scholarly journals The archaeology of “celebrities” in the Greek and Roman worlds.

2019 ◽  
Vol 30 ◽  
pp. 311-327
Author(s):  
Jonathan M. Hall
Keyword(s):  
Case Studies ◽  
Sufficient Evidence ◽  
Ancient Greek ◽  
Conservative Ideology ◽  
Palatine Hill ◽  
The Individual ◽  
Material Record

The debate about the identification of the house of Augustus on the Palatine hill or the controversy surrounding the occupant of Tomb 2 at Vergina or the recently excavated funerary complex at Amphipolis offers more than sufficient evidence for a public fascination with important historical personalities. Yet, at the same time, disciplinary trends in archaeology have sought to emancipate the material record from historicizing narratives and to occlude or decanter the knowing subject. The archaeology of the individual has become, at best, a quaint, antiquarian pursuit and, at worst, a celebration of neo-conservative ideology. This article will consider a series of case-studies from the ancient Greek and Roman worlds with the aim of illuminating the viability - and desirability - of practicing an archaeology of famous individuals.

Stasis Anxiety

2017 ◽  
Author(s):  
Andrew van der Vlies
Keyword(s):  
South Africa ◽  
Civil War ◽  
Black Writers ◽  
Political Rights ◽  
Ancient Greek ◽  
Individual Subject ◽  
Starting Point ◽  
The Individual ◽  
Past Experiences ◽  
Contemporary Writing

Two recent debut novels, Songeziwe Mahlangu’s Penumbra (2013) and Masande Ntshanga’s The Reactive (2014), reflect the experience of impasse, stasis, and arrested development experienced by many in South Africa. This chapter uses these novels as the starting point for a discussion of writing by young black writers in general, and as representative examples of the treatment of ‘waithood’ in contemporary writing. It considers (spatial and temporal) theorisations of anxiety, discerns recursive investments in past experiences of hope (invoking Jennifer Wenzel’s work to consider the afterlives of anti-colonial prophecy), assesses the usefulness of Giorgio Agamben’s elaboration of the ancient Greek understanding of stasis as civil war, and asks how these works’ elaboration of stasis might be understood in relation to Wendy Brown’s discussion of the eclipsing of the individual subject of political rights by the neoliberal subject whose very life is framed by its potential to be understood as capital.

Introduction: The Translation History of Virgil

2018 ◽  
Author(s):  
Susanna Braund ◽  
Zara Martirosova Torlone
Keyword(s):  
Case Studies ◽  
Large Collection ◽  
The World ◽  
History Of ◽  
The Individual

The introduction describes the broad landscape of translation of Virgil from both the theoretical and the practical perspectives. It then explains the genesis of the volume and indicates how the individual chapters, each one of which is summarized, fit into the complex tapestry of Virgilian translation activity through the centuries and across the world. The volume editors indicate points of connection between the chapters in order to render the whole greater than the sum of its parts. Braund and Torlone emphasize that a project such as this could look like a (rather large) collection of case studies; they therefore consider it important to extrapolate larger phenomena from the specifics presented here

Full Well Corrosion Insight – Case Studies in the Added Value of Electromagnetic Thickness Measurements During Well Interventions

2021 ◽  
Author(s):  
Andrew Imrie ◽  
Maciej Kozlowski ◽  
Omar Torky ◽  
Aditya Arie Wijaya
Keyword(s):  
Case Studies ◽  
Wall Thickness ◽  
Added Value ◽  
Metal Loss ◽  
Outer Diameter ◽  
Metal Thickness ◽  
True Condition ◽  
Pass Through ◽  
External Corrosion ◽  
The Individual

