8 Dead Bodies and Living Guns: The United Red Army and Its Deadly Pursuit of Revolution

Japan, 1972 ◽  
2021 ◽  
pp. 228-253
Keyword(s):  
Red Army ◽  
2020 ◽  
Vol 10 (2) ◽  
pp. 169-173
Author(s):  
VLADIMIR KSENOFONTOV ◽  

The article reveals the essence and specificity of culture as an important component of the spiritual factor of victory. Special attention is paid to the characteristics of fiction. The article substantiates the moral and aesthetic impact on the consciousness of defenders of the Motherland, such works of art as“They fought for the Motherland”,“Leningrad poem”,“Russian character”,“Invasion”, etc. The article describes the significant role of theatrical art, which reveals the moral values of the people and Soviet soldiers. This is reflected in such plays as: “the Front”; “the Guy from our city”; “Once upon a time”, etc. The article substantiates the important role of the spiritual influence of cinema on Soviet people. This influence was realized through artistic images of selfless service to the Motherland, loyalty to military duty. Among these films: “Two fighters”, “Wait for me”, “Front-line friends”. During the war, as the article emphasizes, an important component of the spiritual factor of victory was the musical art. Activities in this area of culture famous musicians:B. Astafiev, S. Prokofiev, D. Shostakovich, A. Alexandrov, V. Soloviev-Sedoy, and others, was implemented in operas, symphonies, cantatas and songs, which by their nature emotional expression differed Patriotic and epic strength. The purpose of the research : to reveal the axiological components, culture of the Russian world, as important components, spiritual factor during the great Patriotic war. Conclusions : the culture of the Russian world at various stages of the great Patriotic War, through a variety of means and forms, actively mobilized all Soviet people to defend the Motherland and defeat Nazi Germany. The spiritual culture of our country and its types, in the course of functioning, during the war, clearly and expressively revealed the idea of patriotism, courage, bravery and heroism, and encouraged the Soviet people, the soldiers of the red Army, to achieve a great Victory.


Author(s):  
Gabriela Soto Laveaga

In my brief response to Terence Keel’s essay “Race on Both Sides of the Razor,” I focus on something as pertinent as alleles and social construction: how we write history and how we memorialize the past. Current DNA analysis promises to remap our past and interrogate certainties that we have taken for granted. For the purposes of this commentary I call this displacing of known histories the epigenetics of memory. Just as environmental stimuli rouse epigenetic mechanisms to produce lasting change in behavior and neural function, the unearthing of forgotten bodies, forgotten lives, has a measurable effect on how we act and think and what we believe. The act of writing history, memorializing the lives of others, is a stimulus that reshapes who and what we are. We cannot disentangle the discussion about the social construction of race and biological determinism from the ways in which we have written—and must write going forward—about race. To the debate about social construction and biological variation we must add the heft of historical context, which allows us to place these two ideas in dialogue with each other. Consequently, before addressing the themes in Keel’s provocative opening essay and John Hartigan’s response, I speak about dead bodies—specifically, cemeteries for Black bodies. Three examples—one each from Atlanta, Georgia; Rio de Janeiro, Brazil; and Mexico—illustrate how dead bodies must enter our current debates about race, science, and social constructions. 


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


2019 ◽  
Vol 14 (1-2) ◽  
pp. 245-264
Author(s):  
Andrey Ganin

The document published is a letter from the commander of the Kiev Region General Abram M. Dragomirov to the Commander-in-Chief of the Armed Forces in the South of Russia General Anton I. Denikin of December, 1919. The source covers the events of the Civil War in Ukraine and the views of the leadership of the White Movement in the South of Russia on a number of issues of policy and strategy in Ukraine. The letter was found in the Hoover Archives of Stanford University in the USA in the collection of Lieutenant General Pavel A. Kusonsky. The document refers to the period when the white armies of the South of Russia after the bright success of the summer-autumn “March on Moscow” in 1919 were stopped by the Red Army and were forced to retreat. On the pages of the letter, Dragomirov describes in detail the depressing picture of the collapse of the white camp in the South of Russia and talks about how to improve the situation. Dragomirov saw the reasons for the failure of the White Movement such as, first of all, the lack of regular troops, the weakness of the officers, the lack of discipline and, as a consequence, the looting and pogroms. In this regard, Dragomirov was particularly concerned about the issue of moral improvement of the army. Part of the letter is devoted to the issues of the civil administration in the territories occupied by the White Army. Dragomirov offers both rational and frankly utopian measures. However, the thoughts of one of the closest Denikin’s companions about the reasons what had happened are interesting for understanding the essence of the Civil War and the worldview of the leadership of the anti-Bolshevik Camp.


2020 ◽  
pp. 461-471
Author(s):  
Andrey V. Ganin ◽  

The memoirs of general P. S. Makhrov are devoted to the events of 1939 and the campaign of the Red army in Western Ukraine and Western Belarus. Pyotr Semyonovich Makhrov was a General staff officer, participant of the Russian-Japanese war, World War I, and the Russian Civil war. In 1918, Makhrov lived in Ukraine, and in 1919-1920 he took part in the White movement in Southern Russia, after which he emigrated. In exile he lived in France, where he wrote his extensive memoirs. The events of September 1939 could not pass past his attention. At that time, the Red army committed approach in Western Ukraine and Western Belarus. Contrary to the widespread Anti-Sovietism among the white emigrants, Makhrov perceived the incident with enthusiasm as a return of Russia to its ancestral lands occupied by the Poles.


Author(s):  
Konstantin Kupchenko ◽  
Nikolay Fedoskin

The article analyzes the results of the state policy implementation withing the formation and development of the Soviet judicial system on the example of Smolensk Governoral Court. The authors set the goal, based on the analysis of sources not introduced into a wide scientific circulation, primarily stored at the State Archive of the Smolensk Region to restore the history of the creation and operation of justice institutions in the Smolensk region in the 1918s–1923s. The source base of the study was composed of documents stored at Smolensk State Regional Archive, materials on the history of the judiciary, statistical materials of the period under the study, documents on the history of the party-state bodies of the Smolensk region. The article studies current office documentation of both the higher and regional state bodies (Workers 'and Peasants' Government, People's Commissariat of Justice, Smolensk Governoral Executive Committee) and local authorities (Smolensk Council of Working People's Deputies, Executive Committee of Smolensk Governoral Council of Workers, Peasants' and Red Army Deputies), as well as Smolensk Governoral Court. The authors analyze the Soviet experience in the formation and development of judicial bodies under specific historical conditions; they consider transformations in the judicial system of the Smolensk Governorate in the 1917s–1922s, as well as the formation of Smolensk Governoral Court. The article studies legal foundations of the Soviet judicial system formation, characterizes processes of creating a judicial apparatus in the first years of Soviet power and analyzes activities of Smolensk Governoral Court during its formation. The authors reveal the essence, degree of efficiency, concrete results, political and socio-economic consequences, positive and negative lessons from the Soviet judicial system existed in Russia. The authors assume that the development of new legislation system in the 1920s was caused by the need to reform legal sources as the main means of socialism building. The authors conclude that the transformation of the Soviet judicial system completed the transition from the principle of «revolutionary expediency» to the principle of «revolutionary legality».


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