scholarly journals Protest Song and Countercultural Discourses of Resistance in 1960s Colombia

2020 ◽  
Vol 24 (47) ◽  
pp. 13-37
Author(s):  
Joshua Katz-Rosene
Keyword(s):  
Cultural Change ◽  
Party System ◽  
Rock And Roll ◽  
Political Resistance ◽  
New Wave ◽  
The 1960S ◽  
Political Turmoil ◽  
Wide Swath ◽  
The Ideal ◽  
Protest Song

In Colombia, the tumultuous second half of the twentieth century kicked off with a fierce conflict between the Liberal and Conservative parties known as La Violencia (The Violence, ca. 1948-1958). Following a brief period of military rule (1953-1957), a bipartisan system of shared governance, the National Front (1958-1974), brought about some respite to the sectarian bloodshed. However, the exclusionary two-party system precipitated new lines of conflict between the state and communist guerrillas. Along with the political turmoil, the nation was also undergoing an era of profound cultural change. This essay examines three countercultural-oppositional movements that captivated a wide swath of youth in Colombia’s biggest cities during the 1960s: the canción protesta (protest song) movement, the rock and roll subculture denominated as nueva ola (new wave), and nadaísmo, a rabblerousing avantgarde literary movement. I analyze the correspondences and discontinuities in the ways adherents of these movements conceived of the ideal means to carry out social, cultural, and political resistance. While there were fundamental tensions between the “discourses of resistance” linked to these three countercultural streams, I argue that their convergence in the late 1960s facilitated the emergence of a commercial form of canción protesta.

Public Opinion, Party Politics, and the Welfare State

2018 ◽  
Author(s):  
Johannes Lindvall ◽  
David Rueda
Keyword(s):  
Public Opinion ◽  
Welfare State ◽  
Party System ◽  
Median Voter ◽  
Party Politics ◽  
The United Kingdom ◽  
Party Positions ◽  
Long Run ◽  
The 1960S ◽  
The Welfare State

This chapter examines the long-run relationship between public opinion, party politics, and the welfare state. It argues that when large parties receive a clear signal concerning the median voter’s position on the welfare state, vote-seeking motivations dominate and the large parties in the party system converge on the position of the median voter. When the position of the median voter is more difficult to discern, however, policy-seeking motivations dominate, and party positions diverge. This argument implies that the effects of government partisanship on welfare state policy are more ambiguous than generally understood. The countries covered in the chapter are Denmark, France, Germany, Norway and the United Kingdom (going back to the 1960s). The number of observations is (necessarily) limited, but the diverse cases illustrate a common electoral dynamic centered around the position of the median voter.

scholarly journals FACTORS OF CONSOLIDATION OF UKRAINIAN PEOPLE IN THE POLITICAL PROGRAMS OF DISSIDENTS (THE END OF THE 1950S TO THE BEGINNING OF THE 1960S)

2017 ◽  
pp. 152-156
Author(s):  
Tetiana Shevchenko
Keyword(s):  
The Political ◽  
Political Resistance ◽  
Soviet System ◽  
State Structure ◽  
Social Oppression ◽  
National Liberation Movement ◽  
The 1950S ◽  
Potential Factors ◽  
The 1960S ◽  
Ukrainian Society

