scholarly journals Occupy Wall Street:

2018 ◽  
pp. 193-214
Author(s):  
Bjarke Skærlund Risager
Keyword(s):  
New York ◽  
Collective Intelligence ◽  
Public Debate ◽  
The Political ◽  
Occupy Wall Street ◽  
Political Climate ◽  
Wall Street ◽  
Street Protest ◽  
American Society

This article traces the various forms and roles of intellectuals and intellectualism in the Occupy Wall Street protest camp in Zuccotti Park in New York in 2011 while simultaneously serving as an introduction to the movement. It shows how the movement was formed by a range of intellectual ideas, both in terms of the political questions it posed and the tactics it employed. It also shows how Occupy affected the intellectual and political climate insofar as it became a phenomenon that everyone with an interest in public debate (and space!) had to take a stand on. The article argues that Occupy, with its experiment in alternative social and democratic structures, was an exercise in a form of organic and collective intelligence that attempted to guide American society in a more democratic and equal direction. By way of conclusion, the article discusses the aftermath of the protest camp and the effects of the movement.

scholarly journals OCCUPY BIENNALE? SOCIALLY-ENGAGED ART PRACTICE AND ART INSTITUTION

ARTis ON ◽  
2018 ◽  
pp. 171-177
Author(s):  
Urszula Staszkop
Keyword(s):  
New York ◽  
The Political ◽  
Occupy Wall Street ◽  
Political Protest ◽  
Art Practice ◽  
Wall Street ◽  
Occupy Movement ◽  
Socially Engaged Art ◽  
Activist Art ◽  
Participatory Practices

The political phenomenon of Occupy Wall Street obtained the global attention in the fall of 2011 with its encampment in the Zuccotti Park (New York). As the movement grew, there also seemed to be an aesthetic component to it revealed in socially-engaged, participatory practices. Those presuppositions provoked the debate focused on the emerging issue of activist art and on the art’s capability to transmit the aims of political protest. Consequently, curators and art institutions attempted to endorse the Occupy movement, while incorporating it into various art events. This text seeks to explore those issues through the analyses of emerging discourse on socially-engaged practices and its existence within art institution on the example of Berlin Biennale 7.

scholarly journals The Organizational Trace of an Insurgent Moment

2017 ◽  
Vol 3 ◽  
pp. 237802311770065 ◽  
Author(s):  
Adam D. Reich
Keyword(s):  
New York ◽  
New York City ◽  
Social Movement ◽  
York City ◽  
Social Movement Organizations ◽  
Occupy Wall Street ◽  
Wall Street ◽  
Formal Organizations ◽  
Movement Organizations ◽  
The Relationship

The relationship between social movements and formal organizations has long been a concern to scholars of collective action. Many have argued that social movement organizations (SMOs) provide resources that facilitate movement emergence, while others have highlighted the ways in which SMOs institutionalize or coopt movement goals. Through an examination of the relationship between Occupy Wall Street and the field of SMOs in New York City, this article illustrates a third possibility: that a moment of insurgency becomes a more enduring movement in part through the changes it induces in the relations among the SMOs in its orbit.

Noise-Making, Occupy Wall Street, and the Politics of Amplification

Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 264-280
Author(s):  
John Vilanova
Keyword(s):  
New York ◽  
Status Quo ◽  
Sound Studies ◽  
Discursive Construction ◽  
Occupy Wall Street ◽  
Wall Street ◽  
Media Activism ◽  
The Status ◽  
Drum Circles ◽  
Acoustic Device

This research explores a set of sound technologies deployed during the 2011 Occupy Wall Street protests in New York City’s Zuccotti Park. It examines the People’s Microphone, the Long Range Acoustic Device (LRAD) sound cannon, the drum circle, and the noise complaint. Deepening understandings of their places within the contemporary urban soundscape and their use during the protests, it uses historical research, textual analysis, and qualitative discourse analysis methods to explore the technologies within a larger framework of the city’s discourses around (in)appropriate sound and action. Its findings suggest that each individual technology was evidence for the nature of its user in a way that presaged how the conflict would play out. The microphone epitomized the ideology (and fragility) of the hyper-democratic Occupiers’ ethos. The LRAD suggested the state’s superlative sonic capability and its “monopoly on the legitimate use of noise.” And the drum circles and noise complaints that followed ultimately showed the ways “noise-making” is better understood as a discursive construction that delegitimizes sound. Together, they suggest the ways the hegemonic soundscape serves the status quo. The essay also elaborates a taxonomy of sonic terms, specifically exploring volume, amplification, and noise-making as terms that explain the dynamics of sound during protest. It offers scholars of media activism a toolkit for sound studies that gets at the dynamics and structures of sonic power and explores the way sound-making is a key battleground of modernity. Sound conventions are a way that contemporary society is codified, legislated, and contested.

