scholarly journals A Non-notewise Melody Editing Method for Supporting Musically Untrained People's Music Composition

2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Tetsuro Kitahara ◽  
Yuichi Tsuchiya
Keyword(s):  
Music Composition

Rule-Based and Genetic Algorithm for Automatic Gamelan Music Composition

2017 ◽  
Vol 10 (3) ◽  
pp. 202
Author(s):  
Khafiizh Hastuti ◽  
Azhari Azhari ◽  
Aina Musdholifah ◽  
Rahayu Supanggah
Keyword(s):  
Genetic Algorithm ◽  
Music Composition ◽  
Rule Based

Babbitt’s Beguiling Surfaces, Improvised Inside; Part III: Opportunities

2019 ◽  
Vol 5 (3) ◽  
Author(s):  
Joshua Banks Mailman
Keyword(s):  
Music Composition ◽  
Jazz Improvisation ◽  
The Third ◽  
Partial Orderings ◽  
Compositional Structures ◽  
Surface Patterns ◽  
Inside Part ◽  
Musical Activities

Babbitt’s relatively early composition Semi-Simple Variations (1956) presents intriguing surface patterns that are not determined by its pre-compositional plan, but rather result from subsequent “improvised” decisions that are strategic. This video (the third of a three-part video essay) considers Babbitt’s own conversational pronouncements (in radio interviews) together with some particulars of his life-long musical activities, that together suggest uncanny affiliations to jazz improvisation. As a result of Babbitt’s creative reconceptualizing of planning and spontaneity in music, his pre-compositional structures (partial orderings) fit in an unexpected way into (or reformulate) the ecosystem relating music composition to the physical means of its performance.

La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics

1998 ◽  
Vol 51 (1) ◽  
pp. 83-129 ◽  
Author(s):  
Annegret Fauser
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Cultural Politics ◽  
Music Composition ◽  
Public Recognition ◽  
Nadia Boulanger ◽  
First Time

In 1903, one hundred years after the Prix de Rome had been created in music composition, women were allowed to participate in the competition for the first time. In 1913, Lili Boulanger became the first woman to win the prize, crowning the efforts of three others-Juliette Toutain, Hélène Fleury, and Nadia Boulanger-to achieve this goal. Their stories are fascinating case studies of the strategies women employed to achieve success and public recognition within the complex framework of French cultural politics at the beginning of the twentieth century.

Music composition system with human evaluation as human centered system

2003 ◽  
Vol 7 (3) ◽  
pp. 167-178 ◽  
Author(s):  
M. Unehara ◽  
T. Onisawa
Keyword(s):  
Music Composition ◽  
Human Evaluation
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