An activity of the Ukrainian Workers and Peasants Union (UWPU) headed by Levko Lukyanenko in West Ukraine at the end of the 1950s to the beginning of the 1960s was a manifestation of the struggle for independence of Ukraine. Contemporary historiography studies the UWPU’s activity in the context of looking for new forms and methods of the political resistance to the Soviet system in West Ukraine without using the ideology of the Organization of Ukrainian Nationalists. The result of the struggle depended on the ability to consolidate a whole society by the leaders of the national liberation movement. In the article we shall study the ideas about unity of the Ukrainian society and potential factors of its consolidation in the program documents of the UWPU. A task in hand of the UWPU was “to unmask before workers and peasants an irreconcilable opposite of their interests and the interests of the bureaucratic officialdom as well to compel the direction to comply in the sphere of increasing freedoms of people. Nevertheless an addition complication in the UWPU’s propaganda in West Ukraine was Lykyanenko’s and Kandyba’s, the leading members’ belonging to the system of the Soviet justice which was a part of the party and state structure and estranged deeply from people. The UWPU proclaimed a start of a new stage of struggle for the independence of Ukraine by the most conscientious workers and peasants which are united all over Ukraine and do not communicate with each other. The struggle of the UWPU for Ukraine’s secession from the USSR should be peaceful and according to the Soviet constitution on the tactic and ideological grounds. The UWPU has thought that the idea of the independent Ukraine is only one possible idea which could unite the whole Ukrainian people, exploited by the Russian Soviet colonialist polotics workers and peasants deprived of their rights. The programme of the Union opposed the whole Ukrainian people to the Ukrainian Communists, the representatives of the party and state officialdom, as obedient representatives of the colonial administration. The members of the UWPU, high-principled Marxists, proclaimed their unstinting support the struggle of the Ukrainian Uprising Army for the independence of Ukraine and blamed an armed repression by the Soviet state the Ukrainian underground in West Ukraine. Taking into account the Ukrainian people changed during centuries of slavery and a social oppression the UWPU’s programme does not only presume to challenge the presence of the protest potential of the Ukrainian people but also affirms that in time the Ukrainian people’s aspiration to independence develops widely and its struggle for the independence becomes fiercer. The UWPU suggests to campaign among workers and peasants for the uniting the whole Ukrainian people for the struggle for Ukrainian state independency, as well to win representatives of other nationalities which live in Ukraine, and fight for general democratization of the state structure in the USSR

scholarly journals ‘One Feels so Much in These Times!’ Emotional Education and the Construction of New Subjectivities: Sex Education Films in Early 1960s GDR

2020 ◽  
Author(s):  
Anja Laukötter
Keyword(s):  
Sex Education ◽  
Young Generation ◽  
Socialist Society ◽  
New Man ◽  
The 1960S ◽  
Pedagogical Function ◽  
The Ideal ◽  
Emotional Education

Shown in different formats—from cinema to television—in a variety of settings, this chapter outlines the role these films played in discourses on sex education in the GDR in the 1960s, which for their part were highly influenced by psychology and pedagogy. The article will argue that these films not only served the pedagogical function of teaching viewers about sexuality, but also aimed to (re-)produce the ideal of the ‘new man’ for a newly emerging socialist society that was to be founded on a new way of educating emotions. Since the education of youth was regarded a key issue for the construction of new selves, the medium of film with its special attractiveness for the young generation can be viewed as an instrument for forming new subjectivities.

scholarly journals Slaves’ dress between representation and materiality

2017 ◽  
Vol 15 (2) ◽  
pp. 221
Author(s):  
Isabela Cristina Suguimatsu
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Social Life ◽  
Historical Research ◽  
Culture Studies ◽  
Social Barriers ◽  
Descriptive Approach ◽  
The 1960S ◽  
The Ideal

Since the 1960s the focus of historical research about dress and clothing turned from a purely descriptive approach to a semiotic one: researches have started aiming at the representations and tried to understand the symbols behind the objects. Resting on the so called material culture studies, the objective of this article is to conceive dress no more subordinate to the dimension of the ideal meanings, but rather as materiality actively used in the process of signifying and making of social life. In the article I try to understand the role of dressing for “being a slave” in eighteenth-century Brazil: a society that valued ideals expressed in European fashion, but imposed social barriers for accessing them – for the slaves wear the materiality linked to such ideals. O vestuário dos escravos entre representação e materialidade Desde a década de 1960, os estudos sobre a indumentária e o vestuário passaram de uma abordagem puramente descritiva para outra baseada na semiótica: buscou-se atingir as representações e entender os símbolos por trás dos objetos. Com base nos chamados estudos da cultura material, o objetivo desse artigo é pensar o vestuário não mais subordinado à dimensão dos significados ideais, mas como materialidade ativamente usada no processo de significação e conformação da vida social. Para tanto, busca-se entender o papel do vestuário na constituição do “ser escravo” no Brasil oitocentista: em uma sociedade que valorizava ideais expressos na moda europeia, mas que criava barreiras para o acesso irrestrito a esses ideais e para o uso, pelos escravos, da materialidade a eles associada.

