A Research on the Bias of Communication in the Animation with the Theme of Traditional Chinese Literary Works : Taking 〈Journey to the West〉 and 〈CUG: King of Heroes〉 as the Research Center

2020 ◽  
Vol 16 (4) ◽  
pp. 247-260
Author(s):  
Hairihan Qi
2018 ◽  
Vol 3 (1) ◽  
pp. 29-44
Author(s):  
Zhang Meilan ◽  
Zhan Hao

Through examination of variants in two versions of Jinpingmei, three versions of Water Margin, two versions of Journey to the West, and between relevant sections of Qingpingshantang Scripts, Ancient and Modern Fiction, Jingshi Tongyan, and Amazing Stories, the existence of two trends of elegance and popularity in the orthography of different versions and literary works may be detected. Those texts with a more elegant character have been largely influenced by a strategy of standardized orthography, which is closely related to the creation purpose, knowledge, and cultural awareness of the authors, the willingness of booksellers to produce and sell such works, and their target consumers and readership. The differentiation between elegance and popularity in the character of literary works truly reflects the divergence of different texts within different social strata, which is not only a linguistic and philological question, but also a sociological one.


Author(s):  
Kriswanda Krishnapatria

This paper examines adaptation study of famous heroes from various literary works (such as Mahabharata, Arthurian legend, Journey to the West) and a Multiplayer online battle arena (MOBA) ‘Mobile Legends: Bang Bang!’ (MLBB) by Moonton. This paper focuses on how fictional heroes and divine figures like Gatotkaca, Lancelot, Freya and Sun Go Kong are presented and shaped into different in-game roles. Mobile Legends: Bang Bang! a game designed for mobile phones, provides two opposing teams fighting one another to reach and destroy the enemy’s base while defending their own base for control. Descriptive analytical method with documentation obtained from books and research journals was used to analyze the media; in addition, the theory used was based on Damono’s theory of adaptation (2012) and Elleström’s modalities (2010) by analyzing the element changes in the adaptation study. The conclusion is that the heroes’ roles are shaped differently due to their true nature and motives from the original literary works.


2007 ◽  
Vol 4 (3) ◽  
pp. 331-358
Author(s):  
WEN-CHIN OUYANG

I begin my exploration of ‘Ali Mubarak (1823/4–1893) and the discourses on modernization ‘performed’ in his only attempt at fiction, ‘Alam al-Din (The Sign of Religion, 1882), with a quote from Guy Davenport because it elegantly sums up a key theoretical principle underpinning any discussion of cultural transformation and, more particularly, of modernization. Locating ‘Ali Mubarak and his only fictional work at the juncture of the transformation from the ‘traditional’ to the ‘modern’ in the recent history of Arab culture and of Arabic narrative, I find Davenport's pronouncement tantalizingly appropriate. He not only places the stakes of history and geography in one another, but simultaneously opens up the imagination to the combined forces of time and space that stand behind these two distinct yet related disciplines.


2017 ◽  
Vol 5 (1) ◽  
pp. 78
Author(s):  
Aysel KAMAL ◽  
Sinem ATIS

Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first period aesthetics due to the contributions from western (French) writers. The influence of the western writers on him has also inspired his interest in the materialist culture of the West. In 1953 and 1959 he organized two tours to Europe in order to see places where Western thought and culture were produced. He shared his impressions that he gained in European countries in his literary works. In the literary works of Tanpinar, Europe comes out as an aesthetic object. The most dominant facts of this aesthetic are music, painting, etc. In this work, in the writings of Tanpinar about the countries that he travelled in Europe, some factors were detected like European culture, lifestyle, socio-cultural relations, art and architecture, political and social history and so on. And the effects of European countries were compared with Tanpinar’s thought and aesthetics. Keywords: Ahmet Hamdi Tanpinar, Europe, poetry, music, painting, culture, life


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