‘TRANS-’ APPROACH TO ARCHITECTURE AND MUSIC INTERACTION: THE RELATIONSHIP BETWEEN MARCOS NOVAK’S LIQUID ARCHITECTURE AND MUSIC

2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Gizem ÖZKAN ÜSTÜN ◽  
Pınar DİNÇ KALAYCI
Keyword(s):  
Case Studies ◽  
Historical Process ◽  
Music And Architecture ◽  
New Form ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship ◽  
Architecture And Music ◽  
Process Method ◽  
The Way

Aim: The aim of this research is to identify the Novak’s relationship of ‘liquid architecture and music’ as an approach that diverges from the architecture music relationships that have been built throughout the historical process. Method: In describing the approach, initially, the intellectual and critical foundations and features of liquid architecture were emphasized, and subsequently, its relationship with music was discussed through case studies in comparison to the current relationship between architecture and music. Results: When the current relationships of the architecture and music are evaluated, the attitude apart from the arising sensations and affections doesn’t exist within the relationship of liquid architecture and music. Liquid architecture, which has characteristics such as continuity, timelessness, plurality, poetry and obscurity, acquires the characteristics of the individual varying based on his/her body, senses, perceptions, and emotions as the way of producing architecture. It is claimed that the liquidity approach will influence music and architecture in different ways than is known, and that music will transform into a new form of architecture, while architecture becoming a new form of music. In this context, it extends ‘beyond (trans-)’ the limits of current approaches. Conclusion: The sixth category of methodical approaches in architecture music interaction can be defined as the relationship of liquid architecture and music. The way it relates to music and the way it produces architecture also suggests a direction of development to concrete architecture and virtually warns about renewing its theory and tools.

scholarly journals Architecture and music/sound: Points of meeting, networking, interactions

2014 ◽  
Vol 6 (1) ◽  
pp. 75-88
Author(s):  
Biljana Srećković
Keyword(s):  
Sound Art ◽  
Avant Garde ◽  
Formal Level ◽  
History Of ◽  
Music And Architecture ◽  
Relationship Of ◽  
The Relationship ◽  
Architecture And Music

This paper is devoted to perceiving the relationship between music and architecture, namely, the discourses which interpret, research, value these two practices in the context of their mutual networking. In that respect it is possible to set aside several problem strongholds which will make the focus of this paper, and which concern: the history of forming and evolution of discourse on the inter-relationship of these two practices; modernist, avant-garde and postmodernist problematization of music and architecture; theories of the artists as a field of music and architecture networking; the interaction of music and architecture on the technical and formal level; spatiality of sound, i.e., sound/music propagation in space and the emergence of the new art concepts based on this principle (sound architecture, aural architecture, sound art).

‘THE SPACE OF THE SOUL’: AN INTERVIEW WITH SOFIA GUBAIDULINA

Tempo ◽  
2012 ◽  
Vol 66 (259) ◽  
pp. 31-35 ◽  
Author(s):  
Ivan Moody
Keyword(s):  
20Th Century ◽  
Fibonacci Sequence ◽  
Historical Process ◽  
Concert Music ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

AbstractIn this interview Gubaidulina discusses her understanding of religion and the way in which it relates to her music, by means of symbolism and metaphor. In particular she speaks of her understanding of the Apocalypse as a book of light, greatly influenced by the writings of Fr Aleksandr Men. She talks about the symbolism of instruments in her work, notably percussion, which she sees as a way to the subconscious; her understanding of the role of modernism in music, and the way in which her work connects with this historical process; and also her use of the Fibonacci sequence. The relationship of her music to liturgy is discussed, as is the double path, apparently contradictory, of the artist who composes both liturgical and concert music. The experience of the composer during the profound changes in music during the 20th century, specifically as regards possible intersections between modernism and spirituality, are also discussed.

Autism and Music Therapy — Is Change Possible, and Why Music?

1994 ◽  
Vol 8 (1) ◽  
pp. 15-25 ◽  
Author(s):  
Sandra M.K. Brown
Keyword(s):  
Music Therapy ◽  
Case Studies ◽  
Final Section ◽  
Children With Autism ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

This article looks at the way we make sense of the world around us, and how autism can affect this. It goes on to consider the relationship of music to ourselves, and then, in the light of these issues, why music used therapeutically may have particular relevance for people with autism. This is illustrated in the final section by brief case studies of individual music therapy work with children with autism.

Sinkholes and Seismic Shifts

2017 ◽  
Author(s):  
Camilla Fojas
Keyword(s):  
Social Transformation ◽  
Popular Media ◽  
Ecological Crisis ◽  
The Real ◽  
Global Catastrophe ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

Disaster films and storylines overwhelm, shock, and immobilize publics. They offer little in the way of possibilities for social transformation or revolution. The individual crisis, the individualization of global catastrophe in its miniaturization in small disasters, like the sinkhole, personalizes ecological crisis and, quite literally, brings it home. Many of the popular media stories about sinkholes describe them as unpredictable and arbitrary events in which entire houses are consumed, streets and sidewalks cave in, and people and their pets are absorbed by hollow chasms in and around their homes. The sinkhole crisis demands expediency for the immediacy of its threat. The real threat of a sinkhole might be more effective in changing the relationship of individuals to the environment.

