scholarly journals Causes of increased flood frequency in central Europe in the 19th century

2019 ◽  
Vol 15 (4) ◽  
pp. 1395-1409 ◽  
Author(s):  
Stefan Brönnimann ◽  
Luca Frigerio ◽  
Mikhaël Schwander ◽  
Marco Rohrer ◽  
Peter Stucki ◽  
...  

Abstract. Historians and historical climatologists have long pointed to an increased flood frequency in central Europe in the mid- and late 19th century. However, the causes have remained unclear. Here, we investigate the changes in flood frequency in Switzerland based on long time series of discharge and lake levels, precipitation, and weather types and based on climate model simulations, focusing on the warm season. Annual series of peak discharge or maximum lake level, in agreement with previous studies, display increased frequency of floods in the mid-19th century and decreased frequency after the Second World War. Annual series of warm-season mean precipitation and high percentiles of 3 d precipitation totals (partly) reflect these changes. A daily weather type classification since 1763 is used to construct flood probability indices for the catchments of the Rhine in Basel and the outflow of Lake Lugano, Ponte Tresa. The indices indicate an increased frequency of flood-prone weather types in the mid-19th century and a decreased frequency in the post-war period, consistent with a climate reconstruction that shows increased (decreased) cyclonic flow over western Europe in the former (latter) period. To assess the driving factors of the detected circulation changes, we analyze weather types and precipitation in a large ensemble of atmospheric model simulations driven with observed sea-surface temperatures. In the simulations, we do not find an increase in flood-prone weather types in the Rhine catchment in the 19th century but a decrease in the post-war period that could have been related to sea-surface temperature anomalies.

2019 ◽  
Author(s):  
Stefan Brönnimann ◽  
Luca Frigerio ◽  
Mikhaël Schwander ◽  
Marco Rohrer ◽  
Peter Stucki ◽  
...  

Abstract. Historians and historical climatologists have long pointed to an increased flood frequency in Central Europe in the mid and late 19th century. However, the causes have remained unclear. Here, we investigate the changes in flood frequency in Switzerland based on long time series of discharge and lake levels, of precipitation and weather types, and based on climate model simulations, focusing on the warm season. Annual series of peak discharge or maximum lake level, in agreement with previous studies, display increased frequency of floods in the mid 19th century and decreased frequency after the Second World War. Annual series of warm-season mean precipitation and high percentiles of 3-day precipitation totals (partly) reflect these changes. A daily weather type classification since 1763 is used to construct flood probability indices for the catchments of the Rhine in Basel and the outflow of Lake Lugano, Ponte Tresa. The indices indicate an increased frequency of flood-prone weather types in the mid 19th century and a decreased frequency in the post-war period, consistent with a climate reconstruction that shows increased (decreased) cyclonic flow over Western Europe in the former (latter) period. To assess the driving factors of the detected circulation changes, we analyse weather types and precipitation in a large ensemble of climate model simulations forced with observed sea-surface temperatures. In the simulations, we do not find an increase in flood-prone weather types in the Rhine catchment in the 19th century, but a decrease in the post-war period related to the sea-surface temperature anomalies.


2020 ◽  
Vol 3 (2(6)) ◽  
pp. 109-123
Author(s):  
Alla Ozhoha-Maslovska

The stages of the formation of Japanese art collections on the territory of Ukraine from the beginning of the 19th century to the present are highlighted on the basis of archival materials, periodicals and professional literature. Information about Japanese collections of the pre-war and post-war periods are systematized, while their composition and sources of formation are determined. The influence of the socio-political system on the development of the process of collecting Japanese art in Ukraine is also analysed. The sources of the formation of collections of Japanese art in the collections of The Bohdan and Varvara Khanenko National Museum of Arts in Kyiv, Odessa Museum of Western and Oriental Arts, the Chinese Palace of “Zolochiv Castle” Museum-Reserve, as well as Kharkiv Art Museum are explored. Finally, modern tendencies in the collection of Japanese art in Ukraine are determined.


2011 ◽  
Vol 182 (2) ◽  
pp. 79-85 ◽  
Author(s):  
Paul Ambert

Abstract The Pliocene period in the Montpellier region, considered as being emblematic since the middle of the 19th century because of its diverse mammal fauna, has not received much innovative treatment over the last 30 years. In particular, there has been no reinterpretation of geological data in the light of the Messinian-Zanclean double eustasy and related mechanisms. And yet, the increase in the number of urban projects affecting the Pliocene terrains and substratum has allowed for a renewed analysis of these areas in conformity with the results obtained in the nearby valley of the Rhône river. Highlighting the discordance, the regressive Messinian erosion has allowed for the Pliocene fluviatile network of the Lez to emerge. This in turn has made possible the reconstruction of a digitate network that recorded all of the phases of the filling in of these Pliocene rias. This is particularly clear thanks to the study of the Messinian discordance in the hard rocks of the Montpellier fold on the one hand, and on the other, within the Neogene ditches. Since the Messinian, the course of the Mosson and Lez rivers, just as that of the Vidourle river, tracked heavily to the east. This is how the Pliocene Mosson river crossed the Montpellier fold. In fact these modifications of the river courses, made possible by the reuse, until the end of the Pliocene, of the erosion surfaces of the coastal links (the Montpellier fold, the Gardiole), correspond to the accentuation of the deformations of these surfaces. The amplitude and variability of these movements is a result of the altitude of the marine-continental Pliocene transition. This altitude is doubtless often rather approximate, but it differs considerably with respect to the coastal Jurassic ranges (the Montpellier fold to the north, the Gardiole to the south), which frame the Pliocene “Gulf” of Montpellier. The two coastal ranges, calcareous and sub-parallel to the sea surface, have succeeded in channeling the transgression at the point of the saddleback axes, conferring Dalmatian coastal characteristics to the Pliocene ria.


