Disaffected

In Disaffected Xine Yao explores the racial and sexual politics of unfeeling—affects that are not recognized as feeling—as a means of survival and refusal in nineteenth-century America. She positions unfeeling beyond sentimentalism's paradigm of universal feeling. Yao traces how works by Herman Melville, Martin R. Delany, Elizabeth Stuart Phelps, Frances Ellen Watkins Harper, and Sui Sin Far engaged major sociopolitical issues in ways that resisted the weaponization of white sentimentalism against the lives of people of color. Exploring variously pathologized, racialized, queer, and gendered affective modes like unsympathetic Blackness, queer female frigidity, and Oriental inscrutability, these authors departed from the values that undergird the politics of recognition and the liberal project of inclusion. By theorizing feeling otherwise as an antisocial affect, form of dissent, and mode of care, Yao suggests that unfeeling can serve as a contemporary political strategy for people of color to survive in the face of continuing racism and white fragility. Duke University Press Scholars of Color First Book Award recipient

A Tale of Two Franceses—Temperance and Suffragism in the United States

Chapter 13 examines the Reconstruction Era struggle for women’s rights and African American rights through the American Equal Rights Association, and the Woman’s Christian Temperance Union (WCTU), especially the WCTU activism of acclaimed black writer Frances Ellen Watkins Harper. Born of the so-called Woman’s Temperance Crusade of 1873–1974, under the leadership of Frances Willard, the WCTU would become the most successful woman’s organization of all time. Willard’s Do Everything campaign expanded women’s activism, both nationally and globally. Despite racial tensions within the WCTU, temperance activism provided the main avenue of political organization for women across the Reconstruction-Era South, both black and white. By the 1890s Willard had made common cause between not just temperance, equal rights, antilynching leagues, and suffragist movements, but—as a Christian socialist—with both the domestic and international labor movement as well.

Writing and “Righting”

While the suffrage movement has largely been viewed through the lens of white women fighting for the vote, African American women were very much a part of the movement. Some of these women were suffrage advocates and journalists; others were activists in other arenas. Many black suffragists viewed the vote as a way of elevating their race, and the black press helped these women spread their message. Although it provided lackluster support for the suffrage movement, the black press gave considerable attention to the topic. It gave voice to those who supported the cause and those who were adamantly against it. This chapter focuses on the contributions and writings of prosuffrage journalists such as Ida B. Wells, Mary Church Terrell, Frances Ellen Watkins Harper, Bettiola Fortson, and others covered by the black press. It assesses the public lives and work of these women who had to consider both race and gender as they spoke up and out for those who could not speak for themselves.

“Polluted Luxuries”: Consumer Resistance, the Senses of Horror, and Abolitionist Boycott Literature

This essay examines the unique positionality of abolitionist boycott literature, situated within the sentimental trends of antebellum literature while employing the sensationalist language of consumer interaction with morally compromised goods. Boycott literature ultimately introduced into the literary landscape a complicated view of what readers and writers increasingly saw as a suspect “free” market. Writers such as Frances Ellen Watkins Harper, Elizabeth Margaret Chandler, and John Greenleaf Whittier imagined a world of goods haunted by the touch of enslaved laborers—goods that in turn haunted consumers. By parsing out the language of abolitionist boycott literature alongside its historical and material cultural moment, this essay argues that such literature posits a very literal and as yet unaccounted-for version of material relations that collapses the boundaries between consumer and producer, self and other, in ways that have horrific, haunting implications for market society, then and now.

“Not Another ‘Poetess’”: Feminist Criticism, Nineteenth-Century Poetry, and the Racialization of Suicide

This chapter examines struggles to define relations between “Victorian femininity” and racialized Poetess reception, focusing in particular on early, explicitly racialized meditations on the loss of African American Poetess figures. Drawing on foundational Second Wave feminist texts such as Ellen Moers's Literary Women, Cora Kaplan's Salt and Bitter and Good, Sandra M. Gilbert and Susan Gubar's Madwoman in the Attic, Erlene Stetson's Black Sister, and Cheryl Walker's Nightingale's Burden, the chapter investigates how early strains in Second Wave thinking came to define feminist criticism itself as a politicized mode of crisis intervention. It also considers how Frances Ellen Watkins Harper came to be barred, explicitly, from the category of “poetess” and concludes with a reading of Alice Walker's 1976 Poetess novel Meridian.