scholarly journals HISTÓRIA, POLÍTICA E SOCIEDADE: UMA ANÁLISE TEMÁTICA DAS LITERATURAS AFRICANAS PÓS-COLONIAIS

2021 ◽  
Vol 2 (2) ◽  
pp. 77-100
Author(s):  
Adilson Vagner De Oliveira
Keyword(s):  
Ngugi Wa Thiong'o ◽  
Nadine Gordimer

Este artigo analisa um conjunto de obras representativas das literaturas africanas pós-coloniais, a partir de recortes temáticos que transitam entre a história e a política das sociedades africanas. O trabalho apresenta uma série de leituras críticas sobre as obras O melhor tempo é o presente (2014) de Nadine Gordimer, Um Grão de Trigo (2015) de Ngugi Wa Thiong’o, O Planalto e a Estepe (2009) de Pepetela e Elizabeth Costello (2004) de J. M. Coetzee, a fim de apontar os grandes temas dessas literaturas, com destaque à questão colonial e seus desdobramentos no presente, a história política das nações africanas e a discriminação racial, como elementos fundamentais para se compreender o universo literário africano.   

Reading Old Books

2019 ◽  
Author(s):  
Peter Mack
Keyword(s):  
Middle Ages ◽  
Elizabeth Gaskell ◽  
Literary Tradition ◽  
Present Situation ◽  
Ngugi Wa Thiong'o ◽  
First Century ◽  
Creative Power ◽  
Urban Deprivation ◽  
A Minor ◽  
International Character

In literary and cultural studies, “tradition” is a word everyone uses but few address critically. In this book, the author offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the twenty-first century, revealing in new ways how it helps writers and readers make new works and meanings. The book argues that the best way to understand tradition is by examining the moments when a writer takes up an old text and writes something new out of a dialogue with that text and the promptings of the present situation. The book examines Petrarch as a user, instigator, and victim of tradition. It shows how Chaucer became the first great English writer by translating and adapting a minor poem by Boccaccio. It investigates how Ariosto, Tasso, and Spenser made new epic meanings by playing with assumptions, episodes, and phrases translated from their predecessors. It then analyzes how the Victorian novelist Elizabeth Gaskell drew on tradition to address the new problem of urban deprivation in Mary Barton. And, finally, it looks at how the Kenyan writer Ngũgĩ wa Thiong'o, in his 2004 novel Wizard of the Crow, reflects on biblical, English literary, and African traditions. Drawing on key theorists, critics, historians, and sociologists, and stressing the international character of literary tradition, the book illuminates the not entirely free choices readers and writers make to create meaning in collaboration and competition with their models.

The Reflection of Apartheidic Trauma / Traumatic Apartheid in None to Accompany Me by Nadine Gordimer

2017 ◽  
Vol 6 (2) ◽  
pp. 328
Author(s):  
Şahin KIZILTAŞ
Keyword(s):  
South Africa ◽  
Black People ◽  
Native People ◽  
Nadine Gordimer ◽  
Equal Rights ◽  
White People ◽  
Post Colonial ◽  
Violence Victimization ◽  
White Settlers ◽  
Almost All

The world has gone through a trauma for centuries. Almost all nations have experienced all sorts of traumatic events and feelings in this period. Among those nations, the black seem to be the most unlucky and ill-fated suffered from traumatic disasters. However, among those black nations, the natives of South Africa have been the most piteous and wretched ones. Their misfortune began in 1652 with the arrival of white colonists in the country. Since then, the oppression and persecution of white European colonists and settlers on natives increasingly continued. Those native people were displaced from the lands inherited from their ancestors a few centuries ago. They were not allowed to have equal rights with white people and to share same environment in public premises. The natives have put up resistance against the racial and colonial practices of white settlers which excluded them from all living spaces; yet, they could not manage, even they came into power in 1994. Today their exclusion and violence victimization still go on and they are still subjected to inferior treatment by (post)colonial dominant white powers. As a white intellectual and writer who had European origins, Nadine Gordimer witnessed the repression and torturing of European settlers on native people in South Africa. In her novels, she has reflected the racial discrimination practiced by white people who have considered of themselves in a superior position compared to the black. This study aims to focus on how Gordimer has reflected the trauma which the black people of South Africa have experienced as a consequence of racist practices. This will contribute to clarify and get across the real and true-life traumatic narratives of native people in the colonized countries.

