scholarly journals OCCUPY BIENNALE? SOCIALLY-ENGAGED ART PRACTICE AND ART INSTITUTION

ARTis ON ◽  
2018 ◽  
pp. 171-177
Author(s):  
Urszula Staszkop

The political phenomenon of Occupy Wall Street obtained the global attention in the fall of 2011 with its encampment in the Zuccotti Park (New York). As the movement grew, there also seemed to be an aesthetic component to it revealed in socially-engaged, participatory practices. Those presuppositions provoked the debate focused on the emerging issue of activist art and on the art’s capability to transmit the aims of political protest. Consequently, curators and art institutions attempted to endorse the Occupy movement, while incorporating it into various art events. This text seeks to explore those issues through the analyses of emerging discourse on socially-engaged practices and its existence within art institution on the example of Berlin Biennale 7.

2018 ◽  
pp. 193-214
Author(s):  
Bjarke Skærlund Risager

This article traces the various forms and roles of intellectuals and intellectualism in the Occupy Wall Street protest camp in Zuccotti Park in New York in 2011 while simultaneously serving as an introduction to the movement. It shows how the movement was formed by a range of intellectual ideas, both in terms of the political questions it posed and the tactics it employed. It also shows how Occupy affected the intellectual and political climate insofar as it became a phenomenon that everyone with an interest in public debate (and space!) had to take a stand on. The article argues that Occupy, with its experiment in alternative social and democratic structures, was an exercise in a form of organic and collective intelligence that attempted to guide American society in a more democratic and equal direction. By way of conclusion, the article discusses the aftermath of the protest camp and the effects of the movement.


2020 ◽  
Vol 6 (1) ◽  
pp. 1-14
Author(s):  
Patricia Sequeira Bras

This article aims to discuss how Bartleby, the character from Herman Melville’s homonymous story, Bartleby, The Scrivener re-emerged in the Occupy Movement in Wall Street. Here, I intend to argue that Bartleby has been wrongly appropriated, which in turn, may explain the shortcomings of the movement. The Occupy Wall Street took possession of Bartleby because in Melville’s story, he occupies the premises of a lawyer’s office in Wall Street. However, this appropriation has dismissed the political 'inefficacy' of Bartleby’s formula, 'I would prefer not to'. As I shall argue, the formula exposes instead a residual political emancipation, generating a contingency. Rather than attempting to find some political agency within Melville’s figure, we should recognise the capacity of his formula for political insurgency. With this perspective in mind, I shall revise this appropriation to suggest that despite the political contingency of Bartleby’s formula, this should not be regarded as a means to a political outcome.


Author(s):  
Ben Lenzner

The importance of mobile phone video technology was highlighted in September 2011, when the Occupy Wall Street movement transformed Zuccotti Park in New York into a public space for protest. For those not present, the occupation was witnessed and interpreted through the reporting of traditional media – local and global news organizations, the Internet, radio and printed media. Yet most vitally, Occupy Wall Street was characterized by a new form of representation captured through the camera phone lenses of localized practitioners experimenting and rapidly realizing, often in real time, the value of mobile phone cameras within the new media ecology of social activism. Perhaps nowhere are the implications of recent digital video technologies more influential than in the synthesis of activist movements, citizen journalism, documentary practices and emerging forms of new media, such as the live streaming application – Ustream. Analyzing the practices that matured during the Occupy movement through the lens of Manuel DeLanda’s interpretation of assemblage theory this article offers a critical reflection of the technological, cultural and networked diagram that was present at the time, including but not limited to access to available technologies (the proliferation of cameras, web technologies and protocols and other telecommunications standards and the networks they form). I examine the video practice of Tim Pool, a practitioner whose evolution from citizen to citizen journalist to journalist reflects the complexity, spontaneity and often contiguity of assemblage. Furthermore, using assemblage as a key-mapping device, this article explores the emerging practices and networks birthed, reinforced and reworked during the Occupy Wall Street movement and throughout New York City in the months after the Zuccotti Park encampment dispersed.


2017 ◽  
Author(s):  
Michael P. Oman-Reagan

As the Occupy Wall Street movement went global, activists in Indonesia adopted an Occupy discourse, in part, through creation of and participation in Facebook groups. These groups afforded opportunities for Indonesian Facebook users participating in local activism online to join a globalizing Occupy movement within a familiar online activism framework. Despite a history of colonial occupation, Indonesian cyberactivists embraced expanded meanings of the word occupy as they joined a global social movement and formed local Occupy networks. During two years of multi-sited ethnographic fieldwork online and in Indonesia, this research explored what constitutes “occupation” for online participants in the Indonesian Occupy movement, and what it means for activists to “occupy” in (post)colonial Indonesia.Also includes:Appendixes: "A Brief History of Occupy and Online Activism" and "Theorizing an Anthropology of Cyberspace".Key words: Activism, anthropology of cyberspace; empire; engaged anthropology; indigeneity; (post)colonialism; social movements; technology; Indonesia.Please cite as:Oman-Reagan, Michael P. 2013. Occupying Cyberspace: Indonesian Cyberactivists and Occupy Wall Street. M.A. Thesis, Department of Anthropology, Hunter College, City University of New York.


