Teletrauma

This paper seeks to trace the notion of distance in Edmund Burke’s Philosophical Enquiry, by first indicating how the critical distance between Burke and Kant can be rethought in terms of an intrapersonal distance within both; then, as a second move, by looking at Burke’s general theory of the passions as it differs from that of Locke; and thirdly, by moving to the more specific question of how the passion of fear or terror is related to both pain and the sublime – an investigation which in turn necessitates a focus on the way attention figures as a duplicitous shifter between an-aesthesis and suffering. Interestingly enough, while Burke conceptualizes the sublime as a passion based on mediation or distance, and therefore distinguishes it from “simple” fear, later it turns out that fear itself is far from being a “simple” notion for immediacy, since immediate danger or threat still presupposes a mere apprehension of pain, rather than pure pain itself. This double distance (between fear and the sublime, as well as between fear and pain), puts fear in an intermediate position, which is more traumatic than that of the sublime, but which contains an element of distance with relation to pain, and is therefore a form of “teletrauma,” an amalgam of an-aesthesis and suffering. Being thus positioned between the sublime and pain, fear appears as the site of contamination, where detachment and involvement merge. In this respect, it may serve as a conceptual tool for a critical rethinking of the problematic nature of both aesthetic distance and perceptual immediacy.