The Absolute Drought of Critique

Author(s):  
Willy Thayer

This chapter looks at Walter Benjamin's essay “Critique of Violence” in 1921. In the essay, it explains that violence is representational sovereignty that declares the state of exception, be it to found or to conserve regimes of representation. It points out how more foundation, representation, and catastrophe involves becoming more regular and familiar with violence. Absolute knowledge and recollection would be the absolute drought of critique or destruction. The chapter highlights the “Critique of Violence”, which is a critique of sovereign right itself and a critique of the violent opening of initiation in which it consists. It further explains Benjamin's essay and its discussion on violence as the dialectic that puts exception to work for the triumphal cortege of representation, establishing a continuum between violation and progress.

2021 ◽  
Vol 3 (11) ◽  
pp. 6-12
Author(s):  
Lyudmila V. Goloshchapova ◽  
◽  
Elena V. Maltseva ◽  

The study is devoted to the analysis of the balance sheet profit of the leading companies in the oil and gas industry. The types of profits were considered, as well as the dynamics of the changes in indicators affecting their formation were analyzed. In addition, the article considers the composition and struc-ture of the balance sheet profit, factors affecting its size. Based on the financial statements of the companies, an idea of the state of profit in the companies «Rosneft», «Lukoil», «Gazprom» and «Tatneft» has been com-piled. The paper analyzes quantitative statistical indicators that reflect the results achieved from 2016–2020.


2021 ◽  
pp. 647-660
Author(s):  
Steed Vernyl Davidson

The task of identifying a single rationale for the violence on display in the book of Jeremiah may end with a coherent answer, but perhaps not a satisfactory one. That violence serves a reforming purpose seems satisfactory to theological readers in search of theodicy, as well trauma analyses that find the violence problematic but understandable. Other interpreters of Jeremiah, such as feminists and postcolonialists, struggle with the gratuitous and seemingly arbitrary nature of the violence. While not an attempt to rationalize the violence, this chapter engages the arbitrariness of the violence through a systematic analysis of four targets of violence in the book of Jeremiah: the prophet, the feminized Israel/Judah as adulterous wife, foreign nations, and the earth. By distinguishing these separate targets, the chapter examines how gender, sexuality, nationality, and speciesism intersect in the enactment of the rhetorical violence in the book. These delineations also set the stage for a central claim of the chapter, that of exceptional violence. Building upon Carl Schmidt’s notion that exceptional violence stems from exceptional vulnerability that requires the state of exception to use unrestrained violence, the chapter considers how the violence as narrated in Jeremiah not only performs this exceptionalism but also has exceptions. By examining who/what dies from the violence in the book, the chapter points out how the politics of death is played out upon different targets.


Author(s):  
José Duke S. Bagulaya

Abstract This article argues that international law and the literature of civil war, specifically the narratives from the Philippine communist insurgency, present two visions of the child. On the one hand, international law constructs a child that is individual and vulnerable, a victim of violence trapped between the contending parties. Hence, the child is a person who needs to be insulated from the brutality of the civil war. On the other hand, the article reads Filipino writer Kris Montañez’s stories as revolutionary tales that present a rational child, a literary resolution of the dilemmas of a minor’s participation in the world’s longest-running communist insurgency. Indeed, the short narratives collected in Kabanbanuagan (Youth) reveal a tension between a minor’s right to resist in the context of the people’s war and the juridical right to be insulated from the violence. As their youthful bodies are thrown into the world of the state of exception, violence forces children to make the choice of active participation in the hostilities by symbolically and literally assuming the roles played by their elders in the narrative. The article concludes that while this narrative resolution appears to offer a realistic representation and closure, what it proffers is actually a utopian vision that is in tension with international law’s own utopian vision of children. Thus, international law and the stories of youth in Kabanbanuagan provide a powerful critique of each other’s utopian visions.


Unlike the Academies of Science in most other countries where they exist, the Royal Society is not restricted by the terms of its Charters in the number of candidates which may be admitted to the Fellowship. The selection and election of candidates is left to the absolute discretion of the President, Council and Fellows of the Society. The manner in which they have carried out this duty in the past is of special interest in studying the growth of the Society. From its foundation the Society was absolutely dependent upon its own resources, for it had neither a subvention from the State nor were its publications printed by an official printing press, advantages which other national academies have usually enjoyed. The subscriptions of its Fellows and occasional gifts and bequests were all that the Council could look to for meeting the growing expenses of the young Society. The development of an adequate membership was therefore imperative, and long engaged the Councils attention.


2019 ◽  
pp. 26-53
Author(s):  
Katherine Isobel Baxter

Chapter Two identifies and anatomizes an important subgenre in the adventure tradition in literature: District Commissioner fiction. This subgenre is significant because, while in the nineteenth century the colonial hero was typically represented as a buccaneer outside the law, District Commissioner fiction repositions the hero within and as the law. Edgar Wallace’s Sanders of the River series is read alongside works by Arthur E. Southon in relation to theories of the state of exception, to demonstrate how the District Commissioner and the policy of indirect rule that he represents are figured exceptionally, standing outside the law as the force of law.


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