scholarly journals Anxieties of Authorship, Critique of Readership: Mishima Yukio’s Modern Noh Play Genji kuyō

2021 ◽  
Vol 55 (2) ◽  
pp. 407-446
Author(s):  
Satoko Naito
Keyword(s):  
Twelfth Century ◽  
Critical Reception ◽  
Tale Of Genji ◽  
Murasaki Shikibu ◽  
History Of

Mishima Yukio's dramatic suicide half a century ago ensured that his name would forever be associated with a certain fanatic imperialism, and largely fulfilled his own wish that he would die as a military man. And yet, he was until the end foremost a literary artist, concerned with the critical reception of his written works and preoccupied with his lasting reputation as an author. This paper examines Mishima’s portrayal of the celebrity writer, as well as the potentials and limitations of literature as presented in his oft-neglected modern noh play Genji kuyō (Devotional offering for Genji, 1962). It positions the play within the long history of prayers for Genji monogatari (The Tale of Genji, ca. 1008) that began in the twelfth century in response to the perceived ambiguous morality of the author Murasaki Shikibu (d. ca. 1014). Mishima's Genji kuyō provides a pointed criticism of readers, as well as anxieties regarding a writer's life and literary recognition. Though Mishima himself famously disowned it after its initial publication, Genji kuyō offers critical insights regarding the writing and reading of literature.

Walter Pater: Personality and Persons

2015 ◽  
Vol 5 (3) ◽  
pp. 234-250
Author(s):  
Stephen Cheeke
Keyword(s):  
Critical Reception ◽  
The Self ◽  
Walter Pater ◽  
History Of ◽  
Knowledge Of Persons

This article argues for the centrality of notions of personality and persons in the work of Walter Pater and asks how this fits in with his critical reception. Pater's writing is grounded in ideas of personality and persons, of personification, of personal gods and personalised history, of contending voices, and of the possibility of an interior conversation with the logos. Artworks move us as personalities do in life; the principle epistemological analogy is with the knowledge of persons – indeed, ideas are only grasped through the form they take in the individuals in whom they are manifested. The conscience is outwardly embodied in other persons, but also experienced as a conversation with a person inhabiting the most intimate and sovereign dimension of the self. Even when personality is conceived as the walls of a prison-house, it remains a powerful force, able to modify others. This article explores the ways in which these questions are ultimately connected to the paradoxes of Pater's own person and personality, and to the matter of his ‘style’.

The Earl, the Kings, and the Chronicler

2019 ◽  
Author(s):  
Robert B. Patterson
Keyword(s):  
Civil War ◽  
Twelfth Century ◽  
Full Length ◽  
English History ◽  
Cultural Revival ◽  
South Wales ◽  
Anglo Norman ◽  
Merchant Class ◽  
History Of ◽  
William The Conqueror

This book is the first full length biography of Robert (c.1088 × 90–1147), grandson of William the Conqueror and eldest son of King Henry I of England (1100–35). He could not succeed his father because he was a bastard. Instead, as the earl of Gloucester, Robert helped change the course of English history by keeping alive the prospects for an Angevin succession through his leadership of its supporters in the civil war known as the Anarchy against his father’s successor, King Stephen (1135–54). The earl is one of the great figures of Anglo-Norman History (1066–1154). He was one of only three landed super-magnates of his day, a model post-Conquest great baron, Marcher lord, borough developer, and patron of the rising merchant class. His trans-Channel barony stretched from western Lower Normandy across England to South Wales. He was both product as well as agent of the contemporary cultural revival known as the Renaissance of the Twelfth Century, bilingual, well educated, and a significant literary patron. In this last role, he is especially notable for commissioning the greatest English historian since Bede, William of Malmesbury, to produce a history of their times which justified the Empress Matilda’s claim to the English throne and Earl Robert’s support of it.