AbstractMonitoring pipe corrosion is one of the critical aspects in the well intervention. Such analysis is used to evaluate and justify any remedial actions, to prolong the longevity of the well. Typical corrosion evaluation methods of tubulars consist of multifinger caliper tools that provide high-resolution measurements of the internal condition of the pipe. Routinely, this data is then analyzed and interpreted with respect to the manufacture's nominal specification for each tubular. However, this requires assumptions on the outer diameter of the tubular may add uncertainty, and incorrectly calculate the true metal thicknesses. This paper will highlight cases where the integration of such tool and electromagnetic (EM) thickness data adds value in discovering the true condition of both the first tubular and outer casings.These case studies demonstrate the use of a multireceiver, multitransmitter electromagnetic (EM) metal thickness tool operating at multiple simultaneous frequencies. It is used to measure the individual wall thickness across multiple strings (up to five) and operates continuously, making measurements in the frequency domain. This tool was combined with a multifinger caliper to provide a complete and efficient single-trip diagnosis of the tubing and casing integrity. The combination of multifinger caliper and EM metal thickness tool results gives both internal and external corrosion as well as metal thickness of first and outer tubular strings.The paper highlights multiple case studies including; i) successfully detecting several areas of metal loss (up to greater than 32%) on the outer string, which correlated to areas of the mobile salt formation, ii) overlapping defects in two tubulars and, iii) cases where a multifinger caliper alone doesn't provide an accurate indication of the true wall thickness. The final case highlights the advantages of integrating multiple tubular integrity tools when determining the condition of the casing wall.Metal thickness tools operating on EM principles benefit from a slim outer diameter design that allows the tools to pass through restrictions which typically would prevent ultrasonic scanning thickness tools. Additionally, EM tools are unaffected by the type of fluid in the wellbore and not affected by any non-ferrous scale buildup that may present in the inside of the tubular wall. Combinability between complementary multifinger caliper technology and EM thickness results in two independent sensors to provide a complete assessment of the well architecture.

Moderation in Greek and Islamic Traditions, and a Virtue Ethics of the Qur’an

2015 ◽  
Vol 32 (3) ◽  
pp. 1-28
Author(s):  
M. Ashraf Adeel
Keyword(s):  
Virtue Ethics ◽  
Ancient Greek ◽  
Contemporary View ◽  
Aristotelian Ethics ◽  
The Individual

This article looks at some of the salient analyses of the concept of wasaṭīyah (moderation) in the ancient Greek and the Islamic traditions and uses them to develop a contemporary view of the matter. Greek ethics played a huge role in shaping the ethical views of Muslim philosophers and theologians, and thus the article starts with an overview of the revival of contemporary western virtue ethics, in many ways an extension of Platonic-Aristotelian ethics, and then looks briefly at the place of moderation or temperance in Platonic-Aristotelian ethics. This sets the stage for an exposition of the position taken by Ibn Miskawayh and al-Ghazali, which is then used as a backdrop for suggesting a revival of the Qur’an’s virtue ethics. After outlining a basis for its virtue ethics, the Qur’anic view of the virtue of wasaṭīyah is discussed briefly and its position on this virtue’s nature in terms of the individual and the community is presented.

scholarly journals The face of the other: the particular versus the individual

2017 ◽  
Vol 12 (2) ◽  
pp. 289-313
Author(s):  
Claire Farago
Keyword(s):  
Latin America ◽  
Puerto Rican ◽  
Case Studies ◽  
New Spain ◽  
The Other ◽  
Upper Class ◽  
European Culture ◽  
The Face ◽  
The Individual ◽  
Ethnographic Image

Abstract Five interrelated case studies from the sixteenth to the twentieth centuries develop the dynamic contrast between portraiture and pictorial genres newly invented in and about Latin America that do not represent their subjects as individuals despite the descriptive focus on the particular. From Jean de Léry’s genre-defining proto-ethnographic text (1578) about the Tupinamba of Brazil to the treatment of the Creole upper class in New Spain as persons whose individuality deserves to be memorialized in contrast to the Mestizaje, African, and Indian underclass objectified as types deserving of scientific study, hierarchical distinctions between portraiture and ethnographic images can be framed in historical terms around the Aristotelian categories of the universal, the individual, and the particular. There are also some intriguing examples that destabilize these inherited distinctions, such as Puerto Rican artist José Campeche’s disturbing and poignant image of a deformed child, Juan Pantaléon Aviles, 1808; and an imaginary portrait of Moctezuma II, c. 1697, based on an ethnographic image, attributed to the leading Mexican painter Antonio Rodriguez. These anomalies serve to focus the study on the hegemonic position accorded to the viewing subject as actually precarious and unstable, always ripe for reinterpretation at the receiving end of European culture.

