Performing Genealogies

2017 ◽  
Author(s):  
Faye Caronan
Keyword(s):  
New York ◽  
Los Angeles ◽  
Puerto Rican ◽  
Local Communities ◽  
Class Inequality ◽  
Filipino American ◽  
Global Power ◽  
Performance Poetry ◽  
History Of ◽  
Subjugated Knowledge

This chapter considers how education is deployed in Filipino American and U.S. Puerto Rican performance poetry as a tool in decolonizing activist projects. It cites the work of Los Angeles-based Filipino American and New York-based U.S. Puerto Rican performance-poet activists such as Bonafide Rojas, Rebecca Baroma, and Napoleon Lustre to show how they teach their local communities to disidentify with narratives of U.S. exceptionalism and multiculturalism in order to recognize global power hierarchies that reproduce racial and class inequality. By connecting disparate subjugated knowledge, they construct a history of oppression and resistance that they make available to their local communities. Inside and outside the classroom, they promote disidentification as a repertory strategy to challenge institutionalized histories that privilege narratives of U.S. exceptionalism and marginalize alternative narratives.

scholarly journals Book Reviews

2002 ◽  
Vol 76 (1-2) ◽  
pp. 117-185
Author(s):  
Redactie KITLV
Keyword(s):  
New York ◽  
North Carolina ◽  
Puerto Rican ◽  
West Indies ◽  
Temple University ◽  
Caribbean Women ◽  
Chapel Hill ◽  
History Of ◽  
Duke University ◽  
University Of Chicago Press

