Fantasies of Blackness and Racial Capitalism

2017 ◽  
pp. 129-158
Author(s):  
Mark C. Jerng

This chapter traces sword and sorcery’s re-emergence as a popular genre in the 1960s and 1970s during the era of U.S. Civil Rights movements. It shows how strategies for reproducing racism despite changing political sensibilities are constructed through the genre of sword and sorcery. These strategies go hand in hand with soon-to-be dominant re-imaginations of free market economics by economists such as Milton Friedman and Gary Becker. The chapter analyzes the work on the economics of discrimination in relation to Samuel Delany’s use of sword and sorcery to reflect on how race gets used to imagine market processes. Delany’s Nevèrÿon series adds another dimension to understandings of racial capitalism by focusing on race as economic utility.

Author(s):  
Jacqueline Castledine

In recognizing the relation between gender, race, and class oppression, American women of the postwar Progressive Party made the claim that peace required not merely the absence of violence, but also the presence of social and political equality. For progressive women, peace was the essential thread that connected the various aspects of their activist agendas. This study maps the routes taken by postwar popular-front women activists into peace and freedom movements of the 1960s and 1970s. The book tells the story of their decades-long effort to keep their intertwined social and political causes from unraveling and to maintain the connections among peace, feminism, and racial equality. It explains how the master narrative of U.S. history too often reduces the scope of leftist women's Cold War-era activism by containing it within women's, workers', or civil rights movements.


2021 ◽  
Vol 31 (2) ◽  
pp. 317-335
Author(s):  
Margaret A. Simons ◽  
Erika Ruonakoski

Abstract In this interview, Margaret A. Simons describes her path to philosophy and existentialism, her struggles in the male-dominated field in the 1960s and 1970s, and her political activism in the civil rights and women’s liberation movements. She also discusses her encounters with Simone de Beauvoir and Beauvoir’s refusal to own her philosophical originality, suggesting that Beauvoir may have adopted a more conventional narrative of a female intellectual to circumvent the public’s resistance to her radical ideas in the 1950s.


Author(s):  
Clifton Hood

The cultural transformations of the 1960s and 1970s created problems and opportunities for elites. In these decades the upper- and middle classes went from being seen as the wellspring of social virtue in Victorian culture to being perceived as repressed, stuffy, and out of touch; after all, they were the prime beneficiaries of a status quo that was now found wanting. From lording it over commoners in the eighteenth century, to loathing the dangerous classes in the nineteenth century, many elite New Yorkers came around to romanticizing African-Americans and other lower-class groups as exemplars of human spirit and social justice. These actions were in many cases genuine, yet in espousing civil rights causes and tackling discrimination and poverty, in exposing the falseness and superficiality of genteel society, upper-class New Yorkers also established their own heightened sensitivity as anti-elitists and their own legitimacy. Corporate elites thus championed achievement and diversity as the foundation of a more democratic, anti-elitist elite.


2019 ◽  
pp. 174165901988011 ◽  
Author(s):  
Vanessa Lynn

This article investigates autobiographical public narratives of people who are, and were, incarcerated during different regimes of injustices in the United States—from the civil rights era to the current era of mass incarceration. People make sense of their experiences with race and racism through time, from a present standpoint of incarceration or freedom, in retrospect via proximate and distant memories of injustices, and toward a vision of the future. I juxtapose mainstream autobiographies from Malcolm X to Shaka Senghor with public blog posts from individuals incarcerated who provide autobiographical accounts to the world. I find that generations of incarcerated people who came of age during the height of the War on Drugs of the 1980s and 1990s project a narrative of a neoliberal subject who has a more individualistic and de-racialized idea of transforming their moral self and community. This contradicts with the way they portray prison as being a conduit for creating communities of racial solidarity and racial consciousness. Highly influenced and inspired by other narratives of radical prisoners of conscience of the 1960s and 1970s who were prone to view their liberation, and of the Black community, through vanquishing White supremacy, the new generation speaks to the color-blind narratives that pervade mainstream society and possible in narrative interventions correctional program.


