rather than as, for example, social or ethnic? What constitutes a ‘religious’ or ‘holy’ war. This article attempts an inventory of important cat­egories and hypotheses generated in the relevant literature so far, with a few critical notes along the way. The author considers the role assigned to religion in structural, cultural, and actor-oriented explanations of the Yugoslav wars. Structural and cultural explanations downplay the role of human agency and, hence, of moral responsibility; actor-oriented approaches focus on it.

Introduction

2018 ◽  
Author(s):  
Christopher Evan Franklin
Keyword(s):  
Moral Responsibility ◽  
Free Will ◽  
Human Agency ◽  
Causal Role ◽  
Central Question ◽  
Agent Causation ◽  
The Right

This chapter lays out the book’s central question: Assuming agency reductionism—that is, the thesis that the causal role of the agent in all agential activities is reducible to the causal role of states and events involving the agent—is it possible to construct a defensible model of libertarianism? It is explained that most think the answer is negative and this is because they think libertarians must embrace some form of agent-causation in order to address the problems of luck and enhanced control. The thesis of the book is that these philosophers are mistaken: it is possible to construct a libertarian model of free will and moral responsibility within an agency reductionist framework that silences that central objections to libertarianism by simply taking the best compatibilist model of freedom and adding indeterminism in the right junctures of human agency. A brief summary of the chapters to follow is given.

Autonomy and Addiction

2006 ◽  
Vol 36 (3) ◽  
pp. 427-447 ◽  
Author(s):  
Neil Levy
Keyword(s):  
Moral Responsibility ◽  
Human Agency ◽  
The Other ◽  
Reasons Responsiveness ◽  
Extended Agency ◽  
Conception Of The Good ◽  
Autonomous Agency ◽  
The Way

Whatever its implications for the other features of human agency at its best — for moral responsibility, reasons-responsiveness, self-realization, flourishing, and so on—addiction is universally recognized as impairing autonomy. But philosophers have frequently misunderstood the nature of addiction, and therefore have not adequately explained the manner in which it impairs autonomy. Once we recognize that addiction is not incompatible with choice or volition, it becomes clear that none of the Standard accounts of autonomy can satisfactorily explain the way in which it undermines fully autonomous agency. In order to understand to what extent and in what ways the addicted are autonomy-impaired, we need to understand autonomy as consisting, essentially, in the exercise of the capacity for extended agency. It is because addiction undermines extended agency, so that addicts are not able to integrate their lives and pursue a Single conception of the good, that it impairs autonomy.

scholarly journals Individualism as a Cultural Syndrome in Recent American Cinema

2017 ◽  
Vol 9 (2) ◽  
pp. 114-122
Author(s):  
Nina A Tsyrkun
Keyword(s):  
Moral Responsibility ◽  
Cultural Constructs ◽  
American Cinema ◽  
The Past ◽  
Individualism And Collectivism ◽  
The Face ◽  
Survival Condition ◽  
The Way

The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.

On the March

2016 ◽  
Author(s):  
M. Cecilia Gaposchkin
Keyword(s):  
Holy War ◽  
First Crusade ◽  
Meaningful Role ◽  
The Way

This chapter looks at the liturgy of crusade in an attempt to appreciate the devotional and religious texture that the rites of prayer and intercession brought to the crusading experience. Unlike most of the rest of this book, which is organized around the evidence found in the liturgical volumes themselves, the chapter draws primarily on narrative accounts of crusading, paying particular attention to the role of liturgy, prayer, and ecclesiastical ritual in underwriting the goals and sacrality of the First Crusade and crusading in general. It is clear from the sources themselves that liturgical rituals were more frequently performed in the First Crusade than in other campaigns in a way that suggests that the rites played a heightened role—that is, a more frequent or at least more meaningful role—on the campaign. However, their performances were also strategic, and the way in which the devotional and strategic aspects of liturgical intervention intertwined is central to the quality of crusade as holy war.

Experience and its Others

2018 ◽  
Author(s):  
Philipa Rothfield
Keyword(s):  
Human Agency ◽  
Active Type ◽  
Postmodern Dance ◽  
Subjective Agency ◽  
The Many ◽  
The Way

This chapter draws on Deleuzian thought in order to think through the role of experience within dance and the activity of dancing more generally. It contrasts phenomenological approaches to dancing, which appeal to notions of subjective agency, with a Deleuzian re-reading of subjectivity. In the process, it refers to Deleuze’s reading of Nietzsche, using Nietzsche’s concept of force to account for the many ways in which forces combine to produce movement. The notion of force is able to explain the way action unfolds without being the product of human agency. It offers a way of rethinking phenomenological notions of agency. According to this account, relations of force underlie action, as well as the many modes of interiority (subjectivity). But these two kinds of formation (of force) are different in kind. They belong to differing types (of force). The pursuit of action, including the utilisation of experience in action, constitutes a certain type of ethos, which Deleuze calls the active type, whereas the formation of experience belongs to ‘the reactive apparatus’, that which reacts but does not act. The active type drives a wedge between the dancing and the dancer. Deleuze’s treatment of Nietzsche can be adapted to account for the variety of dance practices, their production of training and technique, custom and virtuosity. In particular, it is able to account for the specific ways in which postmodern dance displaces the subjectivity of the dancer.

