scholarly journals Fusing the Fictional and the Real in the Contemporary Performing Arts

2018 ◽  
Vol 26 (1) ◽  
pp. 44-54 ◽  
Author(s):  
Barbara Orel

The exploration of the relationship between the fictional and the real in projects by ViaNegativa, a performance group from Slovenia, is based on the presumption that therecognition of what we experience as fictional or real is decisively influenced by the perceptualactivity of the spectator. The article argues that the exchange between the elements of fictionand reality takes place in two different concepts of representation: theatricality and absorption.These are two opposing notions used for defining the relationship between the imagerepresented and the spectator. Theatricality is the effect of the address that the image makes tothe spectators and thus makes them conscious of their own act of perceiving. Absorption, inturn, describes the context in which the image is put to view as a closed, self-sufficientsign-system establishing such conditions of perception that make the spectator focuscompletely upon the object represented; the audience is so overcome by the presented imagethat they experience this as if they were absorbed into the staged world. These two concepts areelaborated on the basis of Denis Diderot's essays on theatre and fine art. The essay provesuseful for the argumentation of the thesis since they testify that theatricality and absorption,each in their own way, include the spectator's personal investment into what comes across asfictional or real. A detailed analysis of selected performances by Via Negativa shows that thereal assuch (i.e. theauthenticity of the real that isconfirmed in the identity with its own self)is impossible to achieve. Under the gazeof the spectator, the real is always compelled to revealitself through some kind of representation. As also found by Alain Badiou, the authenticity ofthe real can only be presented through the role of semblance, mask or fiction.

2021 ◽  
Vol 9 (2021-2) ◽  
pp. 92-98
Author(s):  
Barbara Orel

The article provides an overview of performances on Slovenian stages that have used odour to stimulate the audience’s senses and arouse transformational effects. Representing the first research of this kind into Slovenian culture, the author demonstrates that odour was used as a means of sensory perception, especially in experimental theatre practices since the 1970s. One of the first such works was Cimetova vrata ladje norcev in druge spremembe (The Cinnamon Door of the Ship of Fools and Other Changes), a performance art piece directed by Tomaž Kralj at Glej Theatre in 1975. In the 1990s, the interest in olfactory perceptions grew among theatre-makers who successfully used odour to implement the aesthetics of the real in post-dramatic theatre and achieve the immersion of the spectator. This role of odour in theatre also continues in the 21st century. Barbara Pia Jenič began deliberately and continuously developing the poetics of scent at the Sensorium Theatre, which she founded in 2001 with Gabriel Hernandez. In her creation of sensorial events, Jenič relies on the methodologies of Enrique Vargas, with which she became acquainted as an actress and scent designer in his group Teatro de los Sentidos and creatively developed them at the Sensorium Theatre. As a scent designer, Jenič has collaborated with other Slovenian theatres, among others, on the 2015 operatorium, The Tenth Daughter (Deseta hči) by Svetlana Makarovič (based on the libretto by Milko Lazar, directed by Rocco) at the Slovenian National Theatre – Opera and Ballet Ljubljana.


Elenchos ◽  
2015 ◽  
Vol 36 (1) ◽  
pp. 45-88 ◽  
Author(s):  
Monica Ugaglia

Abstract Aristotle’s way of conceiving the relationship between mathematics and other branches of scientific knowledge is completely different from the way a contemporary scientist conceives it. This is one of the causes of the fact that we look at the mathematical passages we find in Aristotle’s works with the wrong expectation. We expect to find more or less stringent proofs, while for the most part Aristotle employs mere analogies. Indeed, this is the primary function of mathematics when employed in a philosophical context: not a demonstrative tool, but a purely analogical model. In the case of the geometrical examples discussed in this paper, the diagrams are not conceived as part of a formalized proof, but as a work in progress. Aristotle is not interested in the final diagram but in the construction viewed in its process of development; namely in the figure a geometer draws, and gradually modifies, when he tries to solve a problem. The way in which the geometer makes use of the elements of his diagram, and the relation between these elements and his inner state of knowledge is the real feature which interests Aristotle. His goal is to use analogy in order to give the reader an idea of the states of mind involved in a more general process of knowing.


2021 ◽  
Author(s):  
Elias Garcia-Pelegrin ◽  
Clive Wilkins ◽  
Nicola Clayton

Abstract The use of magic effects to investigate the blind spots in the attention and perception and roadblocks in the cognition of the spectator has yielded thought-provoking results elucidating how these techniques operate. However, little is known about the interplay between experience practising magic and being deceived by magic effects. In this study, we performed two common sleight of hand effects and their real transfer counterparts to non-magicians, and to magicians with a diverse range of experience practising magic. Although, as a group, magicians identified the sleights of hand as deceptive actions significantly more than non-magicians; this ability was only evidenced in magicians with more than 5 years in the craft. However, unlike the rest of the participants, experienced magicians had difficulty correctly pinpointing the location of the coin in one of the real transfers presented. We hypothesise that this might be due to the inherent ambiguity of this transfer, in which, contrary to the other real transfer performed, no clear perceptive clue is given about the location of the coin. We suggest that extensive time practising magic might have primed experienced magicians to anticipate foul play when observing ambiguous movements, even when the actions observed are genuine.


