“To engraft ourselves on foreign stocks”: Byron’s Poetics of Acculturation

2006 ◽  
Author(s):  
Maria Schoina
Keyword(s):  
Social Relations ◽  
Mary Shelley ◽  
The Other ◽  
Local Culture ◽  
Crossing Over ◽  
Rhetorical Strategies ◽  
Time And Space ◽  
Other Hand ◽  
The One ◽  
Culture Acquisition

Abstract Considering the largely unacknowledged connection between Byron and Mary Shelley on the logistics which pertain to the experience of crossing-over cultures, this paper investigates the notion of authentic Italianisation as exemplified in their related texts, and discusses its problematics in the context of the dominant themes and preoccupations in Romantic culture. Thus, on the one hand, my paper examines how the Romantic anticipation of being immersed in local culture and of “going native” is articulated – or rather, performed – by Byron himself, by considering specific rhetorical strategies and figures of filiation he used to ground his relationship to Italian place. More specifically, I contend that although Byron’s polymorphic identification to Italian place is constructed in the imagination, it is also grounded in time- and space-bound actions and involves a structure of social relations. On the other hand, the paper delineates how Byron’s idiosyncratic immersion into Italianness is theorised by Mary Shelley and counted on as a model of second culture acquisition.

Strategy and imagination in a Mughal Sufi story of creation

2012 ◽  
Vol 49 (2) ◽  
pp. 151-195 ◽  
Author(s):  
Muzaffar Alam
Keyword(s):  
Seventeenth Century ◽  
The Other ◽  
Rhetorical Strategies ◽  
Sanskrit Text ◽  
Islamic Tradition ◽  
Other Hand ◽  
The One ◽  
Different Order ◽  
The Prestige

This article examines a seventeenth-century text that attempts to reconcile Hindu and Muslim accounts of human genesis and cosmogony. The text, Mir’āt al-Makhlūqāt (‘Mirror of Creation’), written by a noted Mughal Sufi author Shaikh ‘Abd al-Rahman Chishti, purportedly a translation of a Sanskrit text, adopts rhetorical strategies and mythological elements of the Purāna tradition in order to argue that evidence of the Muslim prophets was available in ancient Hindu scriptures. Chishti thus accepts the reality of ancient Hindu gods and sages and notes the truth in their message. In doing so Chishti adopts elements of an older argument within the Islamic tradition that posits thousands of cycles of creation and multiple instances of Adam, the father of humans. He argues however that the Hindu gods and sages belonged to a different order of creation and time, and were not in fact human. The text bears some generic resemblance to Bhavishyottarapurāna materials. Chishti combines aspects of polemics with a deft use of politics. He addresses, on the one hand, Hindu intellectuals who claimed the prestige of an older religion, while he also engages, on the other hand, with Muslim theologians and Sufis like the Naqshbandi Mujaddidis who for their part refrained from engaging with Hindu traditions at all.

New Forms of Colonialism in Africa

1963 ◽  
Vol 1 (4) ◽  
pp. 467-474 ◽  
Author(s):  
L. Goncharov
Keyword(s):  
Social Relations ◽  
The Other ◽  
The Political ◽  
Economic Pressure ◽  
Other Hand ◽  
Basic Functions ◽  
The One

The colonial system is a system of social relations based on the political and economic domination of backward peoples by imperialist powers, in a world divided territorially and economically. The colonial régime is a monopoly exercised by the bourgeoisie of an imperialist country, based on economic and extra-economic pressure in a dependent country. This imperialist monopoly has two basic functions: on the one hand, it exploits the colonies; on the other hand, it maintains and develops the political enslavement necessary for its own existence.

scholarly journals Narrativa e discurso através da “Montagem” fotográfica

2020 ◽  
Author(s):  
Mayara Fior Oliveira
Keyword(s):  
The Other ◽  
Time And Space ◽  
Film Editing ◽  
Other Hand ◽  
Selection For ◽  
Post Production ◽  
The One

In photograph the association of images occurs in sequential photographs, photographic series, essays or in in selecting photos to exhibition through photo books, galleries, installations, etc. The film, on the other hand, consists in slices of time and space, that united and organized through the montage can generate a narrative.The process of photographic post-production, the one that starts in the instant after the click, can be closely compared to the montage and post-production film process, once the union of two or more images generates a new meaning, different from the isolated meaning of each one. This idea can be used both in the film editing, as well in the conception of photographic narratives.And this is what paper proposes, reflect about the correlations between the cinematographic montage and photographs selection for the narratives construction.In cinema montage theory there are some extremely important theorists and directors that can be availed when we think about photographic “montage” and the discourse construction through the association of images. In this way the text approaches some the most important directors and theorists of film editing, seeking to reflect about their methods and how they can be applied in the photographic “montage” and how they can contribute to expand photography narrative possibilities through the images association to generate new discourses.

