scholarly journals Research on the Drapery in Ancient Greek Sculptures

2021 ◽  
Vol 17 (6) ◽  
pp. 29
Author(s):  
Jing Chen ◽  
Yiqiang Cao
Keyword(s):  
Human Body ◽  
Ancient Greek ◽  
Western Art ◽  
History Of ◽  
Dialectical Relationship ◽  
Greek Sculpture

Sculpture in the ancient Greek period has an extremely lofty position in the history of Western art, and the drapery is one of the most important modeling characteristics of ancient Greek sculpture. This article summarizes the style evolution of drapery in ancient Greek sculptures through the performance of ancient Greek costume characteristics and dressing methods in sculptures. And through the drapery produced by the different postures of the human body in the sculptures, it is explored how the ancient Greek artists used drapery to show the dialectical relationship between clothing, the human body and the posture, thereby shaping the beauty model of classical clothing.

scholarly journals East & West: Searching out for the Beauty Ideal

2020 ◽  
Author(s):  
Sergelen Batchuluun ◽  
Orgilbold Narandorj
Keyword(s):  
Comparative Analysis ◽  
Human Body ◽  
Golden Ratio ◽  
Religious Art ◽  
Buddhist Art ◽  
Ancient Greek ◽  
Body Proportion ◽  
Beauty Ideal ◽  
Greek Sculpture ◽  
East West

This article describes the results of a comparative analysis of the ancient Greek sculpture Doryphoros in the western and eastern art canons, as well as the selected sculptures of the Bodhisattva Bodhisattva Maitreya from Gandharan, Indian, Nepalese, and Mongolian art. The authors also explore and integrate the aspects of the artistic notion of an ideal beauty, including aspects of oriental philosophy, aesthetics, human body’s proportion and compilation theory. This comparative analysis is based on G. Zanabazar’s sculpturing features and his skills through theoretical aspects. Studies have shown that Zanabazar’s Bodhisattva Maitreya is fully compatible with the classic western proportions and Buddhist strict canon. We show that both western and eastern artistic iconography have been developed to produce perfection in anthropomorphic expression. The classic correspondence was in religious art, as the western mentality seems to be the opposite and the imitation of both nature and the beauty of one’s sense of beauty. Keywords: human body proportion relevance with art, corporeality, Buddhist art, Zanabazar, Bodhisattva Bodhisattva Maitreya, golden ratio, artistic canon

scholarly journals ANCIENT GREEK SCULPTURE IN THE 20TH CENTURY WESTERN ART

2021 ◽  
Vol 9 (62) ◽  
Keyword(s):  
20Th Century ◽  
Ancient Greek ◽  
Western Art ◽  
Descriptive Research ◽  
Performance Artists ◽  
Art And Culture ◽  
Greek Sculpture ◽  
Western Civilisation ◽  
And Performance ◽  
Art And Architecture

Ancient Greek art and culture had served as a significant guide for Western civilisation for centuries. Greek philosophy, literature and mythology as well as art and architecture had a major impact on artists especially in the periods of Renaissance and Neoclassicism. It is interesting to see that Ancient Greek sculpture has still been inspiring for the 20th century western painters, sculptors and performance artists. This article will focus on the visual representations of four statues -Apollo Belvedere, Venus of Milo, Nike of Samothrace and Sleeping Ariadne- in the imagination of artists working in various styles. Depictions of aforenamed statues and their novel and distinctive interpretations had been the subject of this descriptive research. 20th century creations have been scanned for traces of Ancient Greek sculpture. These timeless paragons of Classical and Hellenistic periods acquired a fresh life thanks to the 20th century art world’s admiration and respect for the Ancient Greek sculpture. It can be concluded that by juxtaposing classical and contemporary imagery, artists created memorable and engrossing works. Keywords: Ancient Greek Sculpture, 20th century, Western Art

Do we need ‘masculinist’ (manly?) defenses of feminist archaeology?

1998 ◽  
Vol 5 (2) ◽  
pp. 112-115 ◽  
Author(s):  
Matthew C. Gutmann
Keyword(s):  
Eighteenth Century ◽  
Male Body ◽  
Ancient Greek ◽  
History Of ◽  
The Creation ◽  
Greek Sculpture ◽  
Naked Body

There is nothing inherently new, of course, about the study of men in archaeology. For example, in his important history of the creation of modern European masculinity George Mosse (The Image of Man, Oxford, 1996) describes one objective of eighteenth-century archaeologists as entailing the rediscovery of ancient Greek sculpture. Among other things Mosse demonstrates how an ‘ideal of masculine beauty took its inspiration from Greece’ and from the Greek statues in which the male body is deified, to such an extent that ‘the noble soul of each youth manifests itself through the harmonious position of his naked body during gymnastic exercises, foreshadowing the important role that gymnastics will play in shaping modern manhood’.