Author(s):  
Paul Stubbs

The chapter explores theoretical, political and ethical challenges inherent in activist research in conflict and post-conflict environments, focusing on Croatia and the wider post-Yugoslav space. Framed in terms of ‘ambivalence’, ‘positionality’ and ‘reflexivity’, the chapter revisits themes which were especially important in the wars of the Yugoslav succession: the ‘projectisation’ of NGOs; the relationship between ‘the real’ and ‘the virtual’; the role of external actors within a ‘new humanitarianism’; the over-emphasis on medicalised understanding of ‘trauma’; and the limits and possibilities of anti-nationalist movements in times of nationalist mobilisation. The chapter emphasises the importance of multi-voiced ethnography, a conscious post-colonial positioning and a stance of deep humility as preconditions for activist research to open up new arenas of possibility, struggle and change.


1996 ◽  
Vol 19 (2) ◽  
pp. 211-228 ◽  
Author(s):  
Asher Koriat ◽  
Morris Goldsmith

AbstractOur response to the commentators covers four general issues: (1) How useful is our proposed conceptualization of the real-life/laboratory controversy in terms of the contrast between the correspondence and storehouse metaphors? (2) What is the relationship between these two metaphors? (3) What are the unique implications of the correspondence metaphor for memory assessment and theory? (4) What are the nature and role of memory metaphors in memory research? We stress that the correspondence metaphor can be usefully exploited independent of the real-life/laboratory controversy, but that a variety of other metaphors, including the storehouse, should also be utilized in order to more fully capture the myriad facets and functions of memory in everyday life.


2012 ◽  
Vol 13 (1) ◽  
pp. 123-136 ◽  
Author(s):  
P.K. Mishra

Mutual funds allow for portfolio diversification and relative risk aversion through collection of funds from the households and investment of the same in the stock and debt markets. In this process, mutual funds industry plays the most important role of a resource mobilizer. As a resource mobilizer, the industry collects the investible surpluses from the surplus-spending units and channelizes the same to the deficit-spending units of an economy. Such a function has wide relevance for a developing country like India. Arguably, mutual funds industry as a resource mobilizer appears to contribute to real economic growth of a country by reducing the transaction costs and raising the purchasing power of the investors. Thus, this article is an attempt to investigate the dynamics of the relationship between gross funds mobilized by mutual funds and the real economic growth of a developing country like India for the period 1970–71 to 2008–09. Using the time series econometric techniques of cointegration and error correction estimates, the study concludes that the growth in real gross domestic product Granger causes gross resource mobilization by mutual funds in the long run, but not in the short run. This finding supports the demand-following hypothesis and thus, the policy implication is that the real economic growth of India may be considered as the policy variable to augment the resource mobilization by mutual funds.


2021 ◽  
Vol 10 (2) ◽  
pp. 10-15
Author(s):  
Witalo Kassiano ◽  
Bruna Costa ◽  
Dalton de Lima-Júnior ◽  
Petrus Gantois ◽  
Fabiano de Souza Fonseca ◽  
...  

Author(s):  
Michael Plekon

The article Becoming what we pray: Three images, three voices by professor Michael Plekon presents three persons who were very important for Orthodox culture, spirituality and thought — saint Seraphim of Sarov, Mother Maria Skobtsova and Paul Evdokimov. Showing the most substantial facts from their life and activity the author exhibits the real transformation, metamorphosis of their personalities, hearts and consciousnesses under the action of practice of the Jesus' Prayer or the prayer of the heart. The main aim of the article is — one can suppose — to underline the role of the Jesus' Prayer in changing people who systematically practicing it in their life, and in giving them the power to go over the stereotypes, myths and customs, even religious. The heart of the matter is emphasizing — in positive meaning — the real close union between the prayer andthe life and the relationship with neighbour. Professor Plekon stresses that “the personaland interior aspects of this prayer are never separated from liturgical prayer and ourlives”. Christians believe in salvation and resurrection of Jesus Christ and they practice the Jesus Prayer, but this prayer formula is not only devoid of life meaning formula but it is the method of changing the whole human mentality, in each everyday circumstances concerning family, marriage, work, life in monastic community, doing shopping, reading books, watching TV programs, raising children, writing the scientific articles, being in different social and cultural situations, generally — it changes all, the vision of life and the universe.


2021 ◽  
Vol 1 (5) ◽  
pp. 98-103
Author(s):  
Yu. S. GEYNTS ◽  

The article substantiates the functions of money as a lever of influence on the economic security of the country. The different positions of economists in relation to the classifications of the functions of money are demonstrated. Based on these positions, the relationship between the origin and functions of money is shown. The results of two theories of the origin of money from their functions are shown. The first is money as an instrument of exchange. The second is money as a measure of value. A position is demonstrated that considers the generally recognized leading role of the function of the measure of value in the origin of money. Also analyzed the standard and the paradox of money, as a single measure of value in a situation where the real idea of the value of the good is different for each consumer.


2009 ◽  
Vol 25 (2) ◽  
pp. 178-186
Author(s):  
Samuel Ayedime Kafewo

A defining characteristic of ‘Theatre for Development’ is its ‘unfinished’ quality, whereby plays or scenarios remain more or less ongoing dialogues. In the following article, Samuel Ayedime Kafewo discusses the relationship between the fiction of the performance and the reality of the performed issues in one drama based on this technique, concerned with the divisive issue of citizenship rights in Nigeria. What is the role of processing and intervention in encouraging new attitudes towards the citizenship issues tackled in the project? What are the strengths and weaknesses of the methodologies adopted? And what was the overall impact of the project, ‘Citizenship, Participation, and Accountability’, as undertaken by the Theatre for Development Centre and the Nigerian Popular Theatre Alliance in 2001–2002 in Kaduna State, north-western Nigeria? Samuel Ayedime Kafewo is an active member of the Zaria Popular Theatre/Theatre for Development movement. He is Reader in the Department of Theatre and Performing Arts, Ahmadu Bello University, Zaria, Nigeria, and has published extensively in both local and international journals.


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