Crossing the Electronic Divide

2018 ◽  
Author(s):  
Steve Waksman
Keyword(s):  
Digital Divide ◽  
Critical Reception ◽  
Electric Guitar ◽  
The Future ◽  
History Of ◽  
John Mclaughlin

Guitar synthesizers gained prevalence in the 1980s thanks to the work of guitarists such as Pat Metheny, John McLaughlin, and Allan Holdsworth. This chapter explores how the guitar synthesizer challenged prevailing ideologies of technology, technique, and tone in the guitar community and was ultimately a commercial failure. It traces a brief history of the electric guitar and the synthesizer and their subsequent conjoining. The chapter discusses three cases in detail: Metheny’s use of the Roland GR-300, McLaughlin’s use of the Synclavier II, and Holdsworth’s use of the SynthAxe. The chapter concludes with an examination of the critical reception of the guitar synthesizer and speculates about the future of technological synthesis across the analog/digital divide.

Book Review: A History of Twelfth-Century Western Philosophy

1990 ◽  
Vol 51 (1) ◽  
pp. 134-135
Author(s):  
Donald F. Duclow
Keyword(s):  
Twelfth Century ◽  
Western Philosophy ◽  
History Of

Twelfth-Century Italian Prices: Food and Clothing in Pisa and Venice

1983 ◽  
Vol 7 (4) ◽  
pp. 381-403
Author(s):  
Louise Buenger Robbert
Keyword(s):  
Twelfth Century ◽  
Economic History ◽  
Western Europe ◽  
American Philosophical Society ◽  
Cost Of Living ◽  
Good Opportunity ◽  
History Of ◽  
New Material ◽  
The Cost

Seventy-three years ago pioneer American medievalist Dana Carlton Munro (1911: 504) delivered a paper in Philadelphia to the American Philosophical Society entitled “The Cost of Living in the Twelfth Century.” He threw down the gauntlet by concluding that in this paper an attempt has been made to set forth only a few of the facts, merely to indicate the nature and importance of the problem. Every one of the subjects here discussed is susceptible of elaboration, and needs to be worked out in detail for each country of Western Europe and each period in the twelfth century. The material is voluminous…. This field, as a whole, offers a good opportunity for many monographs, and such work is essential before we can understand the economic history of the century which was most important in the advance of western Europe.This article takes up this challenge with new material on the cost of living in Italy in the twelfth century.

Philosophy and Theological Rationalism

2021 ◽  
Vol 31 (2) ◽  
pp. 123-144
Author(s):  
Gabriela Tănăsescu ◽  
Keyword(s):  
Natural Science ◽  
Biblical Interpretation ◽  
Critical Reception ◽  
History Of Ideas ◽  
Negative Theology ◽  
History Of

The paper aims to circumscribe, through a specific history of ideas approach, the relevance of Benedict Spinoza’s theological rationalism to the major debate which generated the Early Enlightenment, the radical conception on the new status of philosophy in relation to theology, on libertas philosophandi and rational philosophizing. The main lines of Spinoza’s theological rationalism are sustained as being inspired and encouraged by Hobbes’ “negative theology,” the only theology considered consonant with the “true philosophy.” The paper also indicates the originality of Spinoza’s theological criticism and the reasons under which Hobbes—despite the radicalism of his biblical interpretation and of his thesis of separating the philosophy (natural science) from theology—Hobbes enjoyed an attenuated critical reception compared to that one applied to Spinoza and the “acute” tone of which was set by Leibniz.

Zemlinsky's “Expressionist” Moment: Critical Reception of the Second String Quartet, 1918–1924

2018 ◽  
Vol 71 (2) ◽  
pp. 371-438
Author(s):  
Clare Carrasco
Keyword(s):  
Cultural Politics ◽  
String Quartet ◽  
Public Life ◽  
Critical Reception ◽  
Early History ◽  
German Culture ◽  
Concert Hall ◽  
Political Debates ◽  
History Of ◽  
The Great War