scholarly journals FEATURES OF BECOMING AND DEVELOPMENT OF CULTURAL AND LEISURE PRACTICES IN ANCIENT GREECE

2017 ◽  
pp. 78-83
Author(s):  
I. V. Petrova
Keyword(s):  
Ancient Greece ◽  
Greek Life ◽  
Ancient Greek ◽  
Theatrical Performances ◽  
Strict Regulation ◽  
Political Differences ◽  
The Individual ◽  
Voluntary Choice ◽  
Political Groups ◽  
Social Collective

The analysis features of becoming and development of cultural and leisure practices in Ancient Greece is the goal of the article. The author justifies the preconditions which formed the appropriate hierarchy of life values of ancient Greek and reated the base for leisure development in Ancient Greece. It has been determined the leading preconditions such as absolute kosmolohizm, religiosity and polytheism, mental features of ancient Greeks and agon of Greek life, human cultural activity, polis political system, special perception of freedom as condition of absence of bright expressed domination over the human and strict regulation of the individual behavior, his personality initiative, existence of free time that isn't occupied by routine and care of urgent daily needs. It has been revealed the essence of such cultural and leisure practices as symposiya, gymnasiya, professional, religious and political groups, agons, theatrical performances, visiting of agora and organization of events. It has been argued that the general patriarchal orientation of Greek civilization affected the system of leisure organization in Ancient Greece. It has been justified the opinion that value of leisure was being determined by its role in the aid of social balance: between thetendencies to integration and differentiation of society and to its unification and hierarchy. Therefore, there were coexistent leisure formsconnected with the opposite social tendencies: some leisure demonstrations were acceptable for all (or for most) groups of population, they unitedand consolidated it, and others, limited by some requirements, extended social, cultural and political differences. Consequently there is a distribution of leisure practices on private (in which people could to participate according to their interests), and social (collective); obligatory (the participation was compulsory), and voluntary (choice of which depended only on desires of people); "high" (addressed only to mental and physical development of people), and "inactive" (passiverecreation, entertainment or bodily pleasure).

Material Evidence

2018 ◽  
Author(s):  
Sarah P. Morris
Keyword(s):  
Ancient Greek ◽  
Archaeological Evidence ◽  
Greek Art ◽  
Material Evidence ◽  
Material Record

Unlike in the study of Roman slavery (Joshel and Peterson 2014), the analysis of archaeological evidence for Greek slavery is far more challenging (I. Morris 2011), if we hope to be able to identify slaves, their labour, and their living spaces, in the ancient material record. Rather than trying to identify figures in Greek art as unfree in status, locating their place of work and living quarters in excavated structures, or distinguishing slave burials in ancient Greek necropoleis, this essay proposes that we should look rather for the wider effects of their labour on changes in health, wealth, settlement and landscapes.

‘TRANS-’ APPROACH TO ARCHITECTURE AND MUSIC INTERACTION: THE RELATIONSHIP BETWEEN MARCOS NOVAK’S LIQUID ARCHITECTURE AND MUSIC

2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Gizem ÖZKAN ÜSTÜN ◽  
Pınar DİNÇ KALAYCI
Keyword(s):  
Case Studies ◽  
Historical Process ◽  
Music And Architecture ◽  
New Form ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship ◽  
Architecture And Music ◽  
Process Method ◽  
The Way

Aim: The aim of this research is to identify the Novak’s relationship of ‘liquid architecture and music’ as an approach that diverges from the architecture music relationships that have been built throughout the historical process. Method: In describing the approach, initially, the intellectual and critical foundations and features of liquid architecture were emphasized, and subsequently, its relationship with music was discussed through case studies in comparison to the current relationship between architecture and music. Results: When the current relationships of the architecture and music are evaluated, the attitude apart from the arising sensations and affections doesn’t exist within the relationship of liquid architecture and music. Liquid architecture, which has characteristics such as continuity, timelessness, plurality, poetry and obscurity, acquires the characteristics of the individual varying based on his/her body, senses, perceptions, and emotions as the way of producing architecture. It is claimed that the liquidity approach will influence music and architecture in different ways than is known, and that music will transform into a new form of architecture, while architecture becoming a new form of music. In this context, it extends ‘beyond (trans-)’ the limits of current approaches. Conclusion: The sixth category of methodical approaches in architecture music interaction can be defined as the relationship of liquid architecture and music. The way it relates to music and the way it produces architecture also suggests a direction of development to concrete architecture and virtually warns about renewing its theory and tools.

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