scholarly journals Entre narration et action: Herméneutique et reconstruction thérapeutique de l'identité

2010 ◽  
Vol 1 (1) ◽  
pp. 21-33
Author(s):  
Vinicio Busacchi

La psychanalyse de Freud exerce un rôle constitutif dans le discours philosophique de Paul Ricœur sur l'homme. Autour de sa conception de “l' homme capable,” on peut voir s'articuler très clairement trois modèles théoriques: une théorie de la réflexion comme réappropriation, une théorie de la narration comme construction et comme reconstruction de l'identité, une théorie de la reconnaissance comme parcours d'émancipation. Il s'agit de trois modèles capables de donner à la psychanalyse d'aujourd'hui des éléments nouveaux pour l'élaboration d'une théorie herméneutique centrée sur les concepts de narration et d'action.    The psychoanalysis of Freud plays a constitutive role in Paul Ricœur’s philosophical discourse on the human. His conception of the human being as “capable man” revolves around three theoretical models – a theory of reflection as re-appropriation, a theory of narration as the construction and reconstruction of identity, and a theory of recognition as a course of emancipation. These three models can lend new elements  to current psychoanalysis for the elaboration of a hermeneutical theory focused on the concepts of narration and action.

2011 ◽  
Vol 2 (1) ◽  
pp. 70-83 ◽  
Author(s):  
Silvia Pierosara

This paper demonstrates an implicit connection between narrativity and recognition in the work of Paul Ricœur. This view is developed in three steps. First, it shows that the subject who calls for recognition demands that his or her own narrative be recognized. In order to be recognized, a story must be measured with history, particularly that of the victims. Second, from this perspective, the role of collective narratives is fundamental, because they represent the possibility to connect the intrinsic teleology of every human being to the collective attribution of significance. Finally, with the help of a little known essay by Ricœur, the metaphorical power of narrativity to configure meaning will be compared to the power of architecture to construct and to organize space. Both these fields give stories visibility and an ability to be recognized. 


2015 ◽  
Vol 6 (1) ◽  
pp. 46-56 ◽  
Author(s):  
Dries Deweer

Paul Ricœur shared Emmanuel Mounier’s personalist and communitarian ideal of a universal community, which ensures that every human being has access to the conditions for self-development as a person. Whereas Mounier talks about communication as the structure of personhood that summons us towards the gradual enlargement of the community, Ricœur’s reflections on translation provide a missing link by referring, not just to the human capacity to communicate, but more specifically, to our capacity to translate and the implied ethics of linguistic hospitality. This allowed him to show that what enables us to enlarge the circle of brotherhood is the capacity to gradually settle in the world of the other and to welcome the other into one’s own world.


1970 ◽  
Vol 22 (2) ◽  
pp. 175-190
Author(s):  
Marek Drwięga

This paper deals with the problem of what otherness consists in, and what its foundation is, within the I–Other relation. In this way, the study also explores the limits of ethics and of a quasi-religious attitude, in order to establish what is required to shape interpersonal relations in a non-violent way, when faced with the radical otherness of another human being. Such an investigation also intersects with a broader ethical discussion that aims to take account of glorious or heroic acts, focused on the issue of supererogation. The aim of the present study is to demonstrate the degree to which a neglect of reciprocity and justice in the context of such philosophical research constitutes a risky step. To this end, the main aspects of the debate between Emmanuel Levinas and Paul Ricœur are introduced. After examining the position of Levinas, and how Ricœur interprets the I–Other relation in Levinas, an attempt is made to assess whether the latter’s line of criticism is pertinent and helpful for attempts to arrive at the core of the disagreement between the two thinkers.


2013 ◽  
Vol 4 (2) ◽  
pp. 18-33
Author(s):  
Andrew Wiercinski

Acting and suffering subjectivity makes a grand sujet in Ricoeur's philosophy. In his Time and Narrative Ricoeur created the notion of narrative identity which is an individual internalized and evolving life strory. The narrative alone might define the “who”. Whoever lives and exists, suffers. Ricoeur metaphorically defined life as a cloth. We can add, Wiercinski continues, that this cloth is woven with pain. It is pain which makes the cloth, and, at the same time, it is also a joy of the human condition. As humans, we are called to wear this cloth as well as to understand what does it mean - from the hermeneutic perspective.


