sensory field
Recently Published Documents


TOTAL DOCUMENTS

29
(FIVE YEARS 1)

H-INDEX

6
(FIVE YEARS 0)

2021 ◽  
pp. 108201322110180
Author(s):  
Jessica Ferreira Rodrigues ◽  
Rafaela da Silva Andrade ◽  
Vanessa Rios de Souza ◽  
Luiz Ronaldo de Abreu ◽  
Alessandra de Fatima Barcelos ◽  
...  

Prato cheese is one of the most consumed dairy products around the word, mainly in Brazil, being the second most produced cheese in the country. However, a great variation in the cheeses sensory profiles is observed. Therefore, knowledge about the attributes that drives the product acceptance is important for Prato cheese standardization, targeting the best production conditions for obtaining cheese quality improvement. Moreover, this study also contributes with information about the TDS and CATA methodologies for the sensory field. TDS and CATA were useful tools determining liking directors of Brazilian Prato cheese. Creamy, Salt and soft attributes were indicated as drivers of liking of Prato cheese, while hard, rubbery and bitter taste contributed negatively to the acceptance of the product.



2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Atanas Totlyakov ◽  
◽  
◽  

The current article are discussed the problem of significant importance of the tactile feelings in the context of the ways in which they are used in drawing creation.The basis of the study is the theoretical and practical experience gained in the conditions of creative experimentation, derived as a specific artistic practice.The relationship between visual and mental images and their comparison with the sensory field of the active touch is analyzed.There are summarized a four experimental plans: Mastering practical tactil experience and its creativity interpretation; Comparison of the tactil execution of a creative act and optical perception of drawings obtained without visual contact; Reflection of a participation of the body in the creative process; Focusing attention on feeling and their emotional coloring as interpersonal interaction in the frame of the working environment.



2018 ◽  
Vol 58 (2) ◽  
pp. 577-587
Author(s):  
Vladimir Kaplin

Abstract The fauna of bristletails of the genus Lepismachilis Verhoeff, 1910 in Montenegro and Serbia includes only one species L. (Berlesilis) targionii (Grassi, 1887) with 2 + 2 eversible vesicles on abdominal urocoxites II–VI. Three new species of this genus are described: L. (Lepismachilis) prijepolja sp. nov., L. (Lepismachilis) limensa sp. nov. from Serbia, and L. (Lepismachilis) alexandrae sp. nov. from Montenegro. All described new species belong to the species group of the subgenus Lepismachilis s. str. with 2 + 2 eversible vesicles on abdominal urocoxites II–V. Lepismachilis prijepolja sp. nov. differs from L. y-signata Kratochvíl, 1945 and L. notata Stach, 1919 by the color, drawings and ratios of the compound eyes; ratios of sensory field on fore femur of male, number of divisions of ovipositor. Lepismachilis limensa sp. nov. differs from L. hauseri Bitsch, 1974 and L. abchasica Kaplin, 2017 by ratios of paired ocelli, sensory field on fore femur of male; ratios and chaetotaxy of maxillary and labial palps. Lepismachilis alexandrae sp. nov. differs from L. abchasica by the drawings of the compound eyes; ratios of paired ocelli, sensory field on fore femur of male; number of divisions of the parameres and gonapophyses. A list of the Machilidae occurring in Balkan Peninsula is also provided.



Kant-Studien ◽  
2018 ◽  
Vol 109 (2) ◽  
pp. 329-351
Author(s):  
Daniel O. Dahlstrom

Abstract: Whereas research on Moses Mendelssohn’s Morning Hours has largely focused on the proofs for the existence of God and the elaboration of a purified pantheism in the Second Part of the text, scholars have paid far less attention to the First Part where Mendelssohn details his mature epistemology and conceptions of truth. In an attempt to contribute to remedying this situation, the present article critically examines his account, in the First Part, of different types of truth, different types of knowledge, and the case against idealism. The examination stresses potential but overlooked strengths of his account (e. g., a conception of immediate knowledge that is both far broader than the sensory field and distinctive for having change as its object), questions of ambiguity if not inconsistency in his concepts of existence and substance, and the potential import of these questions for the role he assigns to common sense.



2015 ◽  
Vol 44 (1) ◽  
pp. 1-9 ◽  
Author(s):  
Leonid Frantsevich ◽  
Stanislav Gorb ◽  
Vladimir Radchenko ◽  
Dmytro Gladun ◽  
Alexey Polilov ◽  
...  




2011 ◽  
pp. n/a-n/a ◽  
Author(s):  
Audrey C. Muguet-Chanoit ◽  
Natasha J. Olby ◽  
Kellett M. Babb ◽  
Ji-Hey Lim ◽  
Ryan Gallagher ◽  
...  
Keyword(s):  


Author(s):  
Jonathan Marshall

Netsex, or cybersex, may be thought of as the mutual textual simulation, or narration, of sexual activity between people online. Branwyn (1993, p. 786) divides Netsex into three different types. First is that in which people “describe and embellish real-world circumstances” such as touching themselves, taking their clothes off, and so on. They may or may not be performing these actions, but probably not if they are typing reasonably steadily. The second type involves “a pure fantasy scenario” in which people jointly create a story with relatively coherent expectations. This can be performed before an audience. The third type involves one party giving instructions to another who supposedly performs them. These techniques involve textual references to sexually charged notions of gender (anatomy, actions, clothing, and so on), which are frequently exaggerated to fit the story. It is now possible to transmit real-time video pictures from a camera attached to a person’s computer, and this may also be used for Netsex. However, people often express ambivalence about this, perhaps because it emphasises the distance between people, is not as mutually intense, or because it increases possible disjunctions. The disruption of expectations of narrative in Netsex is often a source of online humour. A final, often mentioned, but currently fictional form of Netsex is virtual teledildonics, in which a complete sensory field is simulated via electronics.



2009 ◽  
Vol 28 (11) ◽  
pp. 2767-2770
Author(s):  
Zhe CHEN ◽  
Lei WANG
Keyword(s):  


Sign in / Sign up

Export Citation Format

Share Document