There’s No Regime beyond Representation

2018 ◽  
Vol 62 (1) ◽  
pp. 215-234
Author(s):  
Michaela Fiserova ◽  
Keyword(s):  
The Other ◽  
The Political ◽  
Jacques Ranciere ◽  
Political Conception ◽  
Other Hand ◽  
Jacques Rancière ◽  
The Aesthetic ◽  
The One

The paper invites a rethink of the political conception of Jacques Rancière, a philosopher who devoted considerable reflexion to the problem of the sharing of the sensible. Rancière proposes considering the aesthetic regime without the concept of representation. According to the author, this leads him to a paradox: on the one hand, he states that the aesthetic regime takes images for art; on the other hand, he doesn’t pay attention to the fact that it shouldn’t be possible to conceive of any regime of sharing without the concept of representation. Therefore, the author proposes a deconstructive reading of Rancière’s critique of representation, demonstrating that if the contemporary image is conceived and produced in order to be shared, it can’t be freed from representation. Finally, the author puts forth the notion of meta-representation as a solution avoiding Rancière’s antinomies.

The Political Doctrine of Feodor Samarin

2019 ◽  
Vol 54 ◽  
pp. 391-398
Author(s):  
Kirill A. Solovyov
Keyword(s):  
20Th Century ◽  
Political System ◽  
The Other ◽  
The Political ◽  
The Past ◽  
Political Conception ◽  
Other Hand ◽  
Intellectual Heritage ◽  
Political Views ◽  
The One

The article is devoted to the political views of F.D. Samarin, his conception of the political system in Russia before 1905, constitutional reforms of 1905–1906 and Stolypin’s reforms. The author demonstrates how Samarin tried to adopt the Slavophile doctrine to the situation of the beginning of the 20th century. At that he had to carry on polemics both with the opponents of the Slavophilism and its supporters. On the one hand, this fact stresses Slavophilism diversity and its inner heterogeneity. On the other hand, it shows the nature of the Slavophile doctrine itself that resembled more the historiographic approach to researching the past than a well-structured political conception. Giving meaningful political content to Slavophile ideas depended fully on every single representative of the Slavophile intellectual heritage.

Vegan attendance: reading Gibbons’s animals

2020 ◽  
Vol 29 (3) ◽  
pp. 379-394
Author(s):  
Emelia Quinn
Keyword(s):  
The Other ◽  
Other Hand ◽  
Aesthetic Pleasure ◽  
Simone Weil ◽  
The Aesthetic ◽  
The One ◽  
Embodied Presence

When we encounter the work of Grinling Gibbons, we find ourselves in the presence of multiple non-human animals. However, it is unclear how one should address these presences. On the one hand, for ecofeminist scholars such as Josephine Donovan, the aestheticization of animal death is to be vehemently resisted and the embodied presence of animals recovered by looking beyond the surface: a mode of looking that Donovan terms ‘attentive love’. On the other hand, a re-reading of the philosophical ideas of Simone Weil, upon which Donovan premises her argument, suggests that attention to others requires a mode of radical detachment. These two positions speak in important ways to the dilemmas faced by a vegan spectator. Drawing on Jason Edwards’s previous work on ‘the vegan viewer’, this article seeks to reconcile a vegan resistance to Gibbons’s depictions of animal death, in their spontaneous falling under human dominion, with the aesthetic pleasure generated by Gibbons’s craftmanship. I therefore propose ‘vegan camp’ as a means of reconciling oneself to insufficiency and complicity in systems of violence without renouncing pleasure. Vegan camp is detailed as an aesthetics that acknowledges the violence of humanity and one’s inescapable place within it, dissolving the subjective idea of the beautiful vegan soul to pay attention to the pervasive presence of an anthropocentrism that, in the case of Gibbons, decoratively adorns the sites at which animals might be eaten, worn, or offered up for sacrifice.

Towards the Socratic Mission: Imitatio Socratis

2021 ◽  
Vol 26 (1) ◽  
pp. 193-222
Author(s):  
Mathias G. Parding
Keyword(s):  
Psychological Climate ◽  
The Other ◽  
The Political ◽  
Political Movements ◽  
Other Hand ◽  
Political Associations ◽  
The One ◽  
Point Of Departure ◽  
The Church

