ELECTRONIC MUSIC: A CONCEPTUAL FRAMEWORK FOR THE PROBLEMS OF MUSICAL STRUCTURE AND SPACE

We report a music analysis study of Atmosphères (1961) from György Ligeti, combining symbolic information retrieved from the musical score and audio descriptors extracted from the audio recording. The piece was elected according to the following criteria: (a) it is a music composition based on sound transformations associated to motions on the global timbre; (b) its conceptual creative intercourse makes direct references to electronic music and sound/timbre techniques from the ancient Renaissance Music; and (c) its sonorities are explored by means of variations on the timbre contrast. From the symbolic analysis perspective, Atmosphères’ timbre content can be discussed considering the entanglement of individual characteristics of musical instruments. The computational method approaches the musical structure from an empirical perspective and is based on clustering techniques. We depart from previous studies, and this time we focus on the novelty curve calculated from the spectral content extracted from the piece recording. Our findings indicate that novelty curve can be associate with five specific clusters, and regarding the symbolic music analysis, three leading music features can be argued: (a) instrumentation changes; (b) distinct pitch chromatic set locations and (c) intensity dynamic fluctuations.

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Exploring Temporality in Horacio Vaggione’s Compositional Thought

Organised Sound ◽

10.1017/s1355771820000072 ◽

2020 ◽

Vol 25 (2) ◽

pp. 168-178

Author(s):

İpek Görgün

Keyword(s):

Theoretical Approach ◽

Electronic Music ◽

Music Composition ◽

Object Oriented ◽

Musical Structure ◽

Temporal Perspective ◽

Key Concepts ◽

Musical Networks

This article aims to elaborate Horacio Vaggione’s theoretical approach towards electronic music composition and his understanding of the musical structure, and to discuss how some of his key concepts come into presence during the compositional experience of temporality. Following the introduction of object-oriented composition and musical networks, I will discuss the concept of morphology alongside an investigation of how these ideas relate to temporality. In addition to this inquiry, I will briefly explore the possibilities of an ontological discussion on Vaggione’s compositional mindset and how his temporal perspective differs from some of his colleagues.

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Physical Intentions: Exploring Michel Waisvisz’s The Hands (Movement 1)

Organised Sound ◽

10.1017/s1355771817000450 ◽

2017 ◽

Vol 22 (3) ◽

pp. 406-417

Author(s):

Jon Bellona

Keyword(s):

Electronic Music ◽

Musical Instrument ◽

The Body ◽

Musical Structure ◽

Live Performance ◽

Performance System ◽

Musical Gesture ◽

The Rich ◽

Early Performance ◽

Musical Analyses

Through a musical examination of The Hands (Movement 1) (1986), this article reveals musical developments of Michel Waisvisz’s early performance practice with The Hands. Waisvisz’s digital musical instrument, The Hands, helped shape the body as a recognisable agent of musical structure; this article details how the instrument controls relate to musical gesture and reveals the physical efforts of the composer through spectral analyses of the sound recording and an investigation of a 1987 performance video. The rich context of The Hands – the instrument controls, Waisvisz’s decades-long dedication to the instrument’s potential and, more centrally, the exploration of human effort in performance – have made this pioneering live-performance system for electronic music stand for more than just a musical instrument. Many authors cite Michel Waisvisz’s Hands technology but few provide musical analyses of Waisvisz’s music. The musical analysis of The Hands (Movement 1) (1986) highlights the art practice of a seminal composer–performer through one of his most important digital musical instruments and signals how the body became an instrument for playing digital electronic music.

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A conceptual framework for advanced practice: an action research project operationalizing anadvanced practitioner/consultant nurse role

Journal of Clinical Nursing ◽

10.1046/j.1365-2702.1997.00143.x ◽

1997 ◽

Vol 6 (3) ◽

pp. 179-190 ◽

Cited By ~ 20

Author(s):

Kim Manley

Keyword(s):

Action Research ◽

Conceptual Framework ◽

Advanced Practice ◽

Action Research Project ◽

Research Project ◽

Nurse Role

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Evaluating research in developmental disabilities: a conceptual framework for reviewing treatment outcomes

Developmental Medicine & Child Neurology ◽

10.1017/s0012162299000110 ◽

1999 ◽

Vol 41 (1) ◽

pp. 55-59 ◽

Cited By ~ 51

Author(s):

Charlene Butler ◽

Henry Chambers ◽

Murray Goldstein ◽

Susan Harris ◽

Judy Leach ◽

...

Keyword(s):

Developmental Disabilities ◽

Conceptual Framework ◽

Treatment Outcomes

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Understanding Why Older People Develop a Wish to Die

Crisis ◽

10.1027/0227-5910/a000078 ◽

2011 ◽

Vol 32 (4) ◽

pp. 204-216 ◽

Cited By ~ 52

Author(s):

M. L. Rurup ◽

H. R. W. Pasman ◽

J. Goedhart ◽

D. J. H. Deeg ◽

A. J. F. M. Kerkhof ◽

...

Keyword(s):

Older People ◽

Cohort Studies ◽

Conceptual Framework ◽

Life Events ◽

Traumatic Life Events ◽

Quantitative Studies ◽

Wish To Die ◽

Open Coding ◽

Death Wishes ◽

Depth Interviews

Background: Quantitative studies in several European countries showed that 10–20% of older people have or have had a wish to die. Aims: To improve our understanding of why some older people develop a wish to die. Methods: In-depth interviews with people with a wish to die (n = 31) were carried out. Through open coding and inductive analysis, we developed a conceptual framework to describe the development of death wishes. Respondents were selected from two cohort studies. Results: The wish to die had either been triggered suddenly after traumatic life events or had developed gradually after a life full of adversity, as a consequence of aging or illness, or after recurring depression. The respondents were in a situation they considered unacceptable, yet they felt they had no control to change their situation and thus progressively “gave up” trying. Recurring themes included being widowed, feeling lonely, being a victim, being dependent, and wanting to be useful. Developing thoughts about death as a positive thing or a release from problems seemed to them like a way to reclaim control. Conclusions: People who wish to die originally develop thoughts about death as a positive solution to life events or to an adverse situation, and eventually reach a balance of the wish to live and to die.

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