scholarly journals Peran Aktor Non-Negara Dalam Mengkapitalisasi Isu Ring Of Fire Sebagai Nation Branding Indonesia

Author(s):  
Cherie Mawuntu
Keyword(s):  

Ring of Fire merupakan area yang terbentuk dari deretan 452 gunung berapi dengan aktivitas seismic yang tinggi. Ring of Fire juga dikenal dengan bentuknya yang menyerupai tapal kuda yang membentang sepanjang 40.000 km sepanjang samudra Pasifik [1]. Isu Ring of Fire sering dipandang sebagai sebuah fenomena yang negative yaitu sebagai letak geografis yang menjadi penyebab terjadinya banyak bencana alam. Namun kenyataannya isu ini juga memiliki banyak sisi postif yang selama ini telah banyak menawarkan kekayaan alam yang dapat dinikmati oleh masyarakat Indonesia. Ring of Fire merupakan sebuah isu yang memiliki potensi yang sangat besar untuk diangkat sebagai nation branding oleh Indonesia. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan memakai konsep Nation Branding oleh Keith Dinnie serta didukung dengan teori competitive identity dari Simon Anholt. Penelitian ini ingin membuktikan bahwa isu Ring of Fire yang melekat sangat erat pada Indonesia dapat juga menjadi alat utama untuk membangun nation branding Indonesia. Peneliti menemukan beberapa aspek yang mendukung untuk diangkatnya Ring of Fire sebagai identitas dan nation branding Indonesia.

2016 ◽  
Vol 4 (2) ◽  
pp. 84-99 ◽  
Author(s):  
Evinc Dogan ◽  
Goran Petkovic

Food and gastronomic values of a country are distinguished assets in marketing places. The aim of this article is exploring the ways in which Serbia rebrands itself through promoting the local food and culture and positions the nation brand in a transnational marketing context. The key concepts for this research originate from the literature in place marketing and branding. The gastronomic offer is an instrument shaping people’s perceptions about Serbia that is represented and communicated through values, narratives and manifestations. Accordingly, semiotics is adopted for analysing the data, which builds on three levels: axiological, narrative and discursive. Content analysis is used as a supportive method to infer meanings from codes and to determine emerging themes overarching the units of meaning.  The tourism marketing strategy of The National Tourism Organization of Serbia (TOS) is closely examined through the touristic promotion materials (i.e. catalogues, posters, Soul Food video). In sum, the analysis results reveal how the country branding strategy of Serbia is handled in terms of the impact on the perceptions with a focus on food as a tourist attraction. The research is valuable for place-marketers, strategists, governments, and scholars from different fields of academia.


MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 7
Author(s):  
Gisela K. Cánepa

Nation branding plays a central role within neoliberal governmentality, operating as a technology of power in the configuration of emerging cultural and political formations such as national identity, citizenship and the state. The discussion of the advertising spot Perú, Nebraska  released as part of the Nation Branding campaign Marca Perú  in May of 2011, constitutes a great opportunity to: (i) argue about the way in which audiovisual advertisement products, designed as performative devises, operate as technologies of power; and (ii) problematize the terms in which it founds a new social contract for the Peruvian multicultural national community. This analysis will allow me to approach neoliberalism as a cultural regime in order to discuss the ideological nature of the uncontested celebratory discourse that has emerged in Perú and which explains the economic growth of the last decades as the outcome of a national entrepreneurial spirit that would be distinctive of Peruvian cultural identity.


2020 ◽  
Vol 51 (1) ◽  
pp. 151-174
Author(s):  
Chung Joo Chung ◽  
Yunna Rhee ◽  
Heewon Cha

Author(s):  
Sanio Santos da Silva ◽  
Monique Pfau

O Eurovision Song Contest é um concurso musical realizado desde 1956, quando teve o intuito de fortalecer os vínculos entre as nações europeias após a II Guerra Mundial. Atualmente, cerca de quarenta países enviam canções ao certame, que é realizado em três noites – duas semifinais e uma final. A Irlanda ainda guarda o recorde de sete vitórias, porém, nos últimos anos, os concorrentes irlandeses não conquistaram bons resultados. Em 2018, depois de quatro edições, o país retorna à final com Ryan O'Shaughnessy, que interpretou Together e explorou a temática LGBT em palco. Essa empreitada pode estar ligada a uma estratégia de nation branding, um processo que edita e exibe a identidade nacional em forma de mídia. O intuito é atrair turistas e apresenta o país como um parceiro econômico interessante. O objetivo do presente trabalho é investigar aspectos relacionados à participação da Irlanda no Eurovision 2018, através de uma análise de conteúdo, observando eventos que precederam e sucederam a apresentação no festival e os possíveis interesses no uso da temática LGBT.


2021 ◽  
Vol 1 (2) ◽  
pp. 1-19
Author(s):  
Jess Gosling

Perceptions of attractiveness and trustworthiness impact the prosperity and influence of countries. A country's soft power is not guaranteed. Countries have their brands, an image shaped by the behaviour of governments, by what they do and say, whom they associate with, and how they conduct themselves on the global stage. Increasingly, digital diplomacy plays a crucial role in the creation and application of soft power. This paper argues that digital diplomacy is increasingly vital in the articulation of soft power. Digital diplomacy is a new way of conducting public diplomacy, offering new and unparalleled ways of building trust with previously disengaged audiences. Soft power is now the driving force behind reputation and influence on the global stage, where increasingly digital diplomacy plays an essential role.


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