scholarly journals Recurring Dreams: Mega Events and Traces of Past Futures

2020 ◽  
Vol 22 (1) ◽  
Author(s):  
Jonathan Gardner

Investigating several modern ‘mega events’, including World’s Fairs and Olympic Games, this paper discusses the complex relationship such events and their sites have often had with ‘the future’. Such events are frequently associated with demonstrating progress towards future ‘utopias’ (for example ‘The World of Tomorrow’ theme of the 1939 World’s Fair in New York) or leaving a tangible positive social and economic ‘legacy’. However, other uses of mega event sites have also frequently manifested darker, more anxious ideas about that which is yet to come. In this paper I discuss three forms in which mega events’ sites relate to the idea of the future: before, during, and after they take place. In discussing these relationships, I demonstrate how traces of ‘past futures’, when investigated archaeologically, provide a diverse means by which to understand how societies have related to the idea of the future through the modern era.

2010 ◽  
Vol 48 (1) ◽  
pp. 21-29
Author(s):  
Li-Hong Hsu

Visible or Invisible Games? A Critique on the Future of the World GamesAs the crowded calendar of world sport and the increasing competition between sporting festivals is likely to affect more second-tier global sporting festivals than the Olympic Games (Cashman 2004, p. 134), this paper attempts to answer a few questions concerning the future of the World Games, i.e. a multi-sport mega event. The first and primary question is whether it is worthwhile to host the World Games. In this paper reasoned justification will be provided with a critical eye. Furthermore, questions will be raised about the when and particularly about the where. The content of the World Games' programs will be briefly discussed and critically evaluated as well. As an example the author will use the 2009 World Games in Kaohsiung, Taiwan for discussion.


2004 ◽  
Vol 63 (1) ◽  
pp. 74-99 ◽  
Author(s):  
Adnan Morshed

The present article concerns the early-twentieth-century avant-garde's aestheticizing of a new vision occasioned by the advent of human flight. It focuses on the project that best reflects this vision: the Futurama, an exhibit created by the American industrial designer Norman Bel Geddes for the 1939 New York World's Fair. The Futurama's status as the "number one hit show" of the fair derived largely from its theatrical technique of seeing: spectators literally gazed down on an American utopia as if they were aviators in a low-flying airplane. Conceived during the golden age of American aviation, in the 1920s and 1930s, the Futurama exemplified the common utopian belief that the perspective from an airplane would usher in new spatial dynamics that would introduce the city of the future. The enthusiasm for aerial vision evinced a remarkable affiliation between aviation and a modernist logic of looking at the world. The fact that the Futurama spectator's aerial viewing became enmeshed in broader conceptualizations of twentieth-century visuality reveals the crucial presence of what could be called an "aesthetics of ascension" in the avantgarde imagination of the future city.


Religions ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 59
Author(s):  
Rachel Wagner

Here I build upon Robert Orsi’s work by arguing that we can see presence—and the longing for it—at work beyond the obvious spaces of religious practice. Presence, I propose, is alive and well in mediated apocalypticism, in the intense imagination of the future that preoccupies those who consume its narratives in film, games, and role plays. Presence is a way of bringing worlds beyond into tangible form, of touching them and letting them touch you. It is, in this sense, that Michael Hoelzl and Graham Ward observe the “re-emergence” of religion with a “new visibility” that is much more than “simple re-emergence of something that has been in decline in the past but is now manifesting itself once more.” I propose that the “new awareness of religion” they posit includes the mediated worlds that enchant and empower us via deeply immersive fandoms. Whereas religious institutions today may be suspicious of presence, it lives on in the thick of media fandoms and their material manifestations, especially those forms that make ultimate promises about the world to come.


2020 ◽  
pp. 236-249
Author(s):  
Caterina Soliani

The purpose of this work is to contribute to the continuous growth of the art world (Street Art in particular) and to discuss how it is essential for the discovery of artists. These artists have been pioneers and forerunners of new pictorial techniques, freeing creative and psychological flair, and combining the latter with the artistic technology that promises great things despite limited materials.  The intention of this article is to consider the elements of artistic expression that are less commonly subject to discussion, such as the world of Street Art. This form of artwork has not always been understood or accepted, with street artists waiting for the opportune moment to express the narrative, experiences, and emotions of society through their artwork, a power that unites sentiment and encourages change.  It is art which affects the community, the population and society. It is designed above all others to become part of the collective memory through violence of image and colour.  This project led me to come into contact with one of the many artistic artefacts of the Street Art movement, the Keith Haring’s mural in Amsterdam, a piece that makes me. understand and appreciate the problems inherent to these type of works, simple, synthetic, but never simplistic.  Therefore, a project, a study and a restoration hypothesis were conducted on one of the many works by Haring. The purpose of this was to shed light once again on the mural made in 1986 by the artist, situated in the Groothandeles Market of Amsterdam. No longer visible for thirty years, the mural was covered by insulation panels placed two years after its creation. With professors Antonio Rava and William Shank, the association Keith Haring Foundation of New York, the Stedelijk Museum of Amsterdam, in collaboration with the gallery Vroom & Varossieau, specialised in road art, on 8 June, the large metal sheet panels were removed and one of the greatest murals by Haring could once again be admired.


2017 ◽  
Vol 28 (1) ◽  
pp. 77-93 ◽  
Author(s):  
Endrit Kromidha ◽  
Laura J. Spence ◽  
Stephanos Anastasiadis ◽  
Darla Dore

The purpose of this research is to analyze how governance is related to sustainability and innovation in mega-events over time by looking at the Olympic Games as a case study. Three main contributions are made to management research and practice. First, Foucauldian governmentality is built upon and enriched with a longitudinal perspective by following the evolution of Visibility, Techne, Episteme, and Identity analytics of governmentality. Second, an innovative methodology based on interviews, a systematic documentary review, and software-assisted thematic auto-coding for a theory-led structured analysis is applied. Third, the theoretical and empirical contribution of this study on the longitudinal aspects of governmentality over different parties and outlets of information could be used to guide practical and strategic decisions for managers and policy makers. In addition to its scholarly importance, this work is needed because mega-events can have a sustainable long-term impact, balancing legacy and innovative change.


2021 ◽  
Vol 2 (01) ◽  
pp. 87-108
Author(s):  
Santosa Santosa

Looking at the historical flow of Islamic development in Indonesia as such, the author took an analysis that the future prospects of Islam in Indonesia have a great opportunity to continue to develop, be it in the fields of politics, economics, education, social, and culture. This can be seen from the history of Islam in Indonesia that continues to develop until now, this is the early stage of the emergence of awareness of the Indonesian nation of the importance of planting religious values in Indonesian society so that the Indonesian nation can meet the future not only with science and technology but also in the balance by IMTAQ.  The era of globalization in the 21st century that has begun at this time, Islam in Indonesia has apparently exerted a huge influence on the advancement of Islam in the world. Although the existence of Islam today is really faced with a fairly severe challenge that requires the involvement of various parties concerned. With regard to this, strategic efforts need to be made, among others: by providing knowledge, skills, and piety in all fields (religious, political, economic, social, cultural, educational) so as to give birth to creative, innovative, independent and productive people considering the world to come is a competitive world. Keywords: Islam, The Future, Indonesia


Author(s):  
David J. Nelson

Near the end of the Great Depression, Florida ends the decade with a triumphant tenure at the 1939 New York World’s Fair, dozens of thriving tourist attractions, and a newly built Florida Park Service. By 1940, Florida enjoyed a thriving tourist industry that attracted more than double the entire population of the Sunshine State.


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