‘They wanted a bigger, more ambitious film’: Film Finances and the American ‘Runaways’ That Ran Away

2021 ◽  
Vol 18 (2) ◽  
pp. 176-197
Author(s):  
Llewella Chapman
Keyword(s):  
Case Studies ◽  
Film Industry ◽  
Financial Resources ◽  
Film Production ◽  
New Wave ◽  
Tom Jones ◽  
The 1960S ◽  
Karel Reisz

From the early 1960s, the British film industry was increasingly reliant on American studio financed ‘runaway’ productions. Alexander Walker identifies United Artists and Universal Pictures as two of the major players in the trend he dubbed ‘Hollywood England’. This article offers a close examination of the role of two studios in the financing of British film production by making extensive use of the Film Finances Archive. It focuses on two case studies: Tom Jones (1963) and Isadora (1968), both of which had completion guarantees from Film Finances, and will argue that Tony Richardson and Karel Reisz, two of the key British New Wave directors, lost their previous ability to direct films to budget and within schedule when they had the financial resources of American studios behind them. It will analyse how, due to a combination of ‘artistic’ intent and Hollywood money, Richardson and Reisz separately created two of the most notorious ‘runaways’ that ran away during the 1960s.

The Party System: Structure, Policy, and Europeanization

2003 ◽  
Author(s):  
Oskar Niedermayer
Keyword(s):  
European Integration ◽  
Party System ◽  
National Level ◽  
Party Competition ◽  
Institutional Framework ◽  
Integration Process ◽  
1960S And 1970S ◽  
System Properties ◽  
The 1960S ◽  
The Eu

The German party system has changed since the 1980s. The relatively stable ‘two-and-a-half party’ system of the 1960s and 1970s has become a fluid five-party system. This development can generally be attributed to changes on the demand and supply sides of party competition and to the changing institutional framework. The European integration process is part of this institutional framework and this chapter deals with the question of whether it has influenced the development of the party system at the national level. To systematically analyse the possible impact, eight party-system properties are distinguished: format, fragmentation, asymmetry, volatility, polarization, legitimacy, segmentation, and coalition stability. The analysis shows that one cannot speak of a Europeanization of the German party system in the sense of a considerable impact of the European integration process on its development. Up to now, the inclusion of Germany in the systemic context of the EU has not led to noticeable changes of party-system properties. On the demand side of party competition, this is due to the fact that the EU issue does not influence the citizens' electoral decisions. On the supply side, the lack of Europeanization can be explained mainly by the traditional, interest-based pro-European élite consensus, the low potential for political mobilization around European integration, and the marginal role of ethnocentrist–authoritarian parties.

Joanna Russ and the New Wave

Joanna Russ ◽  
2019 ◽  
pp. 20-38
Author(s):  
Gwyneth Jones
Keyword(s):  
Science Fiction ◽  
Star Trek ◽  
New Wave ◽  
Protest Movements ◽  
Joanna Russ ◽  
Modernist Novel ◽  
The 1960S

“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university teacher at Cornell, and discusses modernism in sf, Joanna’s role as interpreter of the British “New Worlds” writers and the American New Wave and her response to the protest movements and cultural revolutions of the 1960s (in the psychedelic “Modernist novel by a Star Trek fan”) And Chaos Died. Essays and stories (1968-1971) examined include the important “The Wearing Out of Genre Materials,” and autobiographical short fictions that foreshadow The Female Man and illuminate And Chaos Died.

Rocha, Glauber (1939–1981)

2018 ◽  
Author(s):  
Peter Baker
Keyword(s):  
New Wave ◽  
Brazilian Cinema ◽  
French New Wave ◽  
Revolutionary Violence ◽  
New Type ◽  
1960S And 1970S ◽  
Brazilian Film ◽  
The 1960S ◽  
New Generation ◽  
Film Critic

Glauber Rocha de Andrade (Vitória da Conquista, 1939–1981) was a Brazilian film critic, screenwriter, producer, and director. Arguably the most important director of the cinema nôvo (New Cinema) movement of the 1960s and 1970s, he began his career as a film critic, writing for well-known Brazilian journals about Italian neorealism and the French New Wave – two crucial influences on his own work. His writings criticized Brazil's commercial cinema and called for a new type of film that would represent the reality of Brazilian life. His most famous essay in this regard is "Estética da Fome" ("An Esthetic of Hunger," 1965). The essay reflects on the neo-colonial condition of Brazilian cinema through the analogy of the starvation of the Brazilian people and the intellectual starvation of its cinematic tradition; anti-colonial revolutionary violence is the only possible solution to these plights. This theoretical viewpoint is reflected in his Deu e o Diabo na Terra do Sol (Black God, White Devil, 1964), a film which earned him recognition on the international scene and in Brazil as the unchallenged leader of a new generation.

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