scholarly journals ERASMUS IN THE PROFESSIONAL WRITING CLASSROOM: Workplace Genre, Designing and Writing for the Web, and the Future of Style

Author(s):  
Tom Pace
Author(s):  
Tim Berners-Lee ◽  
Kieron O’Hara

This paper discusses issues that will affect the future development of the Web, either increasing its power and utility, or alternatively suppressing its development. It argues for the importance of the continued development of the Linked Data Web, and describes the use of linked open data as an important component of that. Second, the paper defends the Web as a read–write medium, and goes on to consider how the read–write Linked Data Web could be achieved.


2021 ◽  
Author(s):  
Yue Ma
Keyword(s):  

Based on the research of a Chinese photographic album in the George Eastman House (GEH) collections, my thesis project involves cataloging the album using The Museum System (TMS) and presenting it through eMuseum at the GEH website: http://www.emuseum.eastmanhouse.org Accessed through the website, the album is titled, Chinese portraits and views under Collections. This paper elucidates the three parts of this applied project: Research on the album, Cataloging in TMS, and Web presentation through eMuseum. In each section, I have included figures illustrating the specific methods and technologies adopted in the project, which can provide references for researchers doing similar projects in the future. Images published on the GEH website can also provide new opportunities for researchers to make further identifications on the image content, date, photographer, etc.


2012 ◽  
Vol 143 (1) ◽  
pp. 99-109 ◽  
Author(s):  
Matthew Allen

This article explore how, in the first decade of the twenty-first century, the internet became historicised, meaning that its public existence is now explicitly framed through a narrative that locates the current internet in relation to a past internet. Up until this time, in popular culture, the internet had been understood mainly as the future-in-the-present, as if it had no past. The internet might have had a history, but it had no historicity. That has changed because of Web 2.0, and the effects of Tim O'Reilly's creative marketing of that label. Web 2.0, in this sense not a technology or practice but the marker of a discourse of historical interpretation dependent on versions, created for us a second version of the web, different from (and yet connected to) that of the 1990s. This historicising moment aligned the past and future in ways suitable to those who might control or manage the present. And while Web 3.0, implied or real, suggests the ‘future’, it also marks out a loss of other times, or the possibility of alterity understood through temporality.


Author(s):  
Michael Greenhalgh

This chapter evaluates current possibilities for the attainment of a realistic context over the web by attempting to match the basic requirements of art history scholarship and teaching against what is currently offered and what can be expected in the future. It surveys some ongoing research in the field from the perspective of an observer and a user. The first section of the chapter discusses virtual reality modelling language (VRML) and describes a project of the Supercomputer Group at the Australian National University. This project aimed to model, using VRML, the Buddhist stupa at Borobudur. The chapter also discusses a second project which deals with the Piazza de Popolo at Rome and the reasons why this project did not employ VMRL. The second section of the chapter examines some other ways in which an ordinary lecturer may use various simple technologies to conjure context, and with more flexibility, detail and accuracy that VRML can ever achieve.


Author(s):  
Spyros Panagiotakis ◽  
Ioannis Vakintis ◽  
Haroula Andrioti ◽  
Andreas Stamoulias ◽  
Kostas Kapetanakis ◽  
...  

This chapter at first surveys the Web technologies that can enable ubiquitous and pervasive multimedia communications over the Web and then reviews the challenges that are raised by their combination. In this context, the relevant HTML5 APIs and technologies provided for service adaptation are introduced and the MPEG-DASH, X3Dom, and WebRTC frameworks are discussed. What is envisaged for the future of mobile multimedia is that with the integration of these technologies one can shape a diversity of future pervasive and personalized cloud-based Web applications, where the client-server operations are obsolete. In particular, it is believed that in the future Web cloud-based Web applications will be able to communicate, stream, and transfer adaptive events and content to their clients, creating a fully collaborative and pervasive Web 3D environment.


Author(s):  
Yoo Jung An ◽  
Kuo-Chuan Huang ◽  
Soon Ae Chun ◽  
James Geller

Ontologies, terminologies and vocabularies are popular repositories for collecting the terms used in a domain. It may be expected that in the future more such ontologies will be created for domain experts. However, there is increasing interest in making the language of experts understandable to casual users. For example, cancer patients often research their cases on the Web. The authors consider the problem of objectively evaluating the quality of ontologies (QoO). This article formalizes the notion of naturalness as a component of QoO and quantitatively measures naturalness for well-known ontologies (UMLS, WordNet, OpenCyc) based on their concepts, IS-A relationships and semantic relationships. To compute numeric values characterizing the naturalness of an ontology, this article defines appropriate metrics. As absolute numbers in such a pursuit are often meaningless, we concentrate on using relative naturalness metrics. That allows us to say that a certain ontology is relatively more natural than another one.


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