scholarly journals AL-WA’IYYAT AL-KHAMS SEBAGAI COUNTER NARRATIVE TERORISME PESANTREN DI NURUL JADID

2021 ◽  
Vol 1 (1) ◽  
pp. 23-37
Author(s):  
Mohammad Faizin
Keyword(s):  

Tulisan ini mendiskusikan tentang konsep panca kesadaran santri yang diterapkan di Pondok Pesantren Nurul Jadid sebagai narasi teologis yang diterapkan di pondok pesantren Nurul Jadid dalam mengajarkan perdamaian, termasuk juga potensi pesantren dalam mengajarkan counter-narrative terorisme dan juga sebagai alternatif solusi dalam upaya menanggulangi penyebaran radikalisme. Secara garis besar, pemikiran radikal yang berbuntut pada tindakan terorisme merupakan ideologi yang salah akan tetapi dianggap benar karena menggunakan dalil-dalil al-Quran untuk melegitimasikannya. Meskipun sebenarnya tak sedikit upaya deradikalisasi terorisme telah banyak dilakukan untuk memberangus aksi tindakan keji ini, penulis mengemukakan konsep pemikiran pendiri pondok pesantren Nurul Jadid sebagai kontra narasi tumbuhnya radikalisme di pesantren maupun sebagai solusi alternatif terhadap masyarakat yang terjangkit pemikiran ini.  Pendekatan yang dipakai dalam penelitian ini adalah pendekatan kualitatif. Artinya data yang dikumpulkan bukan berupa angka-angka, melainkan data tersebut berasal dari dokumen pesantren maupun literasi yang berkaitan dengan radikalisme. Hasil yang didapat dari penelitian yang penulis lakukan adalah bahwa metode, praktik dan budaya pesantren melalui narasi teologisnya mengajarkan perdamaian, termasuk dalam mengajarkan counter-narrative terorisme. Salah satunya adalah panca kesadaran (al-Wa’iyyat al-Khams) yang diterapkan di pondok pesantren Nurul Jadid Paiton, Probolinggo. Pemikiran KH. Zaini Mun’im tentang konsep panca kesadaran santri yakni : kesadaran beragama, kesadaran berilmu, kesadaran bermasyarakat, kesadaran berbangsa dan bernegara, kesadaran berorganisasi. Kelima konsep tersebut mudah dipahami dan hal ini pula merupakan kegiatan manusia disetiap harinya.

Author(s):  
Kathryn A. Sloan

Popular culture has long conflated Mexico with the macabre. Some persuasive intellectuals argue that Mexicans have a special relationship with death, formed in the crucible of their hybrid Aztec-European heritage. Death is their intimate friend; death is mocked and accepted with irony and fatalistic abandon. The commonplace nature of death desensitizes Mexicans to suffering. Death, simply put, defines Mexico. There must have been historical actors who looked away from human misery, but to essentialize a diverse group of people as possessing a unique death cult delights those who want to see the exotic in Mexico or distinguish that society from its peers. Examining tragic and untimely death—namely self-annihilation—reveals a counter narrative. What could be more chilling than suicide, especially the violent death of the young? What desperation or madness pushed the victim to raise the gun to the temple or slip the noose around the neck? A close examination of a wide range of twentieth-century historical documents proves that Mexicans did not accept death with a cavalier chuckle nor develop a unique death cult, for that matter. Quite the reverse, Mexicans behaved just as their contemporaries did in Austria, France, England, and the United States. They devoted scientific inquiry to the malady and mourned the loss of each life to suicide.


Author(s):  
Jim Donaghey

Punk’s resonance has been felt strongly here. Against the backdrop of the Troubles and the “post-conflict” situation in Northern Ireland, punk has provided an anti-sectarian alternative culture. The overarching conflict of the Troubles left gaps for punk to thrive in, as well as providing the impetus for visions of an “Alternative Ulster,” but the stuttering shift from conflict to post-conflict has changed what oppositional identities and cultures look like. With the advent of “peace” (or a particular version of it at least) in the late 1990s, this space is being squeezed out by “development” agendas while counterculture is co-opted and neutered—and all the while sectarianism is further engrained and perpetuated. This chapter examines punk’s positioning within (and against) the conflict-warped terrain of Belfast, especially highlighting punk’s critical counter-narrative to the sectarian, neoliberal “peace.”