CHILD-PARENT RELATIONS AS A FACTOR IN THE FORMATION OF PROFESSIONAL PREFERENCES IN PEDAGOGICAL DYNASTIES

2020 ◽  
Vol 2 (4) ◽  
pp. 126-130
Author(s):  
N. V. SHAMANIN ◽  
Keyword(s):  
Professional Development ◽  
The Family ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship ◽  
Parent Child Relationships ◽  
Professional Preferences ◽  
Parent Child

The article raises the issue of the relationship of parent-child relationships and professional preferences in pedagogical dynasties. Particular attention is paid to the role of the family in the professional development of the individual. It has been suggested that there is a relationship between parent-child relationships and professional preferences.

Epilogue

2017 ◽  
Author(s):  
Joshua S. Walden
Keyword(s):  
The Body ◽  
The Self ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.

Anthropological communities of interpretation for Burma: An overview

2008 ◽  
Vol 39 (2) ◽  
pp. 239-254 ◽  
Author(s):  
U Chit Hlaing
Keyword(s):  
Southeast Asia ◽  
Ethnic Groups ◽  
Field Of Study ◽  
Anthropological Theory ◽  
History Of ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

AbstractThis paper surveys the history of anthropological work on Burma, dealing both with Burman and other ethnic groups. It focuses upon the relations between anthropology and other disciplines, and upon the relationship of such work to the development of anthropological theory. It tries to show how anthropology has contributed to an overall understanding of Burma as a field of study and, conversely, how work on Burma has influenced the development of anthropology as a subject. It also tries to relate the way in which anthropology helps place Burma in the broader context of Southeast Asia.

Gender and the Process of Moral Development in the Thought of Paul Evdokimov

2005 ◽  
Vol 66 (1) ◽  
pp. 69-95 ◽  
Author(s):  
Christopher P. Klofft
Keyword(s):  
Moral Development ◽  
Theological Anthropology ◽  
Christian Life ◽  
The World ◽  
The Individual ◽  
The Relationship ◽  
The Way

[In the writings of Orthodox theologian Paul Evdokimov (1901–1970), Western theology can find new resources regarding the relationship between gender and moral development. The author presents Evdokimov's unique theological anthropology in the context of both the complicated question of gender, as well as the effects that gender has on the way women and men act. While the goal of the Christian life for both is the transformation of the individual through asceticism, the role each plays in the salvation of the world differs markedly.]

scholarly journals ‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète

2017 ◽  
Vol 22 (2) ◽  
pp. 172-186
Author(s):  
Geoffrey Cox
Keyword(s):  
Case Studies ◽  
Electronic Music ◽  
Documentary Film ◽  
Post Office ◽  
Coal Face ◽  
Avant Garde ◽  
History Of ◽  
Relationship Of ◽  
The Relationship ◽  
Musique Concrete

Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explorations in early British documentary that prefigured musique concrète, an area ignored by electronic music studies. The theoretical and philosophical underpinnings of the documentary movement’s members, particularly their leader John Grierson, will be compared with those of Pierre Schaeffer, and the important influence of Russian avant-garde filmmaking on the British (and musique concrète) will be addressed. Case studies will focus on the groundbreaking soundtracks of two films made by the General Post Office Film Unit that feature both practical and theoretical correspondences to Schaeffer: 6.30 Collection (1934) and Coal Face (1935). Parallels between the nature and use of technologies and how this affected creative outputs will also be discussed, as will the relationship of the British documentary movement’s practice and ideas to post-Schaefferian ‘anecdotal music’ and the work of Luc Ferrari.

National identity in the Ottoman Empire as a historical and social fact

2021 ◽  
Author(s):  
Isra Shengul Chebi ◽  
Dilshat Karimova
Keyword(s):  
Ottoman Empire ◽  
Social Relations ◽  
Cultural Context ◽  
Collective Identities ◽  
Historical Process ◽  
Social Fact ◽  
Nation States ◽  
Turkish State ◽  
Relationship Of ◽  
The Relationship

Defined both in an individual and in a social or cultural context, identity is a historical phenomenon; a consistent, complete sense of identity develops in the historical process. Social relations created by historical conditions shape Turkish identity, just like other collective identities. Revealed as one of the oldest nations in history, Turkish identity has also been shaped by the amalgamation of the effects created by the rule of law in the collective consciousness. Despite the fact that the length of the historical process makes it difficult to clearly identify the stages of the adventure, when studying Turkish identity it is necessary to look at the Ottoman Empire, which is a prerequisite for the modern Turkish state, and the self-identification of the society that feels belonging to the above state. Indeed, it is not very wrong to associate the phenomenon of identity as a topic of discussion with the relationship of the Ottoman state with the modern nation states of the West. In this context, it would be appropriate to touch upon the perception of identity in the Ottoman Empire.

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