Introduction
This book explores how Filipino American and U.S. Puerto Rican cultural critiques are delegitimized and obscured by U.S. imperialism and global power. Drawing on Raymond Williams's dual definitions of culture as both the experience of everyday life within a society and the cultural productions that circulate within society, the book analyzes the ways that Filipinos and Puerto Ricans have been represented to affirm narratives of U.S. exceptionalism in the early twentieth century and today. It considers how recent Filipino American and U.S. Puerto Rican cultural productions across multiple genres critique these justifications, and how the U.S. cultural market contains these critiques to reaffirm revised narratives of U.S. exceptionalism. This introduction provides an overview of the institutionalized narrative of U.S. colonialism in the Philippines and Puerto Rico, the politics and economics of Filipino American and U.S. Puerto Rican cultural representation, and hegemonic narratives of racial stereotypes in the United States.