scholarly journals Peripécias na alcova de Sade: A mulher em La philosophie dans le boudoir

Author(s):  
Edson Santos Silva ◽  
Wallas Jefferson de Lima

The article analyzes the way the female characters appear in the book A Filosofia na alcova of Marquis de Sade. It highlights the author’s recurrent themes, such as space, private life and freedom, relating them to the discussion about the role of women during the eighteenth century in France. Such a thematic-spatial option analyzes, therefore, points that were not thoroughly studied and that, for a long time, were only considered in addendums within the studies about the French post-revolutionary context. The discussion is part of the theoretical intersection between History and Literature, using as reference the works of Georges Bataille, Michele Perrot, Eliane Robert Moraes and Lynn Hunt.

2020 ◽  
Vol 1 (2) ◽  
pp. 92-109
Author(s):  
Noel Surbakti ◽  
Sary Haloho

For a long time, the role of women was restricted and even prohibited from being involved in church ministry. Even more specifically, there are still views that prohibit or reject the role of women as pastors in the church. Some have used the text of 1 Corinthians 14:34-35 and 1 Timothy 2:9-15 as a biblical foundation to strengthening this views. However, the I see that these two texts can’t be used as a biblical foundation to prohibiting or rejecting the role of women as pastors in the church. Therefore, I will reinterpret these two texts by paying attention to the context of the text and its literary elements. This is necessary to find the true meaning what Paul told in both of texts. Based on this interpretation, it will found that Paul did not prohibit the involvement of women in church in every place and time. Paul's words in the text were responded to the problems faced by the church in each text and cannot be applied absolutely in every place and time


Author(s):  
Judith Herrin

This chapter discusses the place of icons in worship, their character, and the way they came to symbolize the holy and mediate between earth and heaven. In particular, as icons became a vivid focus of devotion, they began to embody human relations with God the Creator and Ruler of the entire Christian world. It is argued that women played a notable part in this developing cult of icons. The chapter concentrates on some features of Late Antique Mediterranean culture, shared by Jews and Gentiles, pagan and Christian alike. These provided a common social experience within which the artistic evolution of the Christian church took place. In particular, the first part of this chapter is devoted to a discussion of funerary art, for this represents one of the most striking ways whereby Christians transmitted pagan rituals and artistic forms to their new faith. The second part examines some of the reasons for the preservation of these forms, once assimilated to a Christian mode, when they came under attack in the East. It asks how much that response informs us about the role of women in the cult of icons.


Author(s):  
Laura Monrós-Gaspar

Victorian refigurations of the Cassandra myth ferment throughout the long eighteenth century, when new theatrical modes put into practice prevailing aesthetic theories that gave prominence to the visual over the verbal. This chapter examines the range of prophetic Cassandras, from the Shakespearean raving prophetess to the palm-reading Gypsies of the 1860s. Such variations can only be given full expression on the stage, where a set of gestures, costumes, and sociocultural referents develop new cultural, inter-theatrical, and semiotic systems. Performing as the epic Cassandra also triggered the career of a number of actresses and dancers who found in Cassandra the perfect means to prove their performing skills to the audience. At a time when women’s access to knowledge was being disputed, the Cassandra myth provided fertile soil wherein to test and contest the role of women in society.


2004 ◽  
Vol 29 (1) ◽  
pp. 66-77
Author(s):  
ANJA I. KLÖCK

Eva Diamantstein's play and production of Nachtmahl (Supper) premiered during the Spielart Theatre Festival in Munich, Germany, in November 2001, and subsequently toured to Frankfurt am Main, Hamburg and Vienna in 2002. Both a research project and a theatrical enterprise, Nachtmahl is based on the biographies of four women who actively participated in various Nazi projects. Seated at a long table and having a four-course dinner together with the female characters, the spectators gradually discover their histories while the theatre becomes a dynamic space of coexistences, in which the continuities between past and present acquire a material and experiential quality. By situating Nachtmahl within the historiographical strategies crystallizing around women and National Socialism, the author discusses the production's use of social rituals, strategies of domination and intimidation and mechanisms of collective communication. The production explores how culturally conditioned strategies of exoneration function as devices for separating oneself from a seemingly distanced past.


2020 ◽  
Vol 12 ◽  
Author(s):  
Noura Kamal

To obtain a deeper understanding about a society, it is important to look beyond the formal production of history and literature and consider fables, songs, folk poems, and proverbs which can reflect dimensions of the society that are usually neglected or forgotten about. Focusing on popular literature and folk art as a source of epistemological knowledge contributes to the construction of counter-narratives in Yemen. One of the major proponents of popular literature whose works serve as a key to understanding the conceptual worlds of the Yemeni people is the poet ʻAbd Allāh al-Baraddūnī (1929–1999). This blind scholar explored various types of popular literature and folk art in order to highlight the knowledge that generally is not documented but is an essential part of everyday life. Each of his genres has the ability to provide us with insights about Yemeni society such as forgotten historical events, the role of women in society, cultural beliefs, customs, practices, and historical events and circumstances that the society had to face. It is argued that, by focusing on the subaltern and marginal, al-Baraddūnī was anticipating trends in Western social science scholarship that have been apparent since the 1970s.


