Louis Glass and Carl Nielsen: Opposites in Danish Musical Life

2020 ◽  
Vol 6 ◽  
Author(s):  
Claus Røllum-Larsen ◽  
Marie-Louise Zervides ◽  
David Fanning
Keyword(s):  
Point Of View ◽  
World War ◽  
World War One ◽  
Musical Life ◽  
Cesar Franck

Carl Nielsen and Louis Glass were close contemporaries, and their musical careers began in parallel. But their points of departure were different. Whereas Nielsen took off from Beethoven, Brahms, Dvorˇák and Svendsen, Glass was particularly inspired by César Franck and Bruckner. Around the time of World War One, the differences became pronounced. Nielsen gained great popularity with his folk-like songs, whilst Glass submersed himself in theosophy. Symbolic of the differences are Nielsen’s Fourth Symphony, The Inextinguishable, and Glass’s Fifth, Sinfonia Svastica, each of which foregrounds the concept of ‘Life’, but from a different point of view. Glass clearly perceived that he had become cast in Nielsen’s shadow, and in a short correspondence with him in 1923 he tried to plead his case that they were both working in the same direction but from different points of departure. He felt that they were complementary. Nielsen’s side of the correspondence has not survived, and we therefore do not know his attitude.

Inventing recorded music: the recorded repertoire in Scandinavia 1899–1925

Popular Music ◽  
2007 ◽  
Vol 26 (2) ◽  
pp. 281-304 ◽  
Author(s):  
PEKKA GRONOW ◽  
BJÖRN ENGLUND
Keyword(s):  
Popular Music ◽  
Modern Dance ◽  
Dance Music ◽  
World War ◽  
World War One ◽  
Musical Life ◽  
The United Kingdom ◽  
Market Leader ◽  
Opera Singers ◽  
Made In

AbstractThe first Scandinavian records appeared in 1899. By 1925, over 27,000 sides had been made in the region, and recordings had become an established part of musical life. Half of the recordings were made by the Gramophone Company, the market leader, but there were at least a dozen competing firms. The companies had to find out by trial and error what types of music would be attractive to customers. Early recording artists were mostly well-known personalities from opera, theatre or music halls, and their repertoire had already been tried on the stage.Most Scandinavian records were pressed in Germany or the United Kingdom, and the companies also promoted their international repertoire in the region, but customers preferred local artists. A hundred years ago, opera singers were the only internationally known recording artists. Popular music was tied to local languages and traditions, and a demand for imported popular music only emerged after World War One, with the growing popularity of modern dance music.

Antipodean Aftershocks: Group Settlement of Hebridean and non-Hebridean Britons in Western Australia following World War One

2020 ◽  
Vol 11 (2) ◽  
pp. 188-203
Author(s):  
Roy Jones ◽  
Tod Jones
Keyword(s):  
New Zealand ◽  
British Empire ◽  
Western Australia ◽  
The Sun ◽  
World War ◽  
World War One ◽  
A Site

In the speech in which the phrase ‘land fit for heroes’ was coined, Lloyd George proclaimed ‘(l)et us make victory the motive power to link the old land up in such measure that it will be nearer the sunshine than ever before … it will lift those who have been living in the dark places to a plateau where they will get the rays of the sun’. This speech conflated the issues of the ‘debt of honour’ and the provision of land to those who had served. These ideals had ramifications throughout the British Empire. Here we proffer two Antipodean examples: the national Soldier Settlement Scheme in New Zealand and the Imperial Group Settlement of British migrants in Western Australia and, specifically, the fate and the legacy of a Group of Gaelic speaking Outer Hebrideans who relocated to a site which is now in the outer fringes of metropolitan Perth.

