scholarly journals Tonal and Rhythmic-Metric Process in Brahms's Early C-Minor Scherzos

2012 ◽  
Vol 26 (1) ◽  
pp. 123-147 ◽  
Author(s):  
Ryan McClelland
Keyword(s):  
Piano Quintet ◽  
Metric Dissonance ◽  
Violin Sonata ◽  
Middle Period

The scherzos Brahms composed for his Piano Quintet in F Minor, Op. 34 (1862; rev. 1864) and for the Dietrich-Schumann-Brahms F-A-E violin sonata (1853) are dramatic, C-minor pieces that allude to works of Beethoven's middle period. Both scherzos open with tonal and rhythmic-metric dissonance and end with tonal and rhythmic-metric consonance, yet there are significant refinements in Brahms's handling of these global progressions in the piano quintet scherzo. The piano quintet scherzo engages a smaller network of interrelated dissonances, intensifies these dissonances throughout the movement, and resolves them convincingly near the end of the scherzo.

scholarly journals Imre Waldbauer, an Important but Little-Known Violinist Partner of Béla Bartók

2021 ◽  
Vol 62 (1-2) ◽  
pp. 149-173
Keyword(s):  
String Quartets ◽  
Bela Bartok ◽  
Special Importance ◽  
Concert Hall ◽  
Piano Quintet ◽  
Violin Sonata ◽  
The One ◽  
The Relationship

Abstract Imre Waldbauer (1892–1952) attained his greatest stature as a performer in his position as the first violinist of the Waldbauer–Kerpely Quartet, named after him and cellist Jenő Kerpely. This ensemble premièred Bartók's String Quartets nos. 1, 2 and 4 and his early Piano Quintet. Although Waldbauer's name is mostly mentioned in the Bartók-literature primarily because of his quartet, he was also important for Bartók as a “standalone” violinist as well. Waldbauer and Bartók played numerous sonata recitals from the 1910s to the 1930s, and Waldbauer also played the first performance of important violin works by Bartók: the “One Ideal” from the Two Portraits, (première: Budapest, 12 February 1911), the Violin Sonata no. 2 (première: Berlin, 7 February 1923) and nos. 16, 19, 21, 28, 36, 42, 43, 44 from the Forty-Four Duos (concert hall première: Budapest, 20 January 1932). Although Waldbauer seems like an individual of special importance, very little is known about his relation to Bartók and about his life in general (unlike his violinist contemporaries, e.g. Joseph Szigeti or Zoltán Székely). The present paper focuses on the relationship between the composer and the violinist, using materials from the yet unexplored Waldbauer legacy held in the Budapest Bartók Archives (recent donation from the Waldbauer family).

Islam: The Arabic and Persian Traditions, Eleventh–Fifteenth Centuries

2018 ◽  
Author(s):  
Konrad Hirschler
Keyword(s):  
Cultural Practice ◽  
Historical Writing ◽  
The Past ◽  
Islamic Tradition ◽  
Abbasid Caliphate ◽  
Middle Period ◽  
Early Islamic

This chapter deals with how the Islamic historical writing of the Middle Period developed directly from the early Islamic tradition, and its legacy remained deeply inscribed into the ways history was written and represented between the eleventh and fifteenth centuries. However, as historians started to develop new styles and new genres, they turned to previously neglected aspects of the past, their social profile changed, and the writing of history became a more self-conscious, and to some degree self-confident, cultural practice. Most importantly, those issues that had motivated earlier historians, such as the legitimacy of the Abbasid Caliphate, declined in significance and historians of the Middle Period turned to new and more diverse subjects.

Plato’s Politics

2019 ◽  
pp. 574-604
Author(s):  
Christopher Bobonich
Keyword(s):  
Political Philosophy ◽  
Social Status ◽  
Private Property ◽  
The Political ◽  
Middle Period ◽  
Plato's Political Philosophy ◽  
Status Of Women

The dialogues that are most obviously important for Plato’s political philosophy include: the Apology, the Crito, the Gorgias, the Laws, the Republic, and the Statesman. Further, there are many questions of political philosophy that Plato discusses in his dialogues. These topics include, among others: (1) the ultimate ends of the city’s laws and institutions; (2) who should rule, the forms of constitution, and their ranking; (3) what institutions and offices there should be; (4) the nature and extent of citizens’ obligation to obey the laws; (5) the proper criterion of citizenship; (6) the political and social status of women; (7) the purposes of punishment; (8) private property; and (9) slavery. This chapter attempts to provide an overall picture of Plato’s political philosophy, focusing on three moments: the “Socratic” dialogues, including the Apology and the Crito; the great middle-period work, the Republic, along with the Phaedo; and finally, two works from Plato’s last period, the Statesman and the Laws.

The Audacity of a Middle Period: An Introduction

CLA Journal ◽  
2017 ◽  
Vol 60 (4) ◽  
pp. 392-398
Author(s):  
Michael Hill ◽  
Jessica Welburn Paige ◽  
Deborah Whaley
Keyword(s):  
Middle Period

Scribal elites in Sultanate and Mughal Bengal

2010 ◽  
Vol 47 (4) ◽  
pp. 445-472 ◽  
Author(s):  
Kumkum Chatterjee
Keyword(s):  
Social Geography ◽  
Political Regimes ◽  
Bengali Literature ◽  
Modern Period ◽  
The Social ◽  
Cultural Implications ◽  
Middle Period

This article studies the importance of scribal skills in sustaining political regimes and the function of scribal careers in shaping and creating social and ritual status with particular reference to Bengal from the thirteenth till the eighteenth centuries. Based on histories of landed families, middle period Bengali literature and the large genealogical corpus (kulagranthas) of this region, the article surveys the social geography of literate–scribal communities and their long association with a number of Indo–Islamic regimes which ruled over Bengal during these centuries. The article explores the social and cultural implications of scribal careers as well as the educational and linguistic proficiencies which undergirded them. Finally, the article notes the role played by polities in regulating jati hierarchies and boundaries and comments on its implications for the period studied here as also for the colonial/modern period.

Violin Sonata No. 2 (Violin and Piano)

Notes ◽  
1969 ◽  
Vol 26 (2) ◽  
pp. 356
Author(s):  
Thomas Warburton ◽  
Samuel Adler
Keyword(s):  
Violin Sonata ◽  
Violin And Piano
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