Intertextuality in rococo culture: parody, pastiche and sequel in French literature pf XVIII century

The purpose of this article is a study of the phenomenon of cultural intertextuality in French rococo on the ground of French prose literature of XVIII century. Methodology. In our research, we employ a method of cultural analysis developed by Annales school. The scientific novelty is determined by the research of non-translated work of Frenche literary rococo "The Adventures of Telemachus" by François de Salignac de La Motte Fénélon of 1699 as phenomenon of French culture of XVIII century, and the study of cultural phenomenon of intertextuality, which is displayed in numerous suites (sequels) and pastiches-parodies of this novel. Conclusions: novel "Adeventures of Telemachus" makes a suite sequel to Homer‘s poem "Odyssey", play "Idoménée" by Prosper Jolyot de Crébillon makes a pastiche to novel "Adeventures of Telemachus", and P. Marivaux‘ novel "Télémaque travesti" makes a parody on François Fénélonùs novel. At the same time, F. Fénélon‘s novel and pastiches and parodies written on it create a metatext of French XVIII century rococo novel of journey.

Earthly tourism and travel’s contribution to a planetary genre de vie

In this reflective commentary celebrating 20 years of Tourist Studies I draw on my forthcoming book, Developing Earthly Attachments in the Anthropocene, explicitly relating its message to a future looking tourist studies agenda. I outline how such an agenda can underpin the development of ‘earthly tourism’ and thereby explore practices of travel and mobilities informing a planetary mode of living, or what the French Annales school of geography would call genre de vie. The article will detail the meaning of these terms and how these can be informed by, and in turn, inform a future looking academic tourist studies agenda.

Russian-Central Asian Relations in the Works of Modern French Researchers

The article examines the views of modern French researchers on the relations between Russia and the post-Soviet republics of Central Asia. This allows us to identify various interpretations of Russian foreign policy, and to understand the main approaches of French scholars analyzing the goals and tasks of Russian geostrategy in the region. As the article demonstrates, French historiography, along with the objectivist view on the Central Asian vector in Russian foreign policy, also includes works of ideological nature. Special emphasis is put on French works that focus on Russian political authors who speak of Russias neo-imperialism. These studies explain the Russian policy in Central Asia through the ruling elites ambition to resurrect an empire in the post-Soviet space and to return superpower status to Russia. Of special interest is the position of authors who try to explain the Russian attitude to the Central Asian region as, on the one hand, an expression of nostalgic feelings harbored by a great part of the population about the nations former greatness, assuming that these feelings have an impact on the leaderships policies, and on the other hand, as the Russian leaderships attempt to use Russias active return to the international arena for the consolidation and self-identification of society. It is observed that some French authors speak of a New Great Game. This very popular concept considers the actions of Russia and other powers operating in the region (USA and China) as a continuation of the historical rivalry between the Russian and British empires in the late 19th and early 20th centuries. Russian authors have always been interested in French historiography; this is due to the latters scientific prestige and objectivity, and in particular its application of methodologies that further develop the tradition of the Annales School. At the same time, the growing French scholarship on the issue of Russia and post-Soviet Central Asian republics has not yet been subject to close and complex consideration, which defines the novelty of the article.

How Marcel Proust Can Change Your Life—For Better or for Worse

This article turns around the role that Proust’s novel played—for better or worse—in my formation as a medievalist and as a full human being. In the curé’s obsession with genealogy and etymology, I recognized in the 1970s a deep medieval mental structure that coincided with contemporaneous work by historians of the Annales School on lineage and by structuralists on the linguistic patterns underpinning kinship. This led to a book, Etymologies and Genealogies: A Literary Anthropology of the French Middle Ages. But other strong strains of the Proustian sentimental orbit, doomed love, aligned chronologically and conceptually with the articulation in the 1890s of courtly love and made for dire consequences in a life lived along those lines. My wife, Ellen Handler Spitz, provides an emotionally corrective experience via the question, Was Swann in Love? Using the psychoanalytic concept of the partial object, she shows how limited Proust’s notion of love really is. We end on a note of wild admiration for Proust’s description of what it feels like to be in what he calls “love” but with a dose of skepticism with regard to his framing of the project of love itself.