2018 ◽  
Vol 36 (3) ◽  
pp. 267-285
Author(s):  
Aleksandra Bartoszko

This article offers a counter narrative to the current ethnographic studies on treatment with buprenorphine, in which notions of promised and experienced normality dominate. In some countries, introduction of buprenorphine led to a perceived “normalisation” of opioid substitution treatment, and this new modality was well received. However, in Norway the response has been almost the opposite: patients have reacted with feelings of disenfranchisement, failure, and mistrust. Based on ethnographic fieldwork in Norway, this article offers comparative insight into local experiences and subjectivities in the context of the globalisation of buprenorphine. By outlining the ethnographic description of the pharmaceutical atmosphere of forced transfers to buprenorphine-naloxone, I show that the social history of the medication is as significant as its pharmacological qualities for various treatment effects. An analysis of the reactions to this treatment modality highlights the reciprocal shaping of lived experiences and institutional forces surrounding pharmaceutical use in general and opioids in particular.


Author(s):  
Carol Mei Barker

“In China, what makes an image true is that it is good for people to see it.” - Susan Sontag, On Photography, 1971 The Olympic Games gave the world an opportunity to read Beijing’s powerful image-text following thirty years of rapid transformation. David Harvey argues that this transformation has turned Beijing from “a closed backwater, to an open centre of capitalist dynamism.” However, in the creation of this image-text, another subtler and altogether very different image-text has been deliberately erased from the public gaze. This more concealed image-text offers a significant counter narrative on the city’s public image and criticises the simulacrum constructed for the 2008 Olympics, both implicitly and explicitly. It is the ‘everyday’ image-text of a disappearing city still in the process of being bulldozed to make way for the neoliberal world’s next megalopolis. It exists most prominently as a filmic image text; in film documentaries about a ‘real’ hidden Beijing just below the surface of the government sponsored ‘optical artefact.’ Film has thus become a key medium through which to understand and preserve a physical city on the verge of erasure.


Author(s):  
Jasmin Esin Duraner

Abstract The emergence of the LGBTI+ movement has faced considerable challenges in the Turkish sociopolitical context due to the dominance and oppression of the long-established traditional and conservative institutions such as religion, family, and state. In Turkey, translation occupies a central position in the way knowledge is produced and organized to subvert heteronormativity and homo/transphobia, and struggle for rights. LGBTI News Turkey is the most conspicuous LGBTI+ organization in relation to this, since the platform focuses exclusively on translation. I discuss the role of the activist translators in the representation of LGBTI+ individuals globally by constructing a “narrative” (Baker 2006a) for the LGBTI+ community in Turkey. I also elaborate the concepts of fidelity and invisibility within activist translation, and the methods activist-translators employ to create and disseminate a counter narrative against the dominant public narrative, and question how they position themselves in the LGBTI+ movement.


2021 ◽  
Author(s):  
Arieh Saposnik

In this volume, Arieh Saposnik examines the complicated relations between nationalism and religious (and non-religious) redemptive traditions through the case study of Zionism. He provides a new framework for understanding the central ideas of this movement and its relationship to traditional Jewish ideas, Christian thought, and modern secular messianisms. Providing a longue-durée and broad view of the central themes and motivations in the making of Zionism, Saposnik connects its intellectual history with the concrete development of the Zionist project in Israel in its cultural, social, and political history. Saposnik demonstrates how Zionism offers lessons for a politics in which human perfectibility continues to serve as a guiding light and as a counter-narrative to the contemporary politics of self-interest, self-promotion and 'post-truth.' This is a study that bears implications for our understanding of modernity, of space and place, history and historical trajectories, and the place of Jews and Judaism in the modern world.


Sign in / Sign up

Export Citation Format

Share Document