Roads and Railway Lines in Serbia after the Balkan Wars

2016 ◽  
Vol 1 (1) ◽  
pp. 175
Author(s):  
Miloš Jagodić
Keyword(s):  
Balkan Peninsula ◽  
World War ◽  
World War One ◽  
Balkan Wars ◽  
The World

This paper deals with Kingdom of Serbia’s plans on roads and railways construction in the regions annexed 1913, after the Balkan Wars. Plans are presented in detail, as well as achievements until 1915, when the country was occupied by enemy forces in the World War One. It is shown that plans for future roads and railways network were made according to the changed geopolitical conditions in the Balkan Peninsula, created as the consequence of the Balkan Wars 1912-1913. The paper draws mainly on unpublished archival sources of Serbian origin.

“Product Not Available in Pre-War Quantities – but Quality Remains the Same”: Remarks on Advertisements as Historical Sources

2019 ◽  
Author(s):  
Magdalena Saryusz-Wolska
Keyword(s):  
Social Norms ◽  
Economic History ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Historical Sources ◽  
The Past ◽  
German Press ◽  
Post War ◽  
Second World

The article focuses on advertisements as visual and historical sources. The material comes from the German press that appeared immediately after the end of the Second World War. During this time, all kinds of products were scarce. In comparison to this, colorful advertisements of luxury products are more than noteworthy. What do these images tell us about the early post-war years in Germany? The author argues that advertisements are a medium that shapes social norms. Rather than reflecting the historical realities, advertisements construct them. From an aesthetical and cultural point of view, advertisements gave thus a sense of continuity between the pre- and post-war years. The author suggests, therefore, that the advertisements should not be treated as a source for economic history. They are, however, important for studying social developments that occurred in the past.

Tautai

2017 ◽  
Author(s):  
Patricia O'Brien
Keyword(s):  
New Zealand ◽  
British Empire ◽  
League Of Nations ◽  
Late Nineteenth Century ◽  
World War ◽  
World War One ◽  
Indigenous Resistance ◽  
World Government ◽  
Pacific History ◽  
The World

This is a biography of Ta’isi O. F. Nelson, the Sāmoan nationalist leader who fought New Zealand, the British Empire and the League of Nations between the world wars. It is a richly layered history that weaves a personal and Pacific history with one that illuminates the global crisis of empire after World War One. Ta’isi’s story weaves Sweden with deep histories of Sāmoa that in the late nineteenth century became deeply inflected with colonial machinations of Germany, Britain, New Zealand and the U. S.. After Sāmoa was made a mandate of the League of Nations in 1921, the workings and aspirations of that newly minted form of world government came to bear on the island nation and Ta’isi and his fellow Sāmoan tested the League’s powers through their relentless non-violent campaign for justice. Ta’isi was Sāmoa’s leading businessman who was blamed for the on-going agitation in Sāmoa; for his trouble he was subjected to two periods of exile, humiliation and a concerted campaign intent on his financial ruin. Using many new sources, this book tells Ta’isi’s untold story, providing fresh and intriguing new aspects to the global story of indigenous resistance in the twentieth century.

Migrant Fiction

2018 ◽  
Author(s):  
C. L. Innes
Keyword(s):  
Professional Training ◽  
Second World War ◽  
World War ◽  
World War One ◽  
Large Numbers ◽  
British And Irish Literature ◽  
Commonwealth Of Nations ◽  
British Commonwealth ◽  
British Commonwealth Of Nations ◽  
Second World

This chapter discusses migrant fiction in British and Irish literature. The end of the Second World War and the closing stages of the British empire brought significant changes, making more complex the ambivalent attitudes of the British towards the peoples of what now became (in 1948) the British Commonwealth of Nations. As it was gradually acknowledged that the expatriate professional and administrative classes in the former empire would be replaced by indigenous persons, increasingly large numbers were sent from the colonies to acquire the British professional training and higher education often required for an appointment in their home countries. It is in this context that migrant fiction, both by and about immigrant communities, was created in Britain in the decades immediately following the Second World War. One response to the disorientation experienced in Britain was to recreate the community back home, to rediscover and understand what one had left.

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