scholarly journals СВОЄ / ЧУЖЕ: ПРОБЛЕМА ОКРЕСЛЕННЯ ІДЕНТИЧНОСТІ В ПРОЗІ НАТАЛІ КОБРИНСЬКОЇ

2020 ◽  
Vol 8 (2) ◽  
pp. 83-96
Author(s):  
Ірина Борисюк
Keyword(s):  
Identity Construction ◽  
Social Relations ◽  
The Other ◽  
Fin De Siecle ◽  
Literary Canon ◽  
Development Path ◽  
Identity Studies ◽  
Other Hand ◽  
Fin De Siècle ◽  
The One

The relevance of the article stems from the demand for rethinking Natalia Kobrynska’s prose and therefore her position in the Ukrainian literary canon. On the one hand, Kobrynska’s artistic searches reflect the development path of fin de siècle Ukrainian literature (realistic and modernist writing). On the other hand, some issues and themes in Kobrynska`s prose are actually ahead of her time (conceptualizing the Other, identity construction through power discourses, interrelation of power and knowledge, Kobrynska`s writing ecological impulses and so on). The paper was written within the framework of identity studies; the key issue is the tension between a construction and a choice. The aim of the paper is to demonstrate that Kobrynska’s characters’ identity is the result of their choices rather than their belonging to society. To conclude, Kobrynska has discovered the most appropriate ways of representation of society’s members at the time in which social relations collapse and emergence.

Nationalism, Secessionism, and Autonomy

2021 ◽  
Author(s):  
André Lecours
Keyword(s):  
Puerto Rico ◽  
Basque Country ◽  
Historical Institutionalism ◽  
The Other ◽  
Time And Space ◽  
Liberal Democracies ◽  
National Community ◽  
South Tyrol ◽  
Other Hand ◽  
The One

The strength of secessionism in liberal democracies varies in time and space. Inspired by historical institutionalism, this book argues that such variation is explained by the extent to which autonomy evolves in time. If autonomy adjusts to the changing identity, interests, and circumstances of an internal national community, nationalism is much less likely to be strongly secessionist than if autonomy is a final, unchangeable settlement. Developing a controlled comparison of, on the one hand, Catalonia and Scotland, where autonomy has been mostly static during key periods of time, and, on the other hand, Flanders and South Tyrol, where it has been dynamic, and also considering the Basque Country, Québec, and Puerto Rico as additional cases, this book puts forward an elegant theory of secessionism in liberal democracies: dynamic autonomy staves off secessionism while static autonomy stimulates it.

scholarly journals 'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck

Literator ◽  
2006 ◽  
Vol 27 (1) ◽  
pp. 39-56 ◽  
Author(s):  
D. Van Zyl
Keyword(s):  
The Other ◽  
The Novel ◽  
Time And Space ◽  
Liminal Space ◽  
Pure Possibility ◽  
Liminal Spaces ◽  
Construction Of Identity ◽  
Other Hand ◽  
Children's Home ◽  
The One

'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in consecutive preliminal, liminal and postliminal phases. The children’s home is an essentially liminal space, but from the perspective of Vaseline it is firstly gradually transformed into a place to which meaning is attached, and secondly to a landscape of belonging, as she expresses her solidarity with the scorned group of children in the home. On the one hand the children’s home is characterised by a certain liminal essence, but on the other hand it can be regarded as “a realm of pure possibility” (Turner, 1967:97).

scholarly journals Clarice’s Secret. On The Foreign Legion (A legião estrangeira, 1964) by Clarice Lispector

2020 ◽  
pp. 74-76
Author(s):  
Nadezhda Radulova
Keyword(s):  
Latin American ◽  
The Other ◽  
Local Culture ◽  
Left Bank ◽  
Clarice Lispector ◽  
American Catholicism ◽  
Other Hand ◽  
Foreign Legion ◽  
The One ◽  
European Modernism

The 13 stories of the collection The Foreign Legion (A legião estrangeira, 1964), the first appearance of Clarice Lispector in Bulgarian, are a piece of hypnotic writing that is difficult to compare with any other writer’s language of that time. On the one hand, this prose has a memory of the European modernism with the experimental spirit of the Left Bank of the Seine, with elements of literary cubism and delicate traces of Judaic mysticism… On the other hand, the European refinement and suffistication are literally shaken by the local culture with its smell of jungle and its colorfully hysterical Latin American Catholicism.