Author(s):  
Kirsten E. Shepherd-Barr

The decades 1960–80 witnessed a seismic shift in modern drama. The rage that came to define, and fuel, much of the drama in the 1960s and 1970s is directed at the audience. ‘Absurdism, protest, and commitment’ shows it is a post-war rage stemming from many sources: the Vietnam War, the Cold War, a feeling of betrayal by government and politicians, the Civil Rights Movement, Black Power, gay rights, feminism, the growing gap between rich and poor, and ethnic oppression. It is all about denying the audience what it expects of a play, provoking it out of real or perceived complacency, startling, and offending it. The plays of Pinter, Shepard, Beckett, Stoppard, Friel, and Fugard are discussed.


2019 ◽  
Vol 74 (3) ◽  
pp. 292-315 ◽  
Author(s):  
Travis A Weisse

Abstract While the intersection between alternative medicine and the natural food movement in radical white communities of the 1960s and 1970s is well known, the connection between these traditions and the simultaneous revolution in the black foodscape has not received adequate attention. This paper addresses this gap by exploring how an alternative healer and minister from the rural South, Alvenia Fulton, rose to prominence in Chicago during the 1960s and 1970s as one of the major figures in the transformation of the black diet by harnessing the star power of her celebrity clients. Fulton hybridized her apprenticeship in slave herbalism with concepts from white Protestant health food lectures into a corrective nutrition program to bring health and renewal to black communities that were struggling under the burden of structural and medical racism. When, in the 1960s, coronary heart disease peaked for black Americans, soul food became the iconic diet of the civil rights movement. To help her community while respecting their culture, Fulton struck a careful bargain to encourage more black Americans to eat raw, natural, vegetarian food by subtly reimagining the historical contents of the slave diet.


1980 ◽  
Vol 50 (2) ◽  
pp. 149-153 ◽  
Author(s):  
Francis Keppel

In the 1980s individual states will probably continue to have the major responsibility for education in this country. While the federal government may increase the percentage it contributes to the total costs of education, it will continue to be the junior partner in the enterprise, though one with increasing influence. This junior partner today places more demands on state government than its financial contribution seems to warrant. Conventional wisdom acquired in the 1960s and 1970s suggests that the federal government has set the right agenda on such issues as civil rights, poverty, and policies for minority groups and the handicapped—issues which state governments have generally neglected. But, under the Constitution, the federal government has not had the power to carry out its wishes for education without state and local cooperation. In fact, we often forget that a state's willingness to administer programs effectively is the key to the success of federal programs.


Author(s):  
Rebecca Tuuri

When women were denied a major speaking role at the 1963 March on Washington, Dorothy Height, head of the National Council of Negro Women (NCNW), organized her own women's conference for the very next day. Defying the march's male organizers, Height helped harness the womanpower waiting in the wings. Height’s careful tactics and quiet determination come to the fore in this first history of the NCNW, the largest black women's organization in the United States at the height of the civil rights, Black Power, and feminist movements of the 1960s and 1970s. Offering a sweeping view of the NCNW's behind-the-scenes efforts to fight racism, poverty, and sexism in the late twentieth century, Rebecca Tuuri examines how the group teamed with U.S. presidents, foundations, and grassroots activists alike to implement a number of important domestic development and international aid projects. Drawing on original interviews, extensive organizational records, and other rich sources, Tuuri’s work narrates the achievements of a set of seemingly moderate, elite activists who were able to use their personal, financial, and social connections to push for change as they facilitated grassroots, cooperative, and radical activism.


Author(s):  
Max Krochmal

This chapter describes the growing demonstrations during the 1960s, as the sit-in movement spreads to Texas. Elder activists join the young in expressing their demands. In less than three years after the first sit-ins, the revived African American civil rights movements would succeed in desegregating public accommodations in urban areas throughout Texas and the South, counting a major coup on the road to their larger goals of equal treatment, improved economic opportunities, and real political power.


Author(s):  
Aniko Bodroghkozy

This book has explored how network television mobilized a certain type of image that, when appropriately paired with figures of whiteness, was presumed to make whites less anxious about social change. It has highlighted a common link in these representations of a dignified blackness intertwined with an accommodating and welcoming whiteness. It has considered a number of television shows, including East Side/West Side and Good Times, to emphasize the propensity of networks to tell narratives relating to “black and white together,” the “worthy black victim,” and the aspirational “civil rights subject.” This epilogue examines television news coverage of Barack Obama's historic election as president of the United States. It suggests that networks were returning to the familiar discourse about the civil rights movements during the 1960s as they packaged stories that celebrated black and white voters coming together to put a biracial black man into the White House, to make Americans feel good about their country and its race relations.


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