Abstract It is known that Kierkegaard’s relation to politics was problematic and marked by a somewhat reactionary stance. The nature of this problematic relation, however, will be shown to lie in the tension between his double skepticism of the order of establishment [det Bestående] on the one hand, and the political associations of his age on the other. In this tension he is immersed, trembling between Scylla and Charybdis. On the one hand Kierkegaard is hesitant to support the progressive political movements of the time due to his skepticism about the principle of association in the socio-psychological climate of leveling and envy. On the other hand, his dubious support of the order of the establishment, in particular the Church and Bishop Mynster, becomes increasingly problematic. The importance of 1848 is crucial in this regard since this year marks the decisive turn in Kierkegaard’s authorship. Using the letters to Kolderup-Rosenvinge in the wake of the cataclysmic events of 1848 as my point of departure, I wish to elucidate the pathway towards what Kierkegaard himself understands as his Socratic mission.

scholarly journals Jak możliwa (do pomyślenia) jest dobrowolna niewola? O nowożytnych formach rządzenia, ideologii i spektaklu władzy

2020 ◽  
Vol 26 ◽  
pp. 101-110
Author(s):  
Mateusz Falkowski
Keyword(s):  
Political Philosophy ◽  
Early Modern ◽  
The Other ◽  
The Political ◽  
Historical Evolution ◽  
Other Hand ◽  
Starting Point ◽  
Etienne De La Boetie ◽  
The One ◽  
Voluntary Servitude

The article is devoted to the famous The Discourse of Voluntary Servitude by Étienne de La Boétie. The author considers the theoretical premises underlying the concept of “voluntary servitude”, juxtaposing them with two modern concepts of will developed by Descartes and Pascal. An important feature of La Boétie’s project is the political and therefore intersubjective – as opposed to the individualistic perspective of Descartes and Pascal – starting point. It is therefore situated against the background of, on the one hand, the historical evolution of early modern states (from feudal monarchies, through so-called Renaissance monarchies up to European absolutisms) and, on the other hand – of the political philosophy of Machiavelli and Hobbes.

The Sin of Antisemitism: A Response to Waldemar Chrostowski

2000 ◽  
pp. 317-322
Author(s):  
Stanisław Musiał ◽  
Gwido Zlatkes
Keyword(s):  
The Other ◽  
The Political ◽  
Other Hand ◽  
The One ◽  
Political Character

This chapter offers an answer to the previous chapter by Revd Waldemar Chrostowski. The author argues that his text speaks of a different matter than that of Chrostowski's. He, on the one hand, addresses the antisemitic character of one of Henryk Jankowski's public enunciations, and the lack of reaction, or inadequate reaction, to the antisemitism of this enunciation on the part of the episcopate. Chrostowski, on the other hand, discusses the political character of that enunciation of Jankowski's, and the bishops' reaction to this political character. The author limits his remarks about the Revd Chrostowski's article to making four corrections and to expressing his regret about two clearly antisemitic emphases present in Chrostowski's text.

scholarly journals Autonomy and Aesthetic Engagement

Mind ◽  
2019 ◽  
Vol 129 (516) ◽  
pp. 1127-1156 ◽  
Author(s):  
C Thi Nguyen
Keyword(s):  
The Other ◽  
Aesthetic Appreciation ◽  
Aesthetic Value ◽  
Aesthetic Object ◽  
Other Hand ◽  
Motivational Structure ◽  
The Aesthetic ◽  
The One ◽  
The Right ◽  
Aesthetic Judgments

Abstract There seems to be a deep tension between two aspects of aesthetic appreciation. On the one hand, we care about getting things right. Our attempts at aesthetic judgments aim at correctness. On the other hand, we demand autonomy. We want appreciators to arrive at their aesthetic judgments through their own cognitive efforts, rather than through deferring to experts. These two demands seem to be in tension; after all, if we want to get the right judgments, we should defer to the judgments of experts. How can we resolve this tension? The best explanation, I suggest, is that aesthetic appreciation is something like a game. When we play a game, we try to win. But often, winning isn’t the point; playing is. Aesthetic appreciation involves the same flipped motivational structure: we aim at the goal of correctness, but having correct judgments isn’t the point. The point is the engaged process of interpreting, investigating, and exploring the aesthetic object. When one defers to aesthetic testimony, then, one makes the same mistake as when one looks up the answer to a puzzle, rather than solving it for oneself. The shortcut defeats the whole point. This suggests a new account of aesthetic value: the engagement account. The primary value of the activity of aesthetic appreciation lies in the process of trying to generate correct judgments, and not in having correct judgments.