2012 ◽  
Vol 3 (2) ◽  
pp. 149-170 ◽  
Author(s):  
Timo Helenius

Based on the double character of “as if,” it is argued in this paper that “the surplus of meaning” turns out to be “the surplus of being,” which reveals a human being who interprets his or her own being and also acknowledges this being as be-ing at the same time. In this article, 1) the notion of “as if” is retrieved from Ricoeur’s early work in relation to the “poetics of being” aspired to by him. This leads us to 2) examine the relation between the “semantic surplus” and the “becoming of being.” 3) Addressing the problem of metaphorical reference, the key philosophical problem of poetics, is, therefore, inevitable. Only after this analysis will we 4) be able to consider whether there is a kind of “poetics of being” in the work of Paul Ricoeur. 


2020 ◽  
Vol 10 (2) ◽  
pp. 36-51
Author(s):  
Jean-Philippe Pierron

The “small” Ricœurian ethic disrupts the classical presentations of different ethics because of the place it gives to the moral imagination and the tragic. Difficult to classify in the panorama of contemporary ethics, the Ricœurian project values the pluralism of moral traditions as practical preunderstandings while giving practical creativity a prominent place. This tension of traditions and ethical imagination gives his practical wisdom a dynamic and heuristic character. This article shows the fruitfulness of this wisdom in an age of pluralistic and complex societies, and deploys its practical significance. It analyzes, first, cells of good advice, where practical inventiveness is mobilized. Second, through discussion of the work of Ricœur and Nussbaum, it then studies, within the framework of the economy where the role and place given to play is central, the place of imagination in an anthropology of the capable human being.


2011 ◽  
Vol 2 (1) ◽  
pp. 150-167 ◽  
Author(s):  
Gérôme Truc

Since the publication of Oneself as Another, many sociologists have referred to the work of Paul Ricœur, some of them considering his notion of narrative identity to be a useful means of analyzing some aspects individual identity left unresolved by Bourdieu’s notion of habitus. Bourdieu had, however, already discredited the sociological relevance of the notion of narrative in his 1986 article “The Biographical Illusion.” Through a careful re-reading of both texts, this article will determine to what extent the sociological use of Ricœur’s notions can escape the confines of Bourdieu’s analysis and, moreover, the different conceptions of the human being and of ethics underlying the two distinct frameworks of analysis. 


2011 ◽  
Vol 2 (2) ◽  
pp. 106-117
Author(s):  
Hilda Bentes ◽  
Sergio Salles

This article aims to analyze the constitution of a subject of right capable of respect and esteem through the concept of capacity elaborated by Paul Ricœur. It intends to evaluate the capable, emancipated human being, the self that has an ethical and moral dimension and that is susceptible of ethical and juridical imputation, as it is explained in “Who is the Subject of Rights?” in The Just.   There is an erratum for this article located here. 


2021 ◽  
Vol 9 (1) ◽  
pp. 56-66
Author(s):  
Michał Kłosiński

Abstract The article presents an analysis and interpretation of Disco Elysium, an award-winning videogame published by ZA/UM studio in 2019. The main problem explored in the research concerns the ontological basis upon which the game builds the complex personality of its protagonist and his relationship with the storyworld. The main theoretical works utilized in the analysis and interpretation are Object-Oriented Ontology by Graham Harman and Existence and Hermeneutics by Paul Ricoeur. My thesis is that Disco Elysium presents time, events and history as the effects of various tensions between the protagonist and the objects. In doing so, the game offers a non-anthropocentric perspective on human being and gives rise to questions about objects as a basis for rethinking the human condition. The article concludes with the formulation of a possible new hermeneutical approach founded on Object-Oriented Ontology.


2017 ◽  
Vol 7 (2) ◽  
pp. 164-186
Author(s):  
Laure Assayag

This article proposes to retrace the path of trust that Paul Ricœur has drawn across his works. If the concept of trust is never themed as such, nevertheless it unfolds in subtle ways in fields as diverse as ethics, morality, politics, and religion. We will argue that trust is a solid but fragile foundation for Ricœur’s recognition theory. Rooted in man’s structural disproportion, trust is a perpetual tension between the finitude of existence and the infinitude of mutual recognition, between the ability and fallibility of the human being -it is thus a continuous search, always disappointing but always renewed, of a mediation between the self and the other, the hope of happiness and the reality of evil. The analysis of various forms of trust, including interpersonal and institutional forms, will then be coupled with a study of trust in practical terms, based on Ricœur’s approach to healthcare relationships, or the perception of foreigners.


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