scholarly journals Forståelsens praksis - Gadamers hermeneutiske ontologisering af Aristoteles' praksisanalyse

Author(s):  
Kresten Lundsgaard-Leth

”The Praxis of Understanding” offers a comparative reading of Aristotle’s Nichomachean Ethics as well as Hans-Georg Gadamer’s Truth and Method. The article elaborates on the two following theses that turn out to be both separate and highly interconnected. The first thesis is fleshed out in an analysis of Aristotle’s three modes of activity; namely poiesis, theoria and praxis. Here, it is suggested and argued that – contrary to Aristotle’s own self-understanding – praxis (rather than theoria) is actually the most essential human form of activity. The second thesis moves on to show that there is a conspicuous and underappreciated structural analogy between these Aristotelian modes and the three modes of understanding history in Gadamer’s Truth and Method. As such, the priority of effective-historical consciousness above what Gadamer refers to as enlightenment and historicism can be said to realize a latent potential in the Ethics, which both presupposes and transcends the Aristotelian analysis of praxis.

2004 ◽  
Vol 34 (1) ◽  
pp. 121-136 ◽  
Author(s):  
Hans-Helmuth Gander

This essay seeks to examine the relation between selfhood and history through Gadamer's conception of hermeneutical experience, one of the cornerstones of his theory of effective history in Truth and Method . By setting Gadamer's project into relation with those of Heidegger and Hegel, my primary focus is to demonstrate how effective history, in its emphasis upon the finite, the partial, and the fragmented, actually turns these seeming deficiencies into advantages for human self-understanding in the current theoretical climate of plurality and diversity. I argue that the dialectical model of the relationship between self and tradition given by Gadamer serves to reveal our human limitations, and thereby allows us a space in which self-determination can be carried out through an effective-historical consciousness that avoids the pitfalls of subject-centered, all-encompassing, unified theories of history, on the one hand, and scientifically unselfconscious, ahistorical approaches to selfhood, on the other. The essay closes with an application of effective-historical consciousness to the tradition of post-holocaust German theater, where hermeneutical experience functions to provide resources for Jewish self-determination through the same tradition that had formerly excluded them.


2019 ◽  
Vol 49 (2) ◽  
pp. 207-227
Author(s):  
Alejandro A. Vallega

Abstract Liberatory thought in Latin American philosophy leads to the question of the reinterpretation of historical time consciousness. In the following pages I first introduce the challenge as articulated out of Latin American thought, particularly with reference to Enrique Dussel and Aníbal Quijano, and then I develop a reinterpretation of historical time consciousness in its happening as understood through Hans-Georg Gadamer’s discussion of effected historical consciousness (Wirkungsgeschichtliches Bewußtsein) in Truth and Method. As already marked by this trajectory, this essay is not comparative, but, through a dialogue with these thinkers, seeks to rethink the temporalizing-historical movement that is historical consciousness as a possible path to engaging in and understanding liberatory philosophy.


Author(s):  
Andrzej Przylebski

RESUMENPodemos encontrar en los escritos tardíos de Fichte un giro importante desde una perspectiva individualista del Yo hacia una perspectiva comunitaria del Nosotros. Él intentó en sus Discursos a la nación alemana explicitar una relación espiritual que trabaja contra la atomatización de una sociedad dada. Elaboró para ello un interesante concepto de nación cultural. El factor constitutivo de una nación como tal es el lenguaje, y con ello: el camino del pensamiento y la experiencia de la realidad. Fue un paso adelante, no sólo hacia la famosa afirmación hegeliana acerca del progreso histórico a través de las grandes naciones, sino también hacia un giro hermenéutico en la filosofía europea. La filosofía social del Fichte tardío es una interesante mezcla de racionalismo trascendental y conciencia histórica moderna. Llevó su pensamiento a las puertas de lo que el filósofo alemán contemporáneo H. Schnadelbach ha denominado como una segunda ilustración histórico-hermenéutica.PALABRAS CLAVESLENGUAJE, CULTURA, NACIÓN, HISTORIA HERMENÉUTICA, COMUNIDAD, ATOMIZACIÓNABSTRACTWe can find in the late writings of Fichte an important turn from an individualisticperspective of I to the community perspective of We. He tried in his Reden an die deutsche Nation to explicate a spiritual relationship that works against the atomization of a given society. He elaborated thus an interesting concept of cultural nation. The constitutive factor of such a nation is language, and with it: the ways of thinking and of experiencing the reality. It was a step ahead not only towards the famous Hegel’s claim about the historical progress through the great, leading nations, but also towards a hermeneutical turn in the European philosophy. Fichte’s late social philosophy is an interesting mixture of transcendental rationalism and modern historical consciousness. He situated his thought on the threshold to something the German contemporary philosopher H. Schnadelbach called a second, historicalhermeneutical Enlightenment.KEY WORDSLANGUAGE, CULTURE, NATION, HISTORY, HERMENEUTICS, COMMUNITY, ATOMIZATION


2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.


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