scholarly journals Central European Border Settlements and Interwar Ireland: a Transnational Study of the North- Eastern Boundary Bureau and the Boundary Commission

2017 ◽  
Vol 57 (3) ◽  
Author(s):  
Lili Zách

ABSTRACTIn the aftermath of the Great War, the birth of new independent small states in East-Central Europe was closely followed in Irish nationalist circles due to the possibility of Partition in Ireland. Newspaper editorials, journal articles and diplomatic accounts illustrate that post-war Ireland had an open attitude toward the settlement of borders on the Continent as the dissolution of the Austro-Hungarian Empire was similarly controversial. This paper aims to investigate how contemporary Irish commentators perceived the question of boundary settlements in Central Europe in order to provide an insight into the transformation of political space in both Ireland and Central Europe. After providing a brief background to the Irish boundary question, this paper touches upon the most important points in historiography with regard to border settlements in the post-World War I era.. It also discusses Irish Partition history in detail, concentrating on the North-Eastern Boundary Bureau (NEBB) and the Boundary Commission, and the importance of Central European precedents in their work. Moreover, this paper also proposes to provide an insight into the Irish interest in the minority problem in European borderland regions after 1925 in order to illustrate the outward-looking attitude to Irish nationalists, even in relation to borders and minorities.

Author(s):  
Lars Öhrström

In my childhood, visits to Gothenburg would always include a long (it seemed at the time) tram ride with my mother, from the centre of town to the north-eastern districts, past the old, red brick, ball-bearing factory of SKF to the vast Kviberg Cemetery to put flowers on my grandmother’s grave. I never ventured on any longer excursions among the neat flower-decorated graves on these well-kept lawns, but had I done so I would perhaps have discovered a different, more uniform, part of the cemetery that relatives seldom visited: the war graves. War graves form a somewhat unexpected discovery in the suburbs of a country that was neutral in both world wars, but there it is. Among the mostly German, American, and British graves we find, in the Commonwealth section, that of Arthur Cownden who, at 17, was probably the youngest to be buried there. He was boy telegraphist on a Royal Navy destroyer, and on the morning of 1 June 1916 his body was washed ashore close to the small fishing village of Fiskebäckskil on the Swedish west coast. His ship, the HMS Shark , was one of many British losses during the preceding day’s Battle of Jutland—the only clash between the main forces of the Royal Navy and the German Hochseeflotte during World War I. By all accounts this was a terrible battle, with loss of lives in the thousands on both sides, and one of the largest naval battles ever fought. The Battle of Jutland remains somewhat controversial for two reasons: the enduring argument between the two British commanders, David Beatty and his superior John Jellicoe, and the purported role of the Royal Navy’s smokeless gunpowder cordite in the sinking of a number of its own ships. We have no business with naval tactics, but the cordite question is related to one of the lesser-known supply problems of World War I, that of acetone. You may be familiar with this molecule as nail varnish remover, but perhaps you also know the disastrous effect it has on the glossy surface of cars.


2020 ◽  
Vol 18 (4) ◽  
pp. 408-414
Author(s):  
Martin Kohlrausch ◽  
Daria Bocharnikova

This article demonstrates the social and political impact of modernist architects in Europe’s age of extremes beyond the narrower confines of architecture. In East Central Europe with its ideological tensions, massive socio-political ruptures and eventually the establishment of communist regimes, architects’ social visions and the states’ aspirations led to intense interactions as well as strong controversies. In order to unravel these, we stress the relevance of modernism as a belief and knowledge system. In so doing we point to often unacknowledged continuities between the interwar and the immediate post-war period thus re-politicising the work of modernist architects as a project of worldmaking in the context of competing ideologies and sociotechnical imaginaries.


2017 ◽  
Vol 48 ◽  
pp. 111-125 ◽  
Author(s):  
Franz L. Fillafer

The Enlightenment seems out of kilter. Until fairly recently, its trajectories were beguilingly simple and straightforward. Devised by Western metropolitan masterminds, the Enlightenment was piously appropriated by their latter-day apprentices in Central and Eastern Europe. This process of benign percolation made modern science, political liberty, and religious toleration trickle down to East-Central Europe. The self-orientalizing of nineteenth-century Central European intellectuals reinforced this impression, making concepts that were ostensibly authentic and pristine at their “Western” sources seem garbled and skewed once appropriated in their region.


2019 ◽  
Vol 63 (1 (464)) ◽  
pp. 65-79
Author(s):  
Alfrun Kliems

This paper discusses questions like the irony of history, the lack of illusions, and the prophecy of violence in three classic World War I novels by Jaroslav Hašek, Vladislav Vančura and Józef Wittlin, written in the decades after 1918. The novels have at least three aspects in common: first, the poetics of each is marked in a compressed way by the style of narrating the assassination in Sarajevo in 1918; second, three picaresque figures – Švejk, Řeka and Niewiadomski, respectively – standing in the centre of each novel; and, third, in addition to the war itself, each novel looks proleptically at its consequences, even if the narrated time does not extend to the end of the war. The paper tries to reflect on the novels as the literature of post-imperialist violence. Rhetorical figures of barbarization and self-barbarization, inversion of subject and object, fragmentation of space are particularly significant in the books, demonstrating the aesthetic processing of the reversal from euphoria, over the end of the war, to frustration, over the continuing violence. More specifically, these figures correspond with a remarkable degree with the unfulfilled peace after 1918.


One of the most remarkable evolutionary processes, the more striking since it has occured before our eyes, has been the rise and spread of melanism and melanochroism amongst the Lepidopetera. Commencing about 1850 in the Manchester area in England with the Geometrid moth Amphidasys betularia L., which yielded the black form carbonaria Jord. ( doubledayaria Mill.), this development has proceeded so rapidly, and become so widespread, that now there is scarcely a country in Northern and Central Europe which does not produce its quota of melanic insects. Moreover, the same state of affairs exists in the North-Eastern United States, although there the number of species affected, up to the present, is not so great as in Europe. Another important feature about these changes lies in the circumstance that, almost uniformly, in Europe and in the United States, the first species to exhibit melanism in any given area have been Amphidasys betularia and Tephrosia crepuscularia . From the beginning, the Geometridæ, more especially the subfamily Boarmiinæ, have provided not only the bulk of the melanic varieties, but also the greatest numbers of individuals. In many areas, as for example in the case of A. betularia and Y psipetes trifasciata , only black examples occur. Nevertheless, other groups include species which have gone black; for instance, the Noctuidæ present black forms of Aplecta nebulosa Hufn., the Cymatophoridæ of Cymatophora or F., the Arctiidæ of Spilosoma lubricipeda L., the Gelechiidæ of Chimabacche fagella F., and so on.


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