Drone affective politics against state impunity: The case of 43 disappeared students in Ayotzinapa, Mexico

This article analyzes some implications of new drone aesthetics involved in affective politics against state impunity in social conflicts. Whereas the literature on media, war and conflict has been centered around the war aesthetics of military drones, the author argues that civilian drones can mobilize affective politics – expressed, for example, in the aestheticization of shame, rage and the subversion of fear – as a means of political communication with and against the state. Further, she proposes that the present focus on drone aesthetics should be expanded to also account for the political affects that aesthetic sensory perceptions mobilize. Drawing on actor-network theory and new materialism, the article takes the disappearance of 43 students in Ayotzinapa (Mexico) as an exemplary case of state impunity in the context of the war against drugs and social conflict. By means of a digital ethnography of the social collective project Rexiste, the author analyzes its public interventions deploying a civil drone named ‘Droncita’, which sought to generate an aesthetics of affect against state impunity. The article contributes toward expanding investigation of (civilian) drone aesthetics and the mobilization of affective politics in the literature on war and social conflicts and collective action.

Candlelight Vigils and Citizen Activism

This chapter focuses on modern political and social collective actions in South Korea to illustrate how changing information ecosystems have influenced the ways protests and candlelight vigils have been organized over the past several decades. In particular, the chapter explains how Internet and digital communication technologies began to be used to facilitate collective actions in South Korea in a series of candlelight vigils beginning in 2002, when two South Korean teenage girls were killed by a U.S. armored vehicle. It also covers other major candlelight vigils, including 2004 vigils against the impeachment of President Roh Moo-hyun and 2008 vigils against U.S. beef importation. In examining candlelight vigils at different time points and stages of technological development, it considers both what changed and what has remained largely the same, while highlighting key agents and affordances and their interactions at each time period analyzed.

The University Extension under an introspective approach: reflections and challenges from the management

University Extension at the Faculty of Dentistry of the National University of Cordoba has gone through a long process of conceptions, tensions and evolutionary changes with the aim of gradually accompanying the current extension paradigms. Various conceptions have been adapted during this process, giving rise to several significant changes in an attempt to give hierarchy to this pillar of the public university in line with the genuine needs of the community. However, there are still some challenges for the future, for which the participation of its teachers and students will be very important, not only in their permanent education and training, but also in the substantiation of renewed interdisciplinary projects, more and more committed to the social collective.

The presence found for opening to the future: points for a pedagogy of resistance

Perhaps, the greatest gift of the post-pandemic period that we are living is the recovery of a presence that we used to take for granted, not exclusively mediated by the screen of our digital tools. We are gradually coming back ‘to presence’: to school, to work, to the gym, to the restaurant. However, We have to deal with what we have experienced, with the crisis that we have gone through ‘and, specifically, we have to give educational value to this ‘rediscovered’ dimension, hoping that it’s definitive. In this regard, we will focus on the opportunity, more timely than ever, to promote, in a problematic key, educational models that, like those inspired by contemplative pedagogy, work not only on the quality of the presence in the here-and-now, a time constitutively dialogic finally rediscovered, a time to be nourished with sense of life and beauty, but that they also educate, focusing on the ability to ethically resolve individual, social, collective problems, to a responsible projection towards the future.

On relationality and organizationality: Degrees of durability, materiality, and communicatively constituting a fluid social collective

Recent organizational theorizing contends that loosely structured fluid social collectives may attain degrees of “organizationality” (Dobusch & Schoeneborn, 2015) depending on whether or not they achieve certain organization-like elements. The organizationality approach offers a compelling account for the persistence of fluid social collectives, but the framework could be strengthened by moving beyond language-centered explanations and including into theorizing a plurality of ‘entities’ that differ in ontological status. Based on a case study within the context of a fluid user-built recreation space, this study adopts a relational ontology viewpoint on materiality to show how dynamic aspects of natural elements, expectations, feelings, and the cyclicality of nature can be theorized as material, and thus mattering, to organizing processes. Findings reveal that the degree of durability of these entities is key for understanding interconnected decision making, identity, and ultimately how the fluid collective achieves or degrades organizationality.

