Mobility and the construct of place identity : a time-space reflection on everyday life around MTR stations in Hong Kong

2015 ◽  
Author(s):  
Jingjing Zhang
2021 ◽  
pp. 31-47
Author(s):  
Züleyha Özbaş-Anbarlı

New media tools and the corresponding digital networks have begun to take part in the centre of our daily lives, thereby caused a practice of everyday life in digital space. In Twitter, a network in which users are involved through the machines, the concepts such as life, time, space, rhythm have developed. This study focuses on the constitution of everyday life in digital space. Twitter is a digital space that users do their everyday life practices in this network and are involved in through the machines. A sample of 10 Turkish users was selected with social network analysis to discover everyday life practices in this digital space. The content produced by this sample was observed employing digital ethnography and analysed by the sociology of everyday life. It is observed that Twitter creates its own rhythm. Observations show in Twitter that tactics have been produced, and strategies have been tried to be turned down with these tactics and acted rhythmic practices as forms of production and consumption in everyday life. People tend to follow similar others on Twitter, and accordingly, content is being produced for an imaginary community.


Water ◽  
2021 ◽  
Vol 13 (19) ◽  
pp. 2649
Author(s):  
Frederick Y. S. Lee ◽  
Anson T. H. Ma ◽  
Lewis T. O. Cheung

River revitalization, also called river restoration, has been implemented globally to restore urban river ecosystems that would benefit both the environment and local residents in various ways. The Hong Kong government has been attempting to revitalize local urban rivers; however, the perception and value of river restoration have not been assessed. With the application of a contingent valuation method, a questionnaire survey was designed to capture the attitude, place attachment, and willingness to pay (WTP) of Hong Kong residents in the context of urban rivers and river revitalization, and a proposed scenario for revitalization is given. The relationships among WTP, attitude and place attachment were explored through regression analysis. A total of 400 questionnaire samples were collected from Hong Kong residents, and over 75% of respondents were willing to pay for the proposed scenario. The results from regression analysis indicated that attitude, place dependence, place identity, and place social bonding positively influenced WTP and WTP bid amounts. In contrast, the place effect was unexpectedly found to be negatively correlated with WTP. Implications were drawn from these results, and recommendations were made concerning the features to be restored and conserved in future river revitalization work and the need to provide quality urban nature-based spaces for citizens.


Author(s):  
Francis L. F. Lee

This chapter discusses how television captures and organizes the attention of the mass public in the age of media convergence. It is argued that media proliferation and technological convergence have led to a fragmented audience. Paradoxically, audience fragmentation also provides the condition for the powerful return of collective attention in the case of new-media-based attention implosion. This chapter uses the case of the extraordinary (online) popularity of television drama character Brother Laughing in Hong Kong to illustrate the phenomenon of new-media-based attention implosion and the dynamics behind it. The analysis shows that attention implosion is generated by audience members’ time-space shifting practices and key individuals’ organizational efforts, both facilitated by the new media. It led to the formation of an interpretive public surrounding the fictional character. Implications of the phenomenon on our understanding of the relationship between television, social life, and collective public attention are discussed.


2018 ◽  
Vol 24 (1) ◽  
Author(s):  
Adrian Martin

I am writing from another country, far away; I no longer live in Australia. Meaghan Morris is partly responsible for this. Let me explain. At the end of 2011, I found myself reading the transcript of a long interview with Meaghan conducted by a Melbourne-based researcher, Lauren Bliss. In this discussion, Meaghan comments on the move, in the course of her professional life, to Hong Kong: What I really wanted to do was what lots of students from Asia had been doing for decades, which is go and just live an everyday life in another country, have a job, and not go and study the society there as an academic specialty. Just go and know what it’s like to live as a foreigner working in a Chinese society.1 For many reasons, my life at that time had reached a kind of dead end; I felt that Australia had nothing more to offer me. Yet the thought of relocating elsewhere had never really occurred to me, or perhaps I had merely been successful in keeping that thought at bay.


2009 ◽  
Vol 38 (4) ◽  
pp. 421-445 ◽  
Author(s):  
DEBORAH SCHIFFRIN

ABSTRACTRecent research on narrative has widened the scope of analysis, suggesting the value of reexamining the canonical Labovian view of the structure and function of personal-experience narrative. This article suggests that narrative is not simply a way of evoking and shaping experience in time. Rather, narrative can evoke and shape cultural “chronotopes” (Bakhtin 1981) or nexuses of time, space, and identity. To illustrate this, I analyze a narrative from an oral history related in 1972 by a young woman whose volunteer work in the mid-1960s led to the rehabilitation of a small African American enclave in a middle-class White suburb. Analysis of clause types, constructed dialogue, existential there, deixis, verb chains, and referring expressions shows that the narrative is a blend of genres evoking place as well as personal identity linked to complex coordinates of time and space, and dependent intertextually on other parts of a larger story. (Narrative, oral history, chronotope, space, place, identity, genre)*


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