Masses on the stages of democracy: Democratic promises and dangers in self-dramatizations of masses

Thesis Eleven ◽  
2021 ◽  
pp. 072551362110569
Author(s):  
Christiane Mossin
Keyword(s):  
Structural Features ◽  
The Political ◽  
Complex Nature ◽  
Occupy Wall Street ◽  
Right Wing ◽  
Wall Street ◽  
Black Lives Matter

The political significance of masses is more obvious than ever. The aim of this article is to develop a conceptualization capable of capturing the dangerous (totalitarian) as well as promising (potentially emancipatory) aspects of masses. It argues that, intricately, the dangers and fruitful potentials of masses are born out of the same fundamental structural features. We may differentiate analytically between different kinds of masses, but all masses contain elements of ambiguity. The mass conceptualization developed builds on a critical, deconstructing interpretation of selected Bataille texts centering on ontological features of individuality and collectivity. Especially, Bataille’s concepts of ‘myth’ and ‘sacrifice’ are accentuated and critically transformed. Contemporary examples of masses – right-wing anti-establishment movements, Occupy Wall Street and Black Lives Matter – are presented and reflected through the prism of sacrifice, with the aim of highlighting the multifaceted and complex nature of the dynamics of masses.

New Wind

2018 ◽  
Author(s):  
Andrew Cornell
Keyword(s):  
New York ◽  
New York City ◽  
World War Ii ◽  
York City ◽  
College Graduates ◽  
Occupy Wall Street ◽  
World War ◽  
Wall Street ◽  
Little Magazines ◽  
New Generation

Something of a revolution in anarchist thought occurred during the 1940s and early 1950s, much of it centered in New York City. World War II divided the small contingent of U.S. anarchists active during the Depression years, as many movement veterans reluctantly endorsed the Allies as the only viable means of defeating fascism. However, a new generation of activists -- many of them recent college graduates -- established journals and organizations that rejected participation in the war, often on pacifist grounds, and that began to reevaluate central tenets of anarchist theory. This chapter explores the milieu that developed in New York City, Woodstock, NY, and rural New Jersey at mid-century, focusing on three "little magazines" that supported and influenced one another: Politics, Why?, and Retort. Although anarchism was at a numerical nadir during these years, a tight-knit community of artists, theorists, and radical pacifists developed ideas, tactics, and aesthetics that reshaped anarchism so fundamentally that they remain prominent today in the Occupy Wall Street demonstrations.

‘Have a Quiet, Orderly, Polite Revolution’: Framing Political Protest and Protecting the Status Quo

2016 ◽  
Vol 44 (4-5) ◽  
pp. 733-751
Author(s):  
Tamara J. Lynn ◽  
L. Susan Williams
Keyword(s):  
New York ◽  
Critical Discourse Analysis ◽  
Media Coverage ◽  
Print Media ◽  
New York Times ◽  
Status Quo ◽  
Occupy Wall Street ◽  
Wall Street ◽  
Presidential Candidates ◽  
The Status

This paper demonstrates how print media sources frame the Tea Party and Occupy Wall Street in ways that, consciously or not, support the prevailing status quo – social, economic, and political elites. The study employs critical discourse analysis (CDA) as the analytic framework, investigating how print media (sometimes referred to as ‘print capitalism’) utilized framing techniques that disparaged the two political organizations but in very different ways. The analysis incorporates articles appearing in the New York Post and the New York Times from the inception of each organization, through six weeks after the 2012 Presidential Inauguration; articles were coded to uncover themes that defined both organizations as ‘outsiders.’ Tea Partiers are characterized as irrational demagogues, while Occupy Wall Street (OWS) activities are criminalized; both are dismissed as irrelevant, leaving the predominant ‘mainstream’ political rule intact. Findings identify tools of discourse used by media to limit the influence of competing movements while essentially protecting the status quo. Revealing these tools provides clues to unreliable discourse in media coverage of presidential candidates, which tends to quash open debate and threaten principles of participatory government.

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