La clôture de l'espace résidentiel dans l'arme domestique de Nadine Gordimer

1998 ◽  
Vol 25 (99) ◽  
pp. 85-94
Author(s):  
Marianne Morange
Keyword(s):  
Nadine Gordimer

‘Wisselbare Woorde’

2018 ◽  
Author(s):  
Carrol Clarkson
Keyword(s):  
South Africa ◽  
Freedom Of Expression ◽  
The Other ◽  
Frantz Fanon ◽  
Politics Of Representation ◽  
Black Consciousness ◽  
Nadine Gordimer ◽  
Contact Zones ◽  
Critical Problems ◽  
Ethics And Politics

Carrol Clarkson’s chapter wrestles with the contentious question of Coetzee’s relation to the Black Consciousness Movement in South Africa of the 1970s and early 1980s, which took its philosophical bearings from Frantz Fanon and found expression in the writings of Steve Biko. Clarkson focuses on the ways in which Coetzee departed from the ideas about writing and resistance that were circulating in his contemporary South Africa, particularly as articulated by novelist Nadine Gordimer. Clarkson discusses two related literary-critical problems: an ethics and politics of representation, and an ethics and politics of address, showing how Coetzee explores a tension between freedom of expression and responsibility to the other. In the slippage from saying to addressing we are led to further thought about modes and sites of consciousness—and hence accountabilities—in the interlocutory contact zones of the post-colony. The chapter invites a sharper appreciation of what a postcolonial philosophy might be.

Nadine Gordimer

Books Abroad ◽  
1975 ◽  
Vol 49 (4) ◽  
pp. 840 ◽  
Author(s):  
André P. Brink ◽  
Robert F. Haugh
Keyword(s):  
Nadine Gordimer

Liberate our Library: doing decolonisation work at Goldsmiths Library

2020 ◽  
Vol 45 (4) ◽  
pp. 148-154
Author(s):  
Marilyn Clarke
Keyword(s):  
Higher Education ◽  
Critical Race Theory ◽  
Study Skills ◽  
Racial Inequality ◽  
Ngugi Wa Thiong'o ◽  
The Self ◽  
Hierarchical Systems ◽  
Special Issue ◽  
Race Theory ◽  
The Mind

Library work now has a role to play when it comes to decolonisation. This article outlines what Goldsmiths Library, University of London is doing, through the Liberate our Library initiative, to diversify and decolonise its collections and practices against the backdrop of worldwide movements for education and social justice led by both students and academics to challenge the dominance of the ‘Westernised university’.2Examples of how we are doing this work are explained using critical librarianship as our guide, whilst recognising that we are still developing expertise in this evolving field of practice. This decolonisation work also uses critical race theory (CRT) as a means to dismantle racial inequality and its impact on higher education.Here, I would like to acknowledge the excellent and inspirational content of ALJ, Critical Librarianship: Special Issue (v.44, no.2) and I see this article as an ongoing companion piece.Goldsmiths Library's liberation work endeavours to empower its users with critical thinking and study skills whilst conducting their research using hierarchical systems and resources which in themselves are in the process of being decolonised.Decolonising a library collection and a profession must of course always begin or at least happen in tandem with the self, through a process that Kenyan author Ngũgĩ wa Thiong'o describes as ‘decolonising the mind.’3

Women revolutionaries in the novels of Nadine Gordimer and Doris Lessing

1978 ◽  
Vol 17 (1) ◽  
pp. 38-50
Author(s):  
Elisabeth Gerver
Keyword(s):  
Doris Lessing ◽  
Nadine Gordimer ◽  
Women Revolutionaries

Writing (on) the Wall: Ethics, Literature, and Nadine Gordimer

2003 ◽  
Vol 7 (2) ◽  
pp. 165-175
Author(s):  
Karin Möller
Keyword(s):  
Nadine Gordimer
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