-James Sidbury, Peter Linebaugh ,The many-headed Hydra: Sailors, slaves, commoners, and the hidden history of the revolutionary Atlantic. Boston: Beacon Press, 2000. 433 pp., Marcus Rediker (eds)-Ray A. Kea, Herbert S. Klein, The Atlantic slave trade. Cambridge, U.K.: Cambridge University Press, 1999. xxi + 234 pp.-Johannes Postma, P.C. Emmer, De Nederlandse slavenhandel 1500-1850. Amsterdam: De Arbeiderspers, 2000. 259 pp.-Karen Racine, Mimi Sheller, Democracy after slavery: Black publics and peasant radicalism in Haiti and Jamaica. Gainesville: University Press of Florida, 2001. xv + 224 pp.-Clarence V.H. Maxwell, Michael Craton ,Islanders in the stream: A history of the Bahamian people. Volume two: From the ending of slavery to the twenty-first century. Athens: University of Georgia Press, 1998. xv + 562 pp., Gail Saunders (eds)-César J. Ayala, Guillermo A. Baralt, Buena Vista: Life and work on a Puerto Rican hacienda, 1833-1904. Chapel Hill: University of North Carolina Press, 1999. xix + 183 pp.-Elizabeth Deloughrey, Thomas W. Krise, Caribbeana: An anthology of English literature of the West Indies 1657-1777. Chicago: University of Chicago Press, 1999. xii + 358 pp.-Vera M. Kutzinski, John Gilmore, The poetics of empire: A study of James Grainger's The Sugar Cane (1764). London: Athlone Press, 2000. x + 342 pp.-Sue N. Greene, Adele S. Newson ,Winds of change: The transforming voices of Caribbean women writers and scholars. New York: Peter Lang, 1998. viii + 237 pp., Linda Strong-Leek (eds)-Sue N. Greene, Mary Condé ,Caribbean women writers: Fiction in English. New York: St. Martin's Press, 1999. x + 233 pp., Thorunn Lonsdale (eds)-Cynthia James, Simone A. James Alexander, Mother imagery in the novels of Afro-Caribbean women. Columbia: University of Missouri Press, 2001. x + 214 pp.-Efraín Barradas, John Dimitri Perivolaris, Puerto Rican cultural identity and the work of Luis Rafael Sánchez. Chapel Hill: University of North Carolina Press, 2000. 203 pp.-Peter Redfield, Daniel Miller ,The internet: An ethnographic approach. Oxford: Berg Publishers, 2000. ix + 217 pp., Don Slater (eds)-Deborah S. Rubin, Carla Freeman, High tech and high heels in the global economy: Women, work, and pink-collar identities in the Caribbean. Durham NC: Duke University Press, 2000. xiii + 334 pp.-John D. Galuska, Norman C. Stolzoff, Wake the town and tell the people: Dancehall culture in Jamaica. Durham NC: Duke University Press, 2000. xxviii + 298 pp.-Lise Waxer, Helen Myers, Music of Hindu Trinidad: Songs from the Indian Diaspora. Chicago: University of Chicago Press, 1998. xxxii + 510 pp.-Lise Waxer, Peter Manuel, East Indian music in the West Indies: Tan-singing, chutney, and the making of Indo-Caribbean culture. Philadelphia: Temple University Press, 2000. xxv + 252 pp.-Reinaldo L. Román, María Teresa Vélez, Drumming for the Gods: The life and times of Felipe García Villamil, Santero, Palero, and Abakuá. Philadelphia: Temple University Press, 2000. xx + 210 pp.-James Houk, Kenneth Anthony Lum, Praising his name in the dance: Spirit possession in the spiritual Baptist faith and Orisha work in Trinidad, West Indies. Amsterdam: Harwood Academic Publishers. xvi + 317 pp.-Raquel Romberg, Jean Muteba Rahier, Representations of Blackness and the performance of identities. Westport CT: Bergin & Garvey, 1999. xxvi + 264 pp.-Allison Blakely, Lulu Helder ,Sinterklaasje, kom maar binnen zonder knecht. Berchem, Belgium: EPO, 1998. 215 pp., Scotty Gravenberch (eds)-Karla Slocum, Nicholas Mirzoeff, Diaspora and visual culture: Representing Africans and Jews. London: Routledge, 2000. xiii + 263 pp.-Corey D.B. Walker, Paget Henry, Caliban's reason: Introducing Afro-Caribbean philosophy. New York: Routledge, 2000. xiii + 304 pp.-Corey D.B. Walker, Lewis R. Gordon, Existentia Africana: Understanding Africana existential thought. New York; Routledge, 2000. xiii +228 pp.-Alex Dupuy, Bob Shacochis, The immaculate invasion. New York: Viking, 1999. xix + 408 pp.-Alex Dupuy, John R. Ballard, Upholding democracy: The United States military campaign in Haiti, 1994-1997. Westport CT: Praeger, 1998. xviii + 263 pp.-Anthony Payne, Jerry Haar ,Canadian-Caribbean relations in transition: Trade, sustainable development and security. London: Macmillan, 1999. xxii + 255 pp., Anthony T. Bryan (eds)-Bonham C. Richardson, Sergio Díaz-Briquets ,Conquering nature: The environmental legacy of socialism in Cuba. Pittsburgh: University of Pittsburgh Press, 2000. xiii + 328 pp., Jorge Pérez-López (eds)-Neil L. Whitehead, Gérard Collomb ,Na'na Kali'na: Une histoire des Kali'na en Guyane. Petit Bourg, Guadeloupe: Ibis Rouge Editions, 2000. 145 pp., Félix Tiouka (eds)-Neil L. Whitehead, Upper Mazaruni Amerinidan District Council, Amerinidan Peoples Association of Guyana, Forest Peoples Programme, Indigenous peoples, land rights and mining in the Upper Mazaruni. Nijmegan, Netherlands: Global Law Association, 2000. 132 pp.-Salikoko S. Mufwene, Ronald F. Kephart, 'Broken English': The Creole language of Carriacou. New York: Peter Lang, 2000. xvi + 203 pp.-Salikoko S. Mufwene, Velma Pollard, Dread talk: The language of Rastafari. Kingston: Canoe Press: Montreal: McGill-Queen's University Press. Revised edition, 2000. xv + 117 pp.

Conclusion and Epilogue

2017 ◽  
Author(s):  
Kirwin R. Shaffer
Keyword(s):  
New York ◽  
Puerto Rico ◽  
University Students ◽  
Puerto Rican ◽  
Economic Recession ◽  
The Internet ◽  
Private Lands ◽  
History Of ◽  
The University ◽  
Joint State

This concluding chapter explores the legacy of anarchism in Puerto Rico. While anarchist agitation and organizing came to an end in the early 1920s, individual anarchists continued to write to anarchist publications in New York and Havana. In addition, the global economic recession that began in 2008, coupled with efforts by the Puerto Rican government and the Universidad de Puerto Rico to impose new fees on university students in 2010, gave birth to new interest in anarchism on the island as anarchist groups took to the internet, the cafés, and the university grounds. They began working with other groups in cross-sectarian alliances, offering classes on anarchism, reviving anarchist theatre, and drawing attention to the ravages of joint state–corporate attempts to seize private lands. In short, these new Black Flag Boricuas were resurrecting in the present the very history of anarchist agitation and antiauthoritarianism developed a century earlier.