(Not) Dealing with War Crimes on Film

2021 ◽  
Vol 45 (3) ◽  
pp. 314-340
Author(s):  
Rimantė Jaugaitė
Keyword(s):  
Social Issues ◽  
War Crimes ◽  
Peace Building ◽  
The Past ◽  
Raising Awareness ◽  
Film Directors ◽  
The Media ◽  
Yugoslav Wars ◽  
Post War

Abstract This article argues that contemporary post-Yugoslav cinema contributes to a better understanding of the deeply divided societies in the aftermath the Yugoslav Wars (1991–2001), in terms of stimulating empathy for the Other, and, more specifically, raising awareness of the loss of human lives, thus memorializing and commemorating these experiences. It also explores how film directors deal with social issues, including war crimes, and how they appear as activist citizens while their governments struggle to take relevant action. The research aims to bridge the gap between the more theoretical literature that focuses on the role of the media in dealing with the past and more practical analysis providing examples from contemporary post-Yugoslav cinema, and to illuminate the link between film, peace-building and active citizenship. Finally, the article stresses how the idea of post-war reconciliation may be communicated through films and pertains to the notion that a positive film effect exists.

Free Will, Art, and Morality

2017 ◽  
Author(s):  
Paul Russell
Keyword(s):  
Free Will ◽  
Human Life ◽  
Human Agency ◽  
The Way

The discussion in this chapter begins with some observations regarding a number of structural similarities between art and morality as it involves human agency. On the basis of these observations we may ask whether or not incompatibilist worries about free will are relevant to both art and morality. Although the analogy between art and morality may be welcomed by compatibilists, it does not pave the way for an easy or facile optimism on this subject. On the contrary, while the art/morality analogy may lend support to compatibilism it also serves to show that some worries of incompatibilism relating to the role of luck in human life cannot be easily set aside, which denies compatibilism any basis for complacent optimism on this subject.

MANUSCRIPT EVIDENCE FOR ALPHABET-SWITCHING IN THE WORKS OF CICERO: COMMON NOUNS AND ADJECTIVES

2018 ◽  
Vol 68 (2) ◽  
pp. 498-516
Author(s):  
Neil O'Sullivan
Keyword(s):  
Recent Work ◽  
Code Switching ◽  
Consistent Pattern ◽  
Current Interest ◽  
Reliable Transmission ◽  
Accurate Record ◽  
The Way

Of the hundreds of Greek common nouns and adjectives preserved in our MSS of Cicero, about three dozen are found written in the Latin alphabet as well as in the Greek. So we find, alongside συμπάθεια, also sympathia, and ἱστορικός as well as historicus. This sort of variation has been termed alphabet-switching; it has received little attention in connection with Cicero, even though it is relevant to subjects of current interest such as his bilingualism and the role of code-switching and loanwords in his works. Rather than addressing these issues directly, this discussion sets out information about the way in which the words are written in our surviving MSS of Cicero and takes further some recent work on the presentation of Greek words in Latin texts. It argues that, for the most part, coherent patterns and explanations can be found in the alphabetic choices exhibited by them, or at least by the earliest of them when there is conflict in the paradosis, and that this coherence is evidence for a generally reliable transmission of Cicero's original choices. While a lack of coherence might indicate unreliable transmission, or even an indifference on Cicero's part, a consistent pattern can only really be explained as an accurate record of coherent alphabet choice made by Cicero when writing Greek words.

The adaptation of design thinking in auditing

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Linda MEIJER-WASSENAAR ◽  
Diny VAN EST
Keyword(s):  
The Netherlands ◽  
Design Thinking ◽  
Public Organizations ◽  
Design Framework ◽  
The Right ◽  
The Way

How can a supreme audit institution (SAI) use design thinking in auditing? SAIs audit the way taxpayers’ money is collected and spent. Adding design thinking to their activities is not to be taken lightly. SAIs independently check whether public organizations have done the right things in the right way, but the organizations might not be willing to act upon a SAI’s recommendations. Can you imagine the role of design in audits? In this paper we share our experiences of some design approaches in the work of one SAI: the Netherlands Court of Audit (NCA). Design thinking needs to be adapted (Dorst, 2015a) before it can be used by SAIs such as the NCA in order to reflect their independent, autonomous status. To dive deeper into design thinking, Buchanan’s design framework (2015) and different ways of reasoning (Dorst, 2015b) are used to explore how design thinking can be adapted for audits.

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