Somewhere between Human, Nonhuman, and Woman

2020 ◽  
Vol 6 (3) ◽  
pp. 21-51
Author(s):  
Debashree Mukherjee
Keyword(s):  
Object Relations ◽  
Human Body ◽  
Film Industry ◽  
The South ◽  
Hunger Strike ◽  
Cultural Events ◽  
Production Experience ◽  
Human Object ◽  
The Status ◽  
History Of

In 1939, at the height of her stardom, the actress Shanta Apte went on a spectacular hunger strike in protest against her employers at Prabhat Studios in Poona, India. The following year, Apte wrote a harsh polemic against the extractive nature of the film industry. In Jaau Mi Cinemaat? (Should I Join the Movies?, 1940), she highlighted the durational depletion of the human body that is specific to acting work. This article interrogates these two unprecedented cultural events—a strike and a book—opening them up toward a history of embodiment as production experience. It embeds Apte's emphasis on exhaustion within contemporaneous debates on female stardom, industrial fatigue, and the status of cinema as work. Reading Apte's remarkable activism as theory from the South helps us rethink the meanings of embodiment, labor, materiality, inequality, resistance, and human-object relations in cinema.

The Experience of Poetry

2019 ◽  
Author(s):  
Derek Attridge
Keyword(s):  
Late Antiquity ◽  
Cultural Practice ◽  
Oral Traditions ◽  
English Renaissance ◽  
Ancient Rome ◽  
Ancient Greek ◽  
Continuity And Change ◽  
Private And Public ◽  
History Of ◽  
The Impact

The question this book addresses is whether, in addition to its other roles, poetry—or a cultural practice we now call poetry—has, across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson’s Works and the death of Shakespeare in 1616, continuously afforded the pleasurable experience we identify with the crafting of language into memorable and moving rhythmic forms. Parts I and II examine the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. Part III deals with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the importance of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. Part IV explores the achievements of the English Renaissance, from the manuscript verse of Henry VIII’s court to the anthologies and collections of the late Elizabethan period. Among the topics considered in this part are the advent of print, the experience of the solitary reader, the continuing significance of manuscript circulation, the presence of poet figures in pageants and progresses, and the appearance of poets on the Elizabethan stage. Tracking both continuity and change, the book offers a history of what, over these twenty-five centuries, it has meant to enjoy a poem.

scholarly journals Complexes of Emotions in Joseph and Aseneth

2021 ◽  
Vol 30 (3) ◽  
pp. 133-155
Author(s):  
Tyler Smith
Keyword(s):  
Ancient Greek ◽  
Emotional Aspect ◽  
Complex Emotions ◽  
Jewish Text ◽  
History Of ◽  
History Of Literature ◽  
Joseph And Aseneth ◽  
Greek Novel

The ancient Greek novel introduced to the history of literature a new topos: the “complex of emotions.” This became a staple of storytelling and remains widely in use across a variety of genres to the present day. The Hellenistic Jewish text Joseph and Aseneth employs this topos in at least three passages, where it draws attention to the cognitive-emotional aspect of the heroine’s conversion. This is interesting for what it contributes to our understanding of the genre of Aseneth, but it also has social-historical implications. In particular, it supports the idea that Aseneth reflects concerns about Gentile partners in Jewish-Gentile marriages, that Gentile partners might convert out of expedience or that they might be less than fully committed to abandoning “idolatrous” attachments. The representations of deep, grievous, and complex emotions in Aseneth’s transformational turn from idolatry to monolatry, then, might play a psychagogic role for the Gentile reader interested in marrying a Jewish person.

scholarly journals Dying to Go Green: The Introduction of Resomation in the United Kingdom

Religions ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 97
Author(s):  
Georgina M. Robinson
Keyword(s):  
United Kingdom ◽  
Environmental Impact ◽  
Carbon Footprint ◽  
Human Body ◽  
Alkaline Hydrolysis ◽  
The United Kingdom ◽  
Religious Perspectives ◽  
History Of ◽  
The Uk ◽  
Hydrolysis Of

In an age where concern for the environment is paramount, individuals are continuously looking for ways to reduce their carbon footprint—does this now extend to in one’s own death? How can one reduce the environmental impact of their own death? This paper considers various methods of disposing the human body after death, with a particular focus on the environmental impact that the different disposal techniques have. The practices of ‘traditional’ burial, cremation, ‘natural’ burial, and ‘resomation’ will be discussed, with focus on the prospective introduction of the funerary innovation of the alkaline hydrolysis of human corpses, trademarked as ‘Resomation’, in the United Kingdom. The paper situates this process within the history of innovative corpse disposal in the UK in order to consider how this innovation may function within the UK funeral industry in the future, with reference made to possible religious perspectives on the process.

Creating a union catalogue for the libraries of the French national museums

2003 ◽  
Vol 28 (1) ◽  
pp. 10-14 ◽  
Author(s):  
Christian David ◽  
Catherine Granger ◽  
Nicole Picot
Keyword(s):  
The Internet ◽  
National Museum ◽  
Internet Site ◽  
Western Art ◽  
History Of ◽  
National Museums

The French national museum libraries service comprises 21 libraries specialising in the history of western art and archaeology. The central library, which is at the head of the network, was automated first and has completed its retrospective conversion. At first this library catalogued the material acquired for all the others; then a number of them were able in their turn to computerise and thus contribute directly to the union catalogue of the national museum libraries. This can now be consulted on the internet site of the Ministry of Culture.

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