scholarly journals The Roman Aqueduct of Aquincum in Technological and Cultural Contexts

2021 ◽  
Vol 14 ◽  
pp. 1-19
Author(s):  
László Munteán
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Cultural Practices ◽  
Continuous Line ◽  
The South ◽  
Cultural Contexts ◽  
Final Destination ◽  
History Of ◽  
Roman Province ◽  
Road Junction

This article explores the technological and cultural history of the Roman aqueduct of Aquincum in Budapest. The only one in the Roman province of Pannonia that was elevated to a continuous line of arches, this aqueduct conveyed water from its source in what is now Budapest’s third district to its final destination over three miles to the south, where a Roman military town was located. Apart from the aqueduct’s technological and archaeological aspects, this article also examines several cultural practices that it engendered including the ritualistic significance of the springs that fed it, its appearance as a ruin in various medieval documents, the transformation of its last, above-ground pier into a Christian shrine in the nineteenth century, as well as the relocation of two of its piers to give way to the construction of a road junction.

Puccini's La Bohème

2020 ◽  
Author(s):  
Alexandra Wilson
Keyword(s):  
Cultural History ◽  
Cultural Contexts ◽  
Music Drama ◽  
Political Debates ◽  
The World ◽  
History Of ◽  
La Boheme ◽  
The Aesthetic ◽  
The Many ◽  
The City

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.

Urban Formalism

2020 ◽  
Author(s):  
David Faflik
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Cultural History ◽  
Subjective Experience ◽  
The West ◽  
Urban Experience ◽  
Street Protest ◽  
History Of ◽  
New Form ◽  
The City

Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.

Gustav Klemm, Cultural History, and Kulturwissenschaft

2017 ◽  
Author(s):  
Peter N. Miller
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
Cultural History ◽  
German Culture ◽  
High Culture ◽  
History Of ◽  
New Material ◽  
Cultural Science ◽  
History Of Culture

This chapter examines a new material-based history of German culture and looks at how a study of material culture had since evolved into “cultural history.” It traces the history of culture in nineteenth-century Germany, at the same time puzzling out the ambiguity of such a category as it was applied during the period. Encompassing both high culture and low, the popular and the elite, cultural history has often seemed borderless and indefinite—leading even its admirers to “search” for it or to see it as a “problem.” The chapter then turns to a study of Gustav Friedrich Klemm (1802–1867), the most important of the cultural historians of the 1840s and 1850s. His General Cultural History (1843–1852) and General Cultural-Science (1855) are both significant works in the field.

Officers’ contributions to Britain’s anti-slavery culture

2019 ◽  
pp. 167-190
Author(s):  
Mary Wills
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Slave Trade ◽  
West African ◽  
Royal Navy ◽  
The Social ◽  
The Press ◽  
History Of ◽  
Naval Officers

This chapter examines officers’ contributions to the metropolitan discourses about slavery and abolition taking place in Britain in the early to mid-nineteenth century. Furthering the theme of naval officers playing an important part in the social and cultural history of the West African campaign, it uncovers connections between the Royal Navy and domestic anti-slavery networks, and the extent to which abolitionist societies and interest groups operating in Britain during the first half of the nineteenth century forged relationships with naval officers in the field. Officers contributed to this ever-evolving anti-slavery culture: through support of societies and by providing key testimonies and evidence about the unrelenting transatlantic slave trade. Their representations of the slave trade were used to champion the abolitionist cause, as well as the role of the Royal Navy, in parliament, the press and other public arenas.

The Mudu Archaic City Site of the Spring-and-Autumn Period in Suzhou City, Jiangsu

2012 ◽  
Vol 12 (1) ◽  
Author(s):  
Joint Archaeological Team Of Instit ◽  
Suzhou Municipal Institute Of Archa
Keyword(s):  
Cultural History ◽  
Large Scale ◽  
The South ◽  
Autumn Period ◽  
The North ◽  
Regional Center ◽  
Water Gate ◽  
Spring And Autumn Period ◽  
History Of ◽  
Eastern Zhou

AbstractIn 2009 and 2010, a series of archaeological investigations were conducted in and around the Mudu archaic city site located in the southwestern highland of Greater Suzhou, Jiangsu. The excavations revealed sections of the north circumference wall at Wufeng and the water gate of the south circumference wall at Xinfeng. The surveys identified the possible locations of the east and the west circumference walls. Diagnostic proto-porcelain and stamped potsherds were recovered. It is tentatively argued that both the north and the south walls were built and in use during the late Spring-and-Autumn Period. The Mudu Site, therefore, was a large-scale walled settlement functioned as a regional center of its time. These findings are instrumental in the search for the lost capital of Wu State of the Spring-and-Autumn Period, the understanding of the relationship among the various contemporary settlement sites, cairns, earthen mounds, and caches distributed in the region, and the reconstruction of the local cultural history of Eastern Zhou.

scholarly journals Dueling, Conflicting Masculinities, and the Victorian Gentleman

2017 ◽  
Vol 56 (3) ◽  
pp. 605-628 ◽  
Author(s):  
Margery Masterson
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Interpersonal Violence ◽  
Multifaceted Approach ◽  
Multiple Modes ◽  
Starting Point ◽  
Modern Britain ◽  
History Of ◽  
The Relationship

AbstractThis article takes an unexplored popular debate from the 1860s over the role of dueling in regulating gentlemanly conduct as the starting point to examine the relationship between elite Victorian masculinities and interpersonal violence. In the absence of a meaningful replacement for dueling and other ritualized acts meant to defend personal honor, multiple modes of often conflicting masculinities became available to genteel men in the middle of the nineteenth century. Considering the security fears of the period––European and imperial, real and imagined––the article illustrates how pacific and martial masculine identities coexisted in a shifting and uneasy balance. The professional character of the enlarging gentlemanly classes and the increased importance of men's domestic identities––trends often aligned with hegemonic masculinity––played an ambivalent role in popular attitudes to interpersonal violence. The cultural history of dueling can thus inform a multifaceted approach toward gender, class, and violence in modern Britain.

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