In the years after 1918, discourse about musical expressionism was controlled by critics rather than composers. Understanding expressionism to be as much a public matter emanating from the concert hall as a private one rooted in the composer's workshop, critics at that time often identified as “expressionist” works that fall outside the conventional notion of an expressionist repertory. In a particularly striking case, those who reviewed the 1918 premiere of Zemlinsky's Second String Quartet, op. 15, described it as experimental, revolutionary, indeed expressionist music. Today, scholars consistently count opus 15 among Zemlinsky's most compelling works, but they do not usually frame it in such charged terms. This article uses reviews of the earliest public performances of the quartet to elucidate the diverse and changing ways in which critics positioned it, as an instrumental chamber work, relative to expressionism between 1918 and 1924. In addition to discussing its music-stylistic features, critics involved the quartet in the heated musical-political debates surrounding expressionism in Austro-German culture at the end of and just after the Great War. These debates concerned everything from the threat of “musical bolshevism” to the (re)interpretation of Bach's and Beethoven's legacies in a postwar age. Zemlinsky's short-lived “expressionist” moment was thus very much a public moment. Reconstructing it opens a window onto the vicissitudes of the early history of musical expressionism, revealing ways in which expressionism was originally meaningful not in relation to composers’ inner lives, but in relation to the turbulent musical and cultural politics that shaped public life.

Little Dorrit

2018 ◽  
pp. 244-259
Author(s):  
Francesca Orestano
Keyword(s):  
Collective Identity ◽  
Cultural Memory ◽  
Visual Studies ◽  
Critical Reception ◽  
The Novel ◽  
Critical Reading ◽  
Contemporary Politics ◽  
History Of ◽  
Critical Enquiry ◽  
Narrative Function

By dwelling first on the ‘faults’, then on the ‘excellencies’ remarked by reviewers and critics of Little Dorrit, this chapter also traces the history of that novel’s critical reception as it evolved from a close focus on contemporary politics and economics toward a study of the writer’s Hogarthian skill at building a visual satire. Subsequently the characters’ psychology as well as Dickens’s became the object of critical enquiry. When visual studies brought to the fore the import of perception and its narrative function, another area of investigation opened, in this chapter specifically connected with, and culturally encoded in, the technique of the stereoscope and the scientific notion of the binocularity of vision. Implemented by Dickens in the construction of Little Dorrit, this notion allows for a further critical reading of the novel as lieu de mémoire where real and imagined imprisonments, inscribed in history, also conjure the scene where cultural memory rewrites individual and collective identity in the present.

scholarly journals The Disputed Middle Ground: Tibetan Mādhyamikas on How to Interpret Nāgārjuna and Candrakīrti

Religions ◽  
2021 ◽  
Vol 12 (11) ◽  
pp. 991
Author(s):  
John Powers
Keyword(s):  
Twelfth Century ◽  
Middle Ground ◽  
Middle Way ◽  
New Directions ◽  
The World ◽  
History Of ◽  
Anthropological Approach ◽  
Broad Consensus

By the twelfth century, a broad consensus had developed among Tibetan Buddhists: The Middle Way School (Madhyamaka) of Nāgārjuna (c. 2nd century), as interpreted by Candrakīrti (c. 600–650), would be normative in Tibet. However, Tibetans had inherited various trajectories of commentary on Madhyamaka, and schools of thought developed, each with a particular reading. This article will examine some of the major competing philosophical stances, focusing on three figures who represent particularly compelling interpretations, but whose understandings of Madhyamaka are profoundly divergent: Daktsang Sherap Rinchen (1405–1477), Wangchuk Dorjé, the 9th Karmapa (1556–1603), and Purchok Ngawang Jampa (1682–1762). The former two contend that Nāgārjuna’s statement “I have no thesis” (nāsti ca mama pratijñā) means exactly what it says, while the latter advocates what could be termed an “anthropological” approach: Mādhyamikas, when speaking as Mādhyamikas, only report what “the world” says, without taking any stance of their own; but their understanding of Buddhism is based on insight gained through intensive meditation training. This article will focus on how these three philosophers figure in the history of Tibetan Madhyamaka exegesis and how their respective readings of Indic texts incorporate elements of previous work while moving interpretation in new directions.

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