A market-based rationale for the privacy paradox

Moving beyond the current focus on the individual as the unit of analysis in the privacy paradox, this article examines the misalignment between privacy attitudes and online behaviors at the level of society as a collective. I draw on Facebook’s market performance to show how despite concerns about privacy, market structures drive user, advertiser and investor behaviors to continue to reward corporate owners of social media platforms. In this market-oriented analysis, I introduce the metaphor of elasticity to capture the responsiveness of demand for social media to the data (price) charged by social media companies. Overall, this article positions social media as inelastic, relative to privacy costs; highlights the role of the social collective in the privacy crises; and ultimately underscores the need for structural interventions in addressing privacy risks.

Social Collective Attack Model and Procedures for Large-Scale Cyber-Physical Systems

A large-scale Cyber-Physical System (CPS) such as a smart grid usually provides service to a vast number of users as a public utility. Security is one of the most vital aspects in such critical infrastructures. The existing CPS security usually considers the attack from the information domain to the physical domain, such as injecting false data to damage sensing. Social Collective Attack on CPS (SCAC) is proposed as a new kind of attack that intrudes into the social domain and manipulates the collective behavior of social users to disrupt the physical subsystem. To provide a systematic description framework for such threats, we extend MITRE ATT&CK, the most used cyber adversary behavior modeling framework, to cover social, cyber, and physical domains. We discuss how the disinformation may be constructed and eventually leads to physical system malfunction through the social-cyber-physical interfaces, and we analyze how the adversaries launch disinformation attacks to better manipulate collective behavior. Finally, simulation analysis of SCAC in a smart grid is provided to demonstrate the possibility of such an attack.

Lu Märten: Four Texts

This article collects four texts written by German feminist-materialist art historian Lu Märten (1879–1970): “Artistic Aspects of Labor in Old and New Times” Published in 1903 in the social-democratic journal Die Zeit at a time when Märten dedicated the majority of her writings on form to feminist perspectives on housing and reproduction. It is her first systematic essay on what will become a central concern of her own “life-work,” namely, the question of how to break open the capitalized division between “productive labor” and what Märten calls “social-personal” work. Märten thus sketches an understanding of labor outside of its capitalist determinations and notions of progressive temporality. Essence and Transformation of Forms (Arts) This text appeared in 1924 in the journal Arbeiterliteratur. Its immediate objective was to explain the aim of her similarly titled book to a proletarian audience. In this short summary, Märten emphasizes the importance of ethnography for her project. Rather than isolating forms from their social surroundings, as was traditional in art history, the practice of viewing forms ethnographically allows their origins to be seen in a broader framework of social-collective materialities and vital needs. Märten argues that this shift in perspective could be an aid de-fetishizing workerss relationships with the object world. “Art and Proletariat” This was first published in 1925 in Franz Pfemfert's Die Aktion and later that year reprinted in Czech translation in Pásmo, a magazine run by the revolutionary artist collective Devětsil. The article argues that the notion of “proletarian art” is politically and systematically pointless given that “art” is merely the historically specific, impoverished manifestation of form under the conditions of industrial capitalism. In place of art, Märten draws on the notion of “classless form” in order to imagine a monist state of form beyond the divisions of class, gender, and species. “Workers and Film” Written in 1928, this text was not printed during Märten's lifetime, instead serving as a script for a radio broadcast, as was the case for most of her published and unpublished texts on film. Almost a decade before Walter Benjamin's Artwork essay (1936), Märten's “Workers and Film,” along with numerous other articles and radio broadcasts, addressed strikingly similar questions, yet under profoundly different premises. In Märten's synthetic understanding of a monist material culture of people and things, film promised to actualize a technologically mediated monism for the industrial age.