2019 ◽  
Vol 10 ◽  
pp. 207-229
Author(s):  
Jarosław Bodzek ◽  
Kamil Kopij ◽  
Szymon Jellonek ◽  
Barbara Zając

A direct successor of the oldest tradition of academic archaeology in Poland, the Institute of Archaeology of the Jagiellonian University ranks among the leading research centres with respect to studies on the influx of Roman coins into European Barbaricum. The interest in Roman coinage at the Jagiellonian University pre-dates archaeology and can be traced back to the 16th century and the professors of the Kraków Academy (the name of the university at that time) Maciej of Miechów (1457–1523) and Stanisław Grzebski (1524–1570). In the 19th century, Roman coins discovered in the vicinity of Kraków attracted the interest of Jerzy Samuel Bandtke (1768–1835). However, the time when this area of research enjoyed particular development falls to the last years before WWII and the post-war period. A significant role in this respect was played by researchers either representing the JU Institute of Archaeology, like Professors Rudolf Jamka (1906–1972), Kazimierz Godłowski (1934–1995), and Piotr Kaczanowski (1944–2015), or those cooperating with the Institute like Professor Stefan Skowronek (1928–2019). Their activity laid the foundations for today’s research on the finds of Roman coins and their inflow into the territories of the Roman Period Barbaricum. Currently, this area of studies is within the focus of two of the departments of the Institute of Archaeology: the Department of Iron Age Archaeology and the Department of Classical Archaeology. The intensification of research on the inflow of Roman coins owes much to the Finds of Roman coins in Poland and connected with PL project, carried out in 2014–2018 under the leadership of Professor Aleksander Burshe, with important contributions provided by a group of scholars from the JU Institute of Archaeology. Despite the conclusion of the project, studies on the inflow of Roman coins will continue.12345


2018 ◽  
Author(s):  
Andrzej Jakubowski

Ethnic changes in Abkhazia (2nd half of the 19th century– beginning of the 21st century)Main aim of the paper is to analyse ethnic changes that took place in Abkhazia from the 60s of the 19th century to the present. The paper discusses the changes in ethnic structure of Abkhazia caused by the forced exodus of the Abkhazians to the Ottoman Empire (muhajirstvo), the process of multinational settlement in Abkhazia from the late 19th century to the 1990s, the Georgian-Abkhazian war of 1992-1993 and the national policy of de facto Abkhazia led in the post-war period in the terms of the absence of international recognition. Przemiany narodowościowe w Abchazji od II połowy XIX do początku XXI wiekuCelem artykułu jest analiza przemian narodowościowych, jakie zaszły w Abchazji począwszy od lat 60. XIX wieku do chwili obecnej. W pracy omówiono zmiany w strukturze etnicznej w Abchazji warunkowane przymusowym eksodusem Abchazów do Imperium Osmańskiego (muchadżyrstwo), procesem wielonarodowościowego osadnictwa na te- renie Abchazji od końca XIX wieku do lat 90. XX wieku, wojną gruzińsko-abchaską z lat 1992-1993 oraz polityką narodowościową de facto Abchazji prowadzoną w okresie powojennym w warunkach braku uznania międzynarodowego.


Art History ◽  
2014 ◽  
Author(s):  
Kirk Ambrose

Coined at the turn of the 19th century to signal a perceived Roman aspect to architecture of the 11th and 12th centuries, Romanesque is today a contested term, with some scholars preferring century descriptors. Romanesque typically refers to the arts produced in western Europe sometime after 1000 ce until the middle of the 12th century, a time marked by the rise of Gothic art in France. The term “Romanesque” can likewise be extended to the arts of central Europe and Russia, but, for reasons of space, the monuments of these regions cannot be considered here. In some parts of western Europe, including Germany and Portugal, scholars classify monuments from the early 13th century as Romanesque. Broadly construed, this period witnessed a remarkable flourishing of the arts in a host of media, as well in other cultural spheres. Many continue to refer in general terms to a “renaissance of the 12th century.” With the benefit of nearly a century of scholarship preceding this publication, it has become increasingly difficult to generalize about the scope and variety of cultural activities across Europe. As eclecticism characterizes the visual arts of the period, most studies on Romanesque tend to be based largely on specific monuments, media, or regions. In addition, many scholars approach their subject with an eye to thematic or key methodological concerns, resulting in a rich and complex historiographic tradition. This article provides an overview, by no means comprehensive, of major trends of investigation, as well as offering an introduction to key sources.


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