scholarly journals The ‘visual occupation regime’ in post-war East Germany, 1945–61

Author(s):  
Alexey Tikhomirov
Keyword(s):  
2005 ◽  
Vol 32 (1-2) ◽  
pp. 149-180
Author(s):  
Ewald Lang

The article portrays Wolfgang Steinitz (1905–1967) as an broad-minded linguist, whose life was determined by the political events in Europe between 1924 and 1967 and by his personal fate as a Jewish scientist, as a German communist of middle-class intellectual origin, and as a refugee to the USSR, Estonia and Sweden, who became an influential figure in the humanities in post-war East Germany. The paper focuses on detecting features of an inner biographical coherence in Steinitz’ oeuvre — despite the outer changes he had to experience with respect to political systems (Nazi-Germany, Stalin’s Soviet Union, Sweden, Soviet-occupied East-Germany/GDR) and scientific fields he had to deal with (Finno-Ugristics, Ostyakology, folklore, ethnology, German studies, and other subjects). The paper illustrates features of biographical coherence emerging from a productive connection of personal motivation and philological method. The way in which Steinitz (1934) analyzed the grammatical parallelisms in Finno-Karelian folk poetry as ‘variations under conditions of contrast’ provides the over-all pattern for the range of scientific endeavours he addressed in his subsequent scientific undertakings. With reference to the personal friendship of the two émigré scholars Wolfgang Steinitz and Roman Jakobson, the paper suggests the life-saving role a commitment to scientific work can play as a balancing pole in difficult political times.


2008 ◽  
Vol 18 (1) ◽  
pp. 53-69
Author(s):  
Stefan Soldovieri

Abstract Since 1989 connections between the once geopolitically divided German movie industries have received increasing attention. This article considers how two films of the early post-war period—one produced in East Germany and one from the West—mobilized in different ways figurations of German suffering and sacrifice. The author argues that despite their diverging politics, the two films participate in a trans-German discourse of suffering that persisted in historically variable ways throughout the Cold War period.


Author(s):  
Vyacheslav Nefedov

The study of cultural problems in the countries of the socialist community has acquired considerable relevance in historical research recently. At the same time there are considerable gaps in the study of culture of German Democratic Republic. For the period from 1945 to 1949 it is especially true. Appeal to the sources of the Soviet period can make it partly up. Nevertheless, this is insufficient. A modern view of the culture of East Germany after Second World War is ne-cessary. The policy of Socialist Unified Party of Germany at the socialist culture formation period is the subject of this research. The consideration of the influence of Soviet Union and ideas of Oc-tober Revolution on the postwar cultural development of East Germany (1945–1949) is the aim of this research. The realization of research tasks based on the using of Soviet and German books, newspapers and magazines is achieved. Sociopragmatic method, that allows to objectively investigate the processes in Soviet occupation zone of German is the main in this work. Social processes that occurred from 1945 to 1949 in East Germany are investigated. The degree of influence of Soviet Union and the ideas of October Revolution on the cultural policy of Socialist Unified Party of Germany is determined. The study of the Soviet influence on the cultural policy of Socialist Unified Party of Germany in the German society allowed to determinate its level as quite high. The study confirms the conclusions of researchers that party persons of SUPG sought to conduct cultural policy in East Germany based on the Soviet sample.


Author(s):  
Harald Kisiedu

This article illuminates the beginnings of jazz experimentalism in the German Democratic Republic (GDR) during the 1960s by focusing on one of its critically important proponents: multi-reedist and improviser Ernst-Ludwig Petrowsky. I situate Petrowsky’s engagement with jazz experimentalist practices within the context of politico-aesthetic debates surrounding jazz in East Germany that were decisively informed by the notion of socialist realism. Focusing on his work with pianist Joachim Kühn and Ensemble Studio 4, I explore the difficulties these jazz experimentalists faced under the ideological constraints imposed by GDR cultural policy makers during the height of the Cold War. Moreover, emphasizing the conditions in the East German state socialist system, I reconstruct the critical reception of post-war jazz in the GDR and discuss Petrowsky’s engagement with African-American experimentalism during the 1960s.


1993 ◽  
Vol 18 (1) ◽  
pp. 29-38 ◽  
Author(s):  
Horst Dietze

Picture lending has, at different times and in different places, been championed by individuals who have regarded it — with some difference of emphasis and interpretation — as a means both of helping artists and of bringing art into people’s lives. Ten such individuals are profiled: Heinrich Schulz; the more radical Otto Nagel, and Rudolf Bosselt, who were active in Germany in the 1920s and 1930s; Franz Roh and Eva Pietzsch, whose work continued into the post-War period in West Germany; Pieter Kooistra, founder of the SBK network in the Netherlands; Knud Pedersen in Denmark; Karl-Heinz Bolay, who became a leading librarian in Sweden; and Heinz Werner and Isolde PreiBler, who championed the cause of picture lending in East Germany, in circumstances which imposed severe limitations on what could be achieved until German unification opened up new possibilities. (An English version follows the German original).


Author(s):  
D. A. Elyashevich ◽  
◽  
A. S. Turgaev ◽  

A study of the history and activities of the «SWA-Verlag» publishing house founded by the Soviet Military Administration in Germany, covering the organisational structure of the «SWA-Verlag», its’ activities and the impact it had on the East Germany book publishing in the early post-war period.


2005 ◽  
Vol 32 (1-2) ◽  
pp. 149-180
Author(s):  
Ewald Lang

Summary The article portrays Wolfgang Steinitz (1905–1967) as an broad-minded linguist, whose life was determined by the political events in Europe between 1924 and 1967 and by his personal fate as a Jewish scientist, as a German communist of middle-class intellectual origin, and as a refugee to the USSR, Estonia and Sweden, who became an influential figure in the humanities in post-war East Germany. The paper focuses on detecting features of an inner biographical coherence in Steinitz’ oeuvre – despite the outer changes he had to experience with respect to political systems (Nazi-Germany, Stalin’s Soviet Union, Sweden, Soviet-occupied East-Germany/GDR) and scientific fields he had to deal with (Finno-Ugristics, Ostyakology, folklore, ethnology, German studies, and other subjects). The paper illustrates features of biographical coherence emerging from a productive connection of personal motivation and philological method. The way in which Steinitz (1934) analyzed the grammatical parallelisms in Finno-Karelian folk poetry as ‘variations under conditions of contrast’ provides the over-all pattern for the range of scientific endeavours he addressed in his subsequent scientific undertakings. With reference to the personal friendship of the two émigré scholars Wolfgang Steinitz and Roman Jakobson, the paper suggests the life-saving role a commitment to scientific work can play as a balancing pole in difficult political times.


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