Guide to reference works for the study of the Spanish language and literature and Spanish American literature

1998 ◽  
Vol 36 (01) ◽  
pp. 36-0034-36-0034
Keyword(s):  
American Literature ◽  
Spanish Language ◽  
Spanish American ◽  
Language And Literature

Five Centuries of Spanish Literature: From the Cid Through the Golden Age. An Anthology Selected and Edited for Students of Spanish by Linton Lomas Barrett. New York — Toronto, Dodd, Mead & Company, 1962; An Outline History of Spanish American Literature, Third Edition, Englekirk, Leonard, Reid and Crow. New York, Appleton-Century- Crofts, 1965; Lecturas Intermedias: Prosas Y Poesias, Anderson, Davison, Smith. New York, Harper & Row, 1965; Los Duendes Deterministas Y Otors Cuentos, Enrique Anderson Imbert, Edited by John Y. Falconieri. Englewood Cliffs, New Jersey, Prentice-Hall, 1965; Hoy Es Fiesta, Antonio Buero Vallejo. Edited by J. E. Lyon, With Vocabulary by K. S. B. Croft. London, George G. Harrap (Toronto, Clarke, Irwin), 1964; Voces Españolas de Hoy, Edited by Duran and Alvarez. New York, Harcourt, Brace & World (Toronto, Longmans Canada), 1965; Selecciones (Textes Espagnols À L’usage Des Canadiens-Français; Spanish Readings for English-Canadian Students), S. Fielden-Briggs. Montreal, Beauchemin, 1965; Cuentos Americanos de Nuestros Dias: Ten Spanish American Short Stories, Edited by Jean Franco. London, Harrap (Toronto, Clarke, Irwin), 1965; La España Moderna Vista Y Sentida Por Los Españoles, Edited by Thomas R. Hart and Oarlos Rojas. Englewood Cliffs, New Jersey, Prentice-Hall, 1966; Don Brazazo de La Carretera: An Elementary Spanish Reader, Richard Musman. London, G. Bell and Sons (Toronto, Clarke, Irwin), 1964; Ortega Y Gasset: Sus Mejores Paginas, Edited by Manuel Durán. Englewood Cliffs, New Jersey, Prentice-Hall, 1966; de Cela a Castillo-Navarro: Veinte Años de Prosa Española Contemporanea, Edited by Carlos Rojas. Englewood Cliffs, New Jersey, Prentice-Hall, 1965; Palabras Modernas, J. R. Jump. London, George G. Harrap (Toronto, Clarke, Irwin), 1965;Five Centuries of Spanish Literature : From the Cid Through the Golden Age. An Anthology Selected and Edited for Students of Spanish by Linton Lomas Barrett. New York — Toronto, Dodd, Mead & Company, 1962. Pp. x, 352.An Outline History of Spanish American Literature, Third Edition, Englekirk, Leonard, Reid and Crow. New York, Appleton-Century- Crofts, 1965. Pp. xiii, 252. $2.95.Lecturas Intermedias: Prosas y Poesias, Anderson, Davison, Smith. New York, Harper & Row, 1965. Pp. x, 333. (Plus Instructor’s Manual, 75 pages.)Los Duendes Deterministas y Otors Cuentos, Enrique Anderson Imbert, Edited by John Y. Falconieri. Englewood Cliffs, New Jersey, Prentice-Hall, 1965, Pp. ix, 192. $3.75.Hoy Es Fiesta, Antonio Buero Vallejo. Edited by J. E. Lyon, with vocabulary by K. S. B. Croft. London, George G. Harrap (Toronto, Clarke, Irwin), 1964, Pp. 192. $2.25.Voces Españolas de Hoy, edited by Duran and Alvarez. New York, Harcourt, Brace & World (Toronto, Longmans Canada), 1965. Pp. vili, 216. $3.25.Selecciones (textes espagnols à l’usage des canadiens-français; Spanish readings for English-Canadian Students), S. Fielden-Briggs. Montreal, Beauchemin, 1965. Pp. 149.Cuentos Americanos de Nuestros Dias: Ten Spanish American Short Stories, edited by Jean Franco. London, Harrap (Toronto, Clarke, Irwin), 1965. Pp. 179. $2.55.La España Moderna Vista y Sentida por Los Españoles, edited by Thomas R. Hart and Oarlos Rojas. Englewood Cliffs, New Jersey, Prentice-Hall, 1966. Pp. xiii, 341. $5.95.Don Brazazo de la Carretera: An Elementary Spanish Reader, Richard Musman. London, G. Bell and Sons (Toronto, Clarke, Irwin), 1964. Pp. 96. $0.95.Ortega y Gasset: SUS Mejores Paginas, edited by Manuel Durán. Englewood Cliffs, New Jersey, Prentice-Hall, 1966. Pp. vi, 250. $3.95.De Cela a Castillo-Navarro: Veinte Años de Prosa Española Contemporanea, edited by Carlos Rojas. Englewood Cliffs, New Jersey, Prentice-Hall, 1965. Pp. ix, 213. $2.95.Palabras Modernas, J. R. Jump. London, George G. Harrap (Toronto, Clarke, Irwin), 1965. Pp. 85. $1.10.

1966 ◽  
Vol 22 (4) ◽  
pp. 63-66
Author(s):  
J. H. P.
Keyword(s):  
New York ◽  
Short Stories ◽  
New Jersey ◽  
American Literature ◽  
Spanish Literature ◽  
Spanish American ◽  
Antonio Buero Vallejo ◽  
History Of ◽  
Carlos Rojas ◽  
English Canadian

scholarly journals Venecia prosaica y literaria, entre Eduardo Mendoza y Pere Gimferrer

2020 ◽  
Author(s):  
Lídia Carol Geronès
Keyword(s):  
American Literature ◽  
Direct Relationship ◽  
Spanish American ◽  
Italian Cinema ◽  
Peninsular Literature ◽  
Narrative Space ◽  
Eduardo Mendoza

Considering two very different novels, Fortuny by Pere Gimferrer and La isla inaudita by Eduardo Mendoza, which indicated a clear recovery of Venice as a narrative space in the 1980s, this essay proposes to contextualise this renewed interest in Spanish Peninsular literature, including, due to his direct relationship with Pere Gimferrer, also some examples from Spanish-American literature and Italian cinema.

Unamuno, Nativism, and the Politics of the Vernacular; or, on the Authenticity of Translation

2016 ◽  
Author(s):  
Gayle Rogers
Keyword(s):  
Twentieth Century ◽  
American Literature ◽  
Walt Whitman ◽  
Spanish Language ◽  
Spanish Empire ◽  
Thomas Carlyle ◽  
The Future ◽  
Global Writing

Approaches the question of nativism—an investment in the rejuvenation of one’s nation and its putative mother tongues—through a practice that would seem to be at odds with it: translation. Unamuno used translation to reform the Spanish language, and through it, he became instrumental in launching the study of American literature in Spain in the first two decades of the twentieth century. He did so by discovering his “voice” in Spanish, he claimed, through his translations of everyone from Thomas Carlyle to Walt Whitman. This chapter thus deconstructs Unamuno’s nostalgic vision of the Spanish empire and its linguistic unity after 1898 through his own work as a translator of English, and then specifically US writing, set against his own theories of the future shared dominance of global writing by Spanish and English.

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