Crime Control in Japan: Exceptional, Convergent or What Else?

2020 ◽  
Author(s):  
David Brewster
Keyword(s):  
Drug Use ◽  
Social Relations ◽  
Historical Perspective ◽  
Crime Control ◽  
Illegal Drug ◽  
The Other ◽  
Social Culture ◽  
Illegal Drug Use ◽  
Other Hand ◽  
The One

Abstract Theories about crime control in Japan have largely been based around two opposing traditions. On the one hand, cultural explanations have emphasized the exceptional attributes of Japanese social relations that contribute towards shaming and re-integrative processes. On the other hand, more recent explanations assert that Japanese crime control is converging with other countries, particularly towards penal populism. Both approaches tend to reduce explanations to a monolithic characterization that disguises variegation within Japan. Through considering the governance of illegal drug use and the Kamagasaki area of Osaka, a ‘geo-historical’ perspective is advocated to better capture the complexity and contradictions of globalizing processes and social culture and their resulting manifestations in crime control within contemporary Japan.

Historization of Scientific Observation in Modern Scientific Researches

2019 ◽  
Vol 56 (4) ◽  
pp. 46-61
Author(s):  
Angelina V. Baeva ◽  
Keyword(s):  
Social Relations ◽  
Science Studies ◽  
Scientific Practice ◽  
Modern Science ◽  
The Other ◽  
Historical Period ◽  
Scientific Practices ◽  
Scientific Observation ◽  
Other Hand ◽  
The One

This article is devoted to historization of scientific practices as one of the central points in problem field of modern science studies. The subject of our article is scientific observation as one of the epistemic practices. Historization of scientific observation in modern scientific studies is possible, because of material practices and social relations begin to problematize in the scientific field. Science is no longer characterized only by a propositional order of representations. It is an assemblage of connections and relations between different agents and network of things, people and practices. This network is complexly arranged and branched, but in the same time it is coordinated in a certain optics and it is producing the visual closure to constructed object. This new optics, that makes visible the material and routine practices, puts in a new way the task to understand, how to work with heterogeneous and historically changeable field of practices and different “ways to do science”. There is a rethinking of the self-evident epistemic categories and particularly scientific observation. As an epistemic genre and scientific practice observation begins to take shape relatively late – only in the XVII century, when there is a complication and multiplication of practices of production of the visual images, that are making concrete from abstract and visible from invisible. To historicize scientific observation is to show how it has become a self-evident epistemic category and an integral scientific function. Scientific observation can be historicized as a set of practices that emerged and spread throughout a particular historical period, on the one hand, as practices of production, coordination, presentation and description of observational data. And on the other hand, it can be historicized as practices of production of “scientific self” as instances of observation. This article attempts to show that observation as a practice and as historically varied object of science is characterized, on the one hand, by the production of “that is visible” and, on the other hand, by “scientific self”.

scholarly journals At forbinde steder – turistoplevelser på farten

1970 ◽  
pp. 5
Author(s):  
Jørgen Ole Bærenholdt
Keyword(s):  
Sense Of Place ◽  
The Other ◽  
Social Aspects ◽  
Time And Space ◽  
Tourism Research ◽  
Other Hand ◽  
Different Types ◽  
The One

There are many facets to the ways in which we experience places. Each individual links places with other people, and these linkages can be material, bodily, social, recollected, imagined and fantasy-based in nature. This article examines a range of recent contributions to understanding the concept of place within the context of mobility. This is done primarily on the basis of the most recent research relating to both geography and tourism – research that features ideas from a range of different performance-oriented approaches. These are approaches that on the one hand bring an important focus on the material, bodily and social aspects of experiencing a sense of place via phenomenology, and that on the other hand must involve additional dimensions above and beyond the immediately apparent, and incorporate aspects of imagination and fantasy. Three separate studies – relating to Allinge Harbour, the Hammershus fortress and The Viking Ship Museum – serve to show how the experience of place involves linkages and traces that transcend many different types of time and space.

Sign in / Sign up

Export Citation Format

Share Document