Anthropocene Fiction and World-Systems Analysis

As developed by Immanuel Wallerstein and various co-thinkers, world-systems analysis is essentially an approach to economic history and historical sociology that has been largely indifferent to literary studies. This indifference is perhaps surprising given that the Annales school, which clearly influenced Wallerstein’s work, produced a foundational account of the emergence of modern western literature in Lucien Febvre and Henri-Jean Martin’s L’apparition du livre (1958). More recently, literary scholars have attempted to apply this kind of analysis directly to their own field. The best-known instances are probably Pascale Casanova’s La republique mondiale des lettres (1999), Franco Moretti’s Distant Reading (2013) and the Warwick Research Collective’s Combined and Uneven Development (2015). More recently still, Andrew Milner in Australia and Jerry Määttä in Sweden have sought to apply “distant reading” more specifically to the genre of science fiction. Milner’s model of the “global SF field” identifies an original Anglo-French core, supplemented by more recent American and Japanese cores, longstanding Russian, German, Polish and Czech semi-peripheries, an emergent Chinese semi-periphery, and a periphery comprising the rest of the world. This essay attempts to apply that model to what Adam Trexler has termed “Anthropocene fictions” and Daniel Bloom “cli-fi”, which we treat here as a significant sub-genre of contemporary science fiction.

Soviet Musical Avant-Garde in the Context of Time (in the mid. 1950s – 1980s): Historical and Cultural Studies and Philosophical Aspects

Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 20th century. This is due to the fact that the musical avant-garde, becoming a sign of the time, reflected the most important trends of the outgoing era. In the paper, the Soviet musical avant-garde is considered in the historical, cultural and philosophical aspect in the context of the historical era, which determines the novelty of the study. An aspect of novelty is the analysis of music as a sphere of intercultural communication.Methodology and sources. The research methodology is based on the analysis of sources and literature, taking into account interdisciplinary approaches. A special role in the understanding of the theoretical aspects of the problem play the work of musicologists Yu. N. Kholopova, V. N. Kholopova, V. S. Price, R. L. Pospelova, A. I. Demchenko. Among the sources highlighted in cinema, photo- and phonodocuments, which depicts a vivid image of the era. The interviews with composers, which presents a wide canvas of social and musical life (A. Schnittke, A. Ivashkina entry and volkonskii, recording E. Dubinets) are of considerable interest. Historical, comparative, systematic and semiotic methods of analysis were used. Applies a comprehensive approach (formation and civilization methods of research and the Annales school). This allows for a new approach to the historical era of the middle1950s – 1980s.Results and discussion. Postwar culture is examined as a single space, in which a special role was played by the impulses of the “thaw”. They gave cultural phenomena such inertial dynamics, which preserves the spiritual maturity of society and produced changes of the 1990s, the results of the study show that in contrast to the political and socio-economic processes, cultural life in these years continued to feel the pulses of the “thaw”. Retaining the inertial dynamics of development, cultural processes have been far from stagnation, which casts doubt on the overall rating this time as the “era of stagnation”. This allows you to put a discussion question on the revision of the political clichés in relation to the period of the middle 1960s – 1980s in the Soviet Union as the “era of stagnation”.Conclusion. Soviet avant-garde, expressing the spirit of the time, represents the unique phenomenon in which reflected global trends, and the uniqueness of national culture. Experience avant-garde shows that cultural processes of the epoch middle 1950s – 1980s had a high development dynamics. The study of this period, especially in its spiritual sphere, requires interdisciplinary approaches and the use of modern, including foreign methods. Interest methods of the Annales school in its historical retrospect and the “new cultural history”.

Fernan Braudel's Times of the Worlds. Civilizational Sovereignty in Conservative Historiography

The article is devoted to the life and creative development of the great French historian and leader of the “Annales School” Fernan Braudel. The autjpr pays special attention to the conservative motives in his ideas, namely the theory of civilizational denial and non-progressist realism related to the concept of longe duree. The author comes to the conclusion that Bruadel was erroneously considered to be “globalist” or “mondialist” thinker. On the contrary, his concept of the “worlds-economies” describes closed economic and civilizational communities directed at autarchy and sovereignty. Braudel’s idea has very much in common with Oswald Spengler’s idea of interpreting borders of cultures, civilizations and worlds-economies as barely permeable. In his research Braudel always paid considerable attention to Russia viewing it as specific civilization having the tendency to “self-organize apart from Europe as an independent world-economy with its own network of connections”. Braudel considered that self-dependence of Russia was obvious, even after the Europeanization turn in the 18th century. Braudel’s “Russian Text” is considered to be one of the most profound and accurate in Western historiography. The present article is written in the free form, where historiographic analysis, biographic narrative and the author’s personal experience of Braudel’s works alternate with each other.