2017 ◽  
Vol 3 ◽  
pp. 237802311770065 ◽  
Author(s):  
Adam D. Reich

The relationship between social movements and formal organizations has long been a concern to scholars of collective action. Many have argued that social movement organizations (SMOs) provide resources that facilitate movement emergence, while others have highlighted the ways in which SMOs institutionalize or coopt movement goals. Through an examination of the relationship between Occupy Wall Street and the field of SMOs in New York City, this article illustrates a third possibility: that a moment of insurgency becomes a more enduring movement in part through the changes it induces in the relations among the SMOs in its orbit.


2019 ◽  
Vol 19 (4) ◽  
pp. 513-531 ◽  
Author(s):  
Susie Khamis

The concept of consumer restraint has had a popular makeover. This is seen in the worldwide popularity of books, video tutorials and online discussion groups devoted to de-cluttering, and specifically the stunning success of professional organizer Marie Kondo and her best-selling book, The Life-Changing Magic of Tidying. De-cluttering sits on a broad continuum of alternative consumption that champions the benefits of consumer restraint, on multiple fronts: economic, environmental, psychological, and so on. Through Kondo, this is framed in positive, uplifting ways. This is distinct from the more critical, nuanced, or anti-consumerist rhetoric associated with more subversive advocates of alternative consumption, such as voluntary simplifiers or Occupy Wall Street. That said, just as the Occupy movement channeled growing frustration with how the reigning tenets of capitalist culture had shackled and misled the “99%,” de-cluttering finds cultural traction in the midst and wake of the Global Financial Crisis. Unlike Occupy though, Kondo’s appeal rests less on the logic and language of political economy than the more emotive vernacular of pop psychology. In this way, de-cluttering positions restraint as reflective of a highly developed and sophisticated sensibility, whereby individuals “own” their consumption choices and in turn craft carefully curated spaces. Therein lies the aestheticization of restraint: freed of any negative connotations (dour, miserly or miserable), the de-cluttered subject is autonomous, self-aware, and chic. Crucially, it also pivots on the slippery assumptions of the (new) neo liberal economy, which requires individuals to be agile, creative, and empowered.


Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 264-280
Author(s):  
John Vilanova

This research explores a set of sound technologies deployed during the 2011 Occupy Wall Street protests in New York City’s Zuccotti Park. It examines the People’s Microphone, the Long Range Acoustic Device (LRAD) sound cannon, the drum circle, and the noise complaint. Deepening understandings of their places within the contemporary urban soundscape and their use during the protests, it uses historical research, textual analysis, and qualitative discourse analysis methods to explore the technologies within a larger framework of the city’s discourses around (in)appropriate sound and action. Its findings suggest that each individual technology was evidence for the nature of its user in a way that presaged how the conflict would play out. The microphone epitomized the ideology (and fragility) of the hyper-democratic Occupiers’ ethos. The LRAD suggested the state’s superlative sonic capability and its “monopoly on the legitimate use of noise.” And the drum circles and noise complaints that followed ultimately showed the ways “noise-making” is better understood as a discursive construction that delegitimizes sound. Together, they suggest the ways the hegemonic soundscape serves the status quo. The essay also elaborates a taxonomy of sonic terms, specifically exploring volume, amplification, and noise-making as terms that explain the dynamics of sound during protest. It offers scholars of media activism a toolkit for sound studies that gets at the dynamics and structures of sonic power and explores the way sound-making is a key battleground of modernity. Sound conventions are a way that contemporary society is codified, legislated, and contested.


Thesis Eleven ◽  
2021 ◽  
pp. 072551362110569
Author(s):  
Christiane Mossin

The political significance of masses is more obvious than ever. The aim of this article is to develop a conceptualization capable of capturing the dangerous (totalitarian) as well as promising (potentially emancipatory) aspects of masses. It argues that, intricately, the dangers and fruitful potentials of masses are born out of the same fundamental structural features. We may differentiate analytically between different kinds of masses, but all masses contain elements of ambiguity. The mass conceptualization developed builds on a critical, deconstructing interpretation of selected Bataille texts centering on ontological features of individuality and collectivity. Especially, Bataille’s concepts of ‘myth’ and ‘sacrifice’ are accentuated and critically transformed. Contemporary examples of masses – right-wing anti-establishment movements, Occupy Wall Street and Black Lives Matter – are presented and reflected through the prism of sacrifice, with the aim of highlighting the multifaceted and complex nature of the dynamics of masses.


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