scholarly journals Individuality Lost, Fun Gained: Some Recurrent Motifs in Late Twentieth-Century Arabic and Turkish Novels

1970 ◽  
Vol 7 ◽  
pp. 25-49
Author(s):  
Stephan Guth
Keyword(s):  
Twentieth Century ◽  
Middle East ◽  
North Africa ◽  
German Literature ◽  
Western Country ◽  
Clash Of Civilizations ◽  
Alternative Description ◽  
Late Twentieth ◽  
Recurrent Motifs ◽  
Late Twentieth Century

Starting from an alternative description, based mainly on German literature, of what has come to be called ‘postmodernism’, the present study re-examines Arabic and Turkish novels from the 1980s and 1990s in the light of this description. It is argued that the descriptive categories developed on the basis of European texts also make sense for texts from the Middle East and North Africa, suggesting that the way life is perceived in these regions at the end of the twentieth century does not differ fundamentally from how it is experienced in a Western country − there is a global discursive community with similar outlooks on life on both sides, rather than a ‘clash of civilizations’. The alternative description also assigns many ‘postmodern’ features their place in a ‘structure of meaning’, which sheds some new light on the inner architecture of the period in question and on the function of the parts in a complementary whole.

scholarly journals Why Islam (Properly Understood) Is the Solution

2013 ◽  
Vol 30 (4) ◽  
pp. 137-145
Author(s):  
Nader Hashemi
Keyword(s):  
Twentieth Century ◽  
Middle East ◽  
North Africa ◽  
Arab Spring ◽  
Muslim Brotherhood ◽  
Transition To Democracy ◽  
Islamic World ◽  
Late Twentieth ◽  
The Arab Spring ◽  
Late Twentieth Century

This paper is a provocative play on the famous Muslim Brotherhood slogan al-Islām hūwa al-ḥāl (Islam is the solution). While critics of the Muslim Brothers rightly criticized them for the simplicity of their worldview in thinking that religion was a panacea for all of the problems confronting Muslim societies during the late twentieth century, an argument can be made that religion does profoundly matter in the context of the struggle for democracy in the Arab-Islamic world. In the aftermath of the Arab Spring, democratic transitions in North Africa and the Middle East will be dependent on democratically negotiating the question of religion’s role in politics. Here I provide some reflections on this topic with a focus on Tunisia’s transition to democracy.  

Conclusion

2014 ◽  
Author(s):  
Maud S. Mandel
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
North Africa ◽  
Middle Eastern ◽  
World War ◽  
Late Twentieth ◽  
Late Twentieth Century ◽  
The Way

This concluding chapter summarizes key arguments woven throughout the text. These are that in order to understand fully the way Muslim–Jewish political conversations have evolved in France, we must begin in North Africa in the decade and a half after World War II as France first tried to hold on to and then extricate itself from the region; disagreements over Middle Eastern war and the Israeli–Palestinian struggle cannot in and of themselves explain the evolution of Muslim–Jewish political conversations in France over the last fifty years; and that binary constructions of Muslim–Jewish interaction have worked to erase the more complex social terrain in which Muslims and Jews have interacted in late twentieth-century France.

Nine Centuries of Man

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Diverse Range ◽  
Gender Expectations ◽  
Court Records ◽  
The Past ◽  
Wide Range ◽  
Police Reports ◽  
Late Twentieth ◽  
Scottish History ◽  
Late Twentieth Century

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history

Trey Ellis's Platitudes: Redefining Black Voices

2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha
Keyword(s):  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
African American Literature ◽  
Black Experience ◽  
Racial Issues ◽  
Black Voices ◽  
Late Twentieth ◽  
One Year ◽  
Late Twentieth Century

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.

A New Denominational Historiography?

1995 ◽  
Vol 5 (2) ◽  
pp. 249-263
Author(s):  
John F. Wilson
Keyword(s):  
Twentieth Century ◽  
Recent Analysis ◽  
General Factor ◽  
Religious Organization ◽  
Religious Institution ◽  
Large Numbers ◽  
The Status ◽  
Late Twentieth ◽  
American Society ◽  
Late Twentieth Century

Over the last decade, a noteworthy number of published studies have, in one fashion or another, been defined with reference to religious denominations. This is an arresting fact, for, coincidentally, the status of religious denominations in the society has been called into question. Some formerly powerful bodies have lost membership (at least relatively speaking) and now experience reduced influence, while newer forms of religious organization(s)—e.g., parachurch groups and loosely structured movements—have flourished. The most compelling recent analysis of religion in modern American society gives relatively little attention to them. Why, then, have publications in large numbers appeared, in scale almost seeming to be correlated inversely to this trend?No single answer to this question is adequate. Surely one general factor is that historians often “work out of phase” with contemporary social change. If denominations have been displaced as a form of religious institution in society in the late twentieth century, then their prominence in earlier eras is all the more intriguing.

Archaeology, Historicity, and Homosexuality in the New Cultus of Antinous

2018 ◽  
Vol 8 (2) ◽  
pp. 237-259
Author(s):  
Ethan White
Keyword(s):  
Twentieth Century ◽  
Gay Men ◽  
Second Century ◽  
Roman Emperor ◽  
Late Twentieth ◽  
Late Twentieth Century

In the second century, the Roman Emperor Hadrian deified his male lover, Antinous, after the latter drowned in the Nile. Antinous’ worship was revived in the late twentieth century, primarily by gay men and other queer-identified individuals, with Antinous himself being recast as “the Gay God.”

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