Active Readers and Flexible Forms

Author(s):  
Jeremy Rosen

Traces the recent surge in minor-character elaboration to the late 1960s and a set of active reading practices and textual acquisitiveness shared by feminist, anticolonial, poststructuralist, and postmodernist writers. It argues that early forays into the genre by writers like Jean Rhys, John Gardner, and Tom Stoppard reveal a variety of formal permutations and agendas that later writers might inherit.

Author(s):  
Judith Allen

In this chapter, Judith Allen explores a politics of inconclusiveness that, she argues, pervades Orlando. Attending to the patterning and gender politics of her chosen sentence, with its evocative lists and rhetorical repetitions, Allen highlights Michel de Montaigne’s influence on Woolf, and ranges from Mikhail Bakhtin’s theory to Gertrude Stein’s lists to examine the effects of Woolf’s refusal to come to a conclusion. With Montaigne’s question ‘Que sais-je?’ in mind, Allen identifies an essayistic, dialogic mode in Orlando resonant with the ‘wildness’ Woolf infused into this book. Allen thereby reveals something about Woolf’s writing that emerges in all the chapters: how it requires keen and active reading practices, asking readers to participate in making meaning, to move nimbly between minute detail and wide horizons of thought and vision, and to read on at least two levels at once.


Author(s):  
Jeremy Rosen

Argues that writers of minor-character elaboration foreground a tension between structural and referential views of character that has dominated theories and scholarly debates surrounding literary character. The chapter argues that authors who adopt the genre reveals how reference is produced by readers’ supplementing textual structure with outside information, a process that is both central to realist reading practices and, when extended, produces characters’ virtual lives.


2019 ◽  
Vol 6 (2) ◽  
pp. 223-250
Author(s):  
Renske Annelize Hoff

Abstract The production and reception of early modern vernacular Bibles was not a uniform enterprise: printed scripture appeared in different sizes, translations, confessional colours, layout, and content. Through the analysis of the paratextual material in several Dutch Bible editions, this paper aims to determine whether different editions stimulated and framed different biblical reading practices, with a focus on complete Bibles and New Testaments published between 1522 and 1544 by the Antwerp printer Jacob van Liesvelt. The comparison of the paratextual features of Van Liesvelt’s complete Bibles and his other, smaller editions, shows that both types animated non-canonical, discontinuous and essentially active reading. However, whereas Van Liesvelt’s New Testaments seemed to encourage the reader to approach the book as a practical tool in his or her daily life, shaped by the rhythm of the zodiac and liturgy, the paratextual features of the complete Bibles facilitate a studious, almost encyclopaedic reading of the book.


Author(s):  
Andrew Thacker

This innovative book examines the development of modernism in four European cities: London, Paris, Berlin, and Vienna. Focusing upon how literary and cultural outsiders represented various spaces in these cities, it draws upon contemporary theories of affect, mood, and literary geography to offer an original account of the geographical emotions of modernism. It considers three broad features of urban modernism: the built environment of the particular cities, such as cafés or transport systems; the cultural institutions of publishing that underpinned the development of modernism in these locations; and the complex perceptions of writers and artists who were outsiders to the four cities. Particular attention is thus given to the transnational qualities of modernism by examining figures whose view of the cities considered is that of migrants, exiles, or strangers. The writers and artists discussed include Mulk Raj Anand, Gwendolyn Bennett, Bryher, Blaise Cendrars, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirlees, Noami Mitchison, Jean Rhys, Sam Selon, and Stephen Spender.


Author(s):  
Vike Martina Plock

It is 1956, the height of the Cold War. The year will end in the Suez Crisis and the Hungarian Uprising. Edith Wharton and Virginia Woolf have both been dead for a while, Jean Rhys is all but forgotten and Rosamond Lehmann’s career as a novelist is on the wane....


Author(s):  
Vike Martina Plock

By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational procedures such as Fordism and Taylorism, which were introduced into the French couture industry at the beginning of the twentieth century, affected constructions of modern femininity. Increasingly standardized images of feminine types were produced by Paris couturiers while the new look of the Flapper seemingly advertised women’s expanding social, political and professional mobility. Rhys, this chapter argues, noted fashion’s ability to provide resources for creative image construction but she simultaneously expressed criticism of its tendency to standardize female costumes and behaviour. Ultimately, Rhys demonstrates in her fiction that the radically modern couture of the early twentieth century was by no means the maker of social change and women’s political modernity. To offset the increased standardization of female images that she witnessed around her, Rhys created heroines and texts that relied on an overt display on difference.  


2020 ◽  
Author(s):  
Richard Fernandes de Oliveira ◽  
Iran Ferreira de Melo

With this work, we aim to propose a didactic application of the news genre, from the perspective of critical reading practices in Portuguese language teaching, to approach the experiences of dissident gender and sexuality people who are being viewed and represented by the media hegemonic in Brazil. Therefore, we offer teachers 5 texts and 10 activities that can be used for the development of a didactic project that articulates several areas of knowledge and that is also built from an educational vision that dialogues reading, criticism , teaching, learning, assessment and self-assessment. In this sense, due to the theme we are dealing with, we assume a political-epistemological tone combating gender and sexual violence, with education being our battlefield.


Modern Drama ◽  
2020 ◽  
Vol 63 (1) ◽  
pp. 63-82
Author(s):  
Brice Ezell
Keyword(s):  

2018 ◽  
Vol 28 (7) ◽  
pp. 2263-2267
Author(s):  
Lirije Ameti

This theme:” The Use of Skills and particularly Developing a Basis for Reading and Learning” is very broad, interesting, challenging and very useful at the same time. It is very useful for teachers and students during lectorical exercises which require a joint effort of participating interactively in class in order to be more efficient, flexible and pragmatic in order to achieve the main goal of learning and improving English Language. This source of information is useful for native speakers as well as for us, that are learning and improving English Language as a second language that intend to be future teachers or interpreters from English to respective languages.To Learn and improve English language are used the four main skills: Listening, Reading, Speaking (Communicating) and Writing. During lectures in order to practice and elaborate each of the skills, teachers and students encounter into different situations that in order to answer or conduct one of the skills you will have to answer and imply flexibility and efficiency by giving answers by all the other subjects which I consider an interweave of grammar, morphology, syntax, phonology, and for style of language explanations from theory of literature. And to grasp the main purpose or idea of the author to have general knowledge of different fields in life such as social, psychological, economical, historical ect.Through this paper work I will try to demonstrate the advantages and disadvantages of using the first main skill which is Reading, how to analyze the reading efficiency and learning style, how to develop the reading flexibility, principles of efficiency, evaluating the rate of reading and flexibility the factors that have impact in reading efficiently. Shortly as well is mentioned critical thinking and active reading which guides toward thinking and improving concentration. Finally, how to monitor comprehension the factors that impact upon reading which require pre-reading, rereading and prediction to retain elevating results.


Sign in / Sign up

Export Citation Format

Share Document