Conclusion

2017 ◽  
Author(s):  
Faye Caronan
Keyword(s):  
Puerto Rican ◽  
Documentary Films ◽  
Filipino Americans ◽  
Filipino American ◽  
Cultural Productions ◽  
Liberal Democratic ◽  
Performance Poetry ◽  
Puerto Rican Culture ◽  
Selective Traditions ◽  
And Performance

This book has investigated how Filipino American culture and U.S. Puerto Rican culture across various genres critique narratives of U.S. exceptionalism that justify U.S. colonial projects. It has shown that hegemonic narratives of U.S. multiculturalism, U.S. exceptionalism, and the good immigrant all function to define and discipline Filipino Americans and U.S. Puerto Ricans. It has described these Filipino American and U.S. Puerto Rican cultural productions as all selective traditions that have been carefully deployed to affirm hegemonic U.S. narratives that imagine the end of empire as the reproduction of U.S. liberal, democratic, and capitalist values around the world. It has argued that Filipino American and U.S. Puerto Rican cultural critiques such as novels, documentary films, and performance poetry challenge the eventual outcomes of benevolent assimilation, thus questioning the initial sincerity of the promises of U.S. imperialism as exceptional. They imagine a different end to empire, an end that entails the empowerment of those who have been exploited by imperialism and subsequently by globalization.

Introduction

2017 ◽  
Author(s):  
Faye Caronan
Keyword(s):  
Puerto Rico ◽  
Puerto Rican ◽  
The United States ◽  
The Philippines ◽  
Cultural Representation ◽  
Racial Stereotypes ◽  
Filipino American ◽  
Cultural Productions ◽  
Global Power ◽  
The U.S

This book explores how Filipino American and U.S. Puerto Rican cultural critiques are delegitimized and obscured by U.S. imperialism and global power. Drawing on Raymond Williams's dual definitions of culture as both the experience of everyday life within a society and the cultural productions that circulate within society, the book analyzes the ways that Filipinos and Puerto Ricans have been represented to affirm narratives of U.S. exceptionalism in the early twentieth century and today. It considers how recent Filipino American and U.S. Puerto Rican cultural productions across multiple genres critique these justifications, and how the U.S. cultural market contains these critiques to reaffirm revised narratives of U.S. exceptionalism. This introduction provides an overview of the institutionalized narrative of U.S. colonialism in the Philippines and Puerto Rico, the politics and economics of Filipino American and U.S. Puerto Rican cultural representation, and hegemonic narratives of racial stereotypes in the United States.

Punk and the White Atlantic

Damaged ◽  
2020 ◽  
pp. 139-170
Author(s):  
Evan Rapport
Keyword(s):  
New York ◽  
Los Angeles ◽  
The United States ◽  
American Music ◽  
Rock And Roll ◽  
The United Kingdom ◽  
Starting Point ◽  
Sex Pistols ◽  
History Of ◽  
Musical Resources

Punk emerged as a fully formed and recognizable style in the mid-1970s in the United Kingdom, primarily in London, and in the United States, primarily in New York and Los Angeles. British punk musicians such as the Damned, the Clash, and the Sex Pistols during this period put together elements from American punk and its precedents, including elements that were previously heard in distinction from each other, such as the riff-based blues of the Stooges and back-to-basics rock and roll songs of the Ramones. Although this period is marked by a preoccupation with whether punk was “invented” in the US or UK, in fact, punk is a product of exchanges between musicians across the Atlantic, with much of the music continuing a long history of white people using a vocabulary of Black musical resources, including blues and reggae, to explore identity, class distinctions, and the nature of whiteness itself. These exchanges in punk are comparable to the so-called “British Invasion” of the prior decade. The discourse of making the mid-1970s UK a starting point for punk also appears to be an idea that American musicians were primarily invested in, and an idea that further dissociated punk from its basis in Black American music.

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