New Forms of Colonialism in Africa

1963 ◽  
Vol 1 (4) ◽  
pp. 467-474 ◽  
Author(s):  
L. Goncharov
Keyword(s):  
Social Relations ◽  
The Other ◽  
The Political ◽  
Economic Pressure ◽  
Other Hand ◽  
Basic Functions ◽  
The One

The colonial system is a system of social relations based on the political and economic domination of backward peoples by imperialist powers, in a world divided territorially and economically. The colonial régime is a monopoly exercised by the bourgeoisie of an imperialist country, based on economic and extra-economic pressure in a dependent country. This imperialist monopoly has two basic functions: on the one hand, it exploits the colonies; on the other hand, it maintains and develops the political enslavement necessary for its own existence.

Von der „Säuberung“ zum Generalpardon: Die Entnazifizierung der westdeutschen Wirtschaft

2010 ◽  
Vol 51 (2) ◽  
Author(s):  
Ralf Ahrens
Keyword(s):  
World War Ii ◽  
Rule Of Law ◽  
The Other ◽  
The Political ◽  
World War ◽  
Comprehensive Investigation ◽  
Other Hand ◽  
Party Members ◽  
Nazi Past ◽  
The One

AbstractImmediately following World War II, the allied occupational powers started a process of denazifying West German business in more or less the same way as the political and administrative apparatus. Initial approaches to solve the task by a radical purge of highly incriminated company managers soon gave way to more extensive investigations of party members and Nazi sympathizers also on lower ranks. Denazification escalated into bureaucratic mass procedures and finally ended up in various forms of amnesty and pardon in the late 1940s and early 1950s. A key feature in this process was the successively growing participation of German actors like various commissions, chambers of commerce and the companies themselves. On the one hand, comprehensive investigation and punishment under a re-installed rule of law had to rely upon cooperation of German actors and their expertise on the reality of the Nazi past; on the other hand, the integration of business itself into denazification procedures allowed company managers to benefit from informational advantages. Focussing the interaction between denazification authorities and business in the three West German zones of occupation, the article argues that under the general conditions of economic reconstruction and democratization the degeneration from purge to pardon was hardly avoidable, but that nevertheless the effects of temporary punishments should not be underestimated.

scholarly journals Colonialidad como emparentamiento y limpieza de sangre: un breve estudio sobre los aportes de Santiago Castro-Gómez.

Sincronía ◽  
2021 ◽  
Vol XXV (80) ◽  
pp. 160-175
Author(s):  
Celeste Florencia Ramirez ◽  
Keyword(s):  
Michel Foucault ◽  
The Other ◽  
The Political ◽  
Modus Operandi ◽  
Other Hand ◽  
Limpieza De Sangre ◽  
Different Types ◽  
The One ◽  
Personal Interests ◽  
The Way

In the present work, in the light of the reading of the philosopher Santiago Castro-Gómez, we will try to elucidate his theory about the coloniality of power and the way in which such a device codified the bodies according to the discourse of blood cleansing. So, first, we will briefly develop two different types of theories about power: on the one hand, the theory of the coloniality of power, presented by the Peruvian sociologist Aníbal Quijano; on the other hand, the analytics of power, developed by Michel Foucault. Both theories, which seem incommensurable, are put into dialogue by our philosopher. In the second part of our work, we will prepare to present the practices and modus operandi corresponding to the coloniality of power to manifest its uniqueness in comparison to other types of powers. Likewise, we will show how a certain sector of the population, in an attempt to consolidate their family and personal interests, used these practices to limit corporality. Third, and by way of conclusion, we will make a brief sketch about the link between the coloniality of power and the political practices of current Colombia.

scholarly journals Stanislav Krakov: Phenomenology of the inner consciousness of combat

2014 ◽  
Vol 25 (3) ◽  
pp. 323-342
Author(s):  
Caslav Koprivica
Keyword(s):  
The Other ◽  
Philosophical Tradition ◽  
Philosophical Significance ◽  
Other Hand ◽  
The Aesthetic ◽  
The One

In this text, the work of Serbian writer Stanislav Krakov, between the two world wars, the famous, and later, due to ideological divisions, repressed and forgotten figure, is ovserverd through the lens of philosophy of existence and phenomenology. The ?philosophical? significance of Krakov?s autobiographical war prose, which in the aesthetic, especially formal-innovative aspect, represented the pinnacle of the genre of that time Serbian literature, is that it can be viewed as a first-class document of phenomenological introspection of a man in situation of mortal combat; and the ragne his prose of his prose is, in some respects, without exaggeration, comparable to war prose of Ernst J?nger. But besides his authentic documentality, Krakov?s writing is characterized by brilliant insights. So, on the one hand, Krakov can be viewed as a thinker of war and corporeality avant lettre, and, on the other hand, the interpretative contextualization of his prose within the aforementioned philosophical tradition helps us to better understand his literature.

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