Ramus ◽  
1974 ◽  
Vol 3 (2) ◽  
pp. 87-101 ◽  
Author(s):  
Charles Rowan Beye

The following is an investigation of the nature of women in the Homeric poems. It is generally accepted that epic figures are typical rather than individual, idiosyncratic personalities. So it is reasonable to assume that the women of the two poems represent the general conception of female behaviour held by Homer's audience. Even if the poems represent a tradition which was a long time in the making, it remains true that what appears within the poems must have made sense somehow to Homer's contemporary audience. And that is the sense we must seek.There has been very little said about the role of women in the Homeric epics. Discussion is bound to be uneven; women are glimpsed infrequently in the Iliad, whereas they are everywhere in the Odyssey. But this in itself perhaps offers insights into the nature of the difference between the two poems. In addition an analysis of the part women play in these poems helps to explain the continual appeal of the Iliad and the Odyssey. For the poems, like all truly great pieces of literature, say things that we humans need and want to hear. As is true of other facets of the poems the female characters are extraordinarily authentic. They manifest moods and psychological states which are true to women, at least in the Western world. Moreover the poems, especially the Odyssey, show with great profundity some important truths of male-female relationships. Whether these are inherent and never-changing or it is because women's situation has not much changed through the millenia is hard to say.


Adeptus ◽  
2017 ◽  
Author(s):  
Justyna Marianna Zynek

Tradition and the practices of gender domination on the example of hutsul carollingThe Christmas custom of carolling occupies a very special place in the life of Hutsulshchyna inhabitants. Referred to as a religious rite, for a long time Hutsul carolling has been an object of numerous studies that shape ideas about it. In spite of the functioning of many forms of carolling in these areas, both researchers and the inhabitants of the Ukrainian Carpathians recognize as the most important the male form of carolling, which marginalized the role of women. However, on closer inspection it turns out that women also have an exceptional impact on the course of tradition, often taking the initiative in carolling. The article focuses on the, hitherto disregarded in the literature gender, relations within the Hutsul carolling. It also analyses the connection between discourse and social practices manifested in male and female forms of carolling. A look at the official and non-official character of tradition as well as relations between genders and any crises connected with them highlights the domination and symbolic power within the gender domain. Tradycja a praktyki dominacji w obrębie płci na przykładzie huculskiego kolędowaniaBożonarodzeniowy zwyczaj kolędowania zajmuje szczególne miejsce w życiu mieszkańców Huculszczyzny. Określane jako rytuał religijny huculskie kolędowanie od dawna stanowi obiekt wielu prac naukowych, które kształtują wyobrażenia na jego temat. Na tych terenach funkcjonuje wiele form kolędowania. Za najistotniejsze, zarówno badacze, jak i mieszkańcy Karpat ukraińskich, uznają kolędowanie mężczyzn, w którym marginalizowana jest rola kobiet. Przy bliższym przyjrzeniu okazuje się jednak, że również i one mają szczególny wpływ na przebieg tradycji, niejednokrotnie przejmując kolędniczą inicjatywę. Artykuł skupia się na nieuwzględnianych dotąd w literaturze przedmiotu relacjach płci w obrębie huculskiego kolędowania. Analizuje również związek dyskursu i praktyk społecznych przejawiających się w kolędzie kobiecej i męskiej. Przyjrzenie się kwestiom oficjalności i nieoficjalności oraz relacjom między płcią a wszelkiego rodzaju kryzysami pozwala zwrócić uwagę na uwidaczniającą się dominację oraz przemoc symboliczną w obrębie płci.


2020 ◽  
Vol 3 (2) ◽  
pp. 291-298
Author(s):  
Nilam Kakati

The role of women in Pre- Ahom and Ahom society could be regarded in the broader environment within the ambit of sacred space dedicated to them. Kamakhya temple, situated near Guwahati, Assam is the most profound illustration of the sacred space of women. It is celebrated as one of the renowned centres of Tantra in India in general and Assam in particular. It has established itself not only as an eminent Tantric centre but also as a menstruating Goddess. However, menstruation has been treated as a taboo since the earliest times in various religious texts. It represented the image of impurity and pollution and was dubbed as hot and dangerous. However, in Kamakhya temple, annual menstruation of the goddess is celebrated as a festival. In June every year, Ambubachi Mela represents one of the chief celebrations of the temple. The paper attempts to analyze the theme of menstruation, placing it in the border context of Kamakhya. The article also highlights the unrestricted movement of women in the pre- Ahom and Ahom society owing to its characteristics of the tribal bearing. The study claims that the inherent dichotomy of pure-impure, auspicious- inauspicious becomes unfitting in the case of Kamakhya and her annual menstruation festival. This specifics could pave the way to identify the theme of menstruation as a lone entity beyond the dichotomy which might aid in offering a fresh understanding of the same. The study employs the mixed methodology of hermeneutics and feminist theology.


2018 ◽  
Vol 6 (1) ◽  
pp. 1-3
Author(s):  
Martin Van Bruinessen

In our coverage of Kurdish history and society, it has been our journal’s intention to pay adequate attention to the gender dimension (besides those of class, ethnicity, language, religion and political economy). We are therefore pleased to present this special issue titled Theorising women and war in Kurdistan: A feminist and critical perspective with a focus on the role of women as actors as well as victims in war and conflict. The guest editors, Nazand Begikhani, Wendelmoet Hamelink and Nerina Weiss, are long-time members of the Kurdish Studies Network (KSN) and have each previously published relevant and memorable work themselves, and for this issue they have brought together a set of remarkable papers, each of which offers a new and unusual perspective on cases of gendered violence. 


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