Staging cultural encounters: Algerian actors tour the United States

Author(s):  
Susan Ossman
Author(s):  
Santanu Das

Undivided India contributed to the First World War more than one million men who served in places as diverse as France, Mesopotamia and East Africa and forged a remarkable range of encounters across the lines of race, religion and nationality. This essay investigates the fraught inner histories of these encounters – their affective, experiential and representational structures – through a range of archival, historical and literary material, as produced by Indian combatant and civilian writers, including Mulk Raj Anand and Rabindranath Tagore. Focusing on three kinds of encounters – behind the battlefield of the Western Front, in a hospital in Mesopotamia, and a series of wartime lectures delivered in the United States – it reflects on the role of the ‘literary’ in such cross-cultural encounters and their representations, and how such moments and processes at once expand our understandings of a more ‘global’ war and put pressure on conventional understandings of ideas of ‘modernity’ and ‘cosmopolitanism’.


Gateway State ◽  
2019 ◽  
pp. 1-18
Author(s):  
Sarah Miller-Davenport

This introductory chapter explains that global decolonization and Hawaiʻi statehood complemented U.S. efforts to promote the nation-state as the primary building block of the postwar global order. As the leading power of the noncommunist world, the United States “startlingly naturalized the free nation,” drawing on the tradition of Open Door diplomacy to advance its own political and economic interests as European colonialism collapsed. Against this background, Hawaiʻi, as an overseas colony legally distinct from the rest of the United States, appeared to many as an aberration needing resolution. Thus, the ideas on multiculturalism developed in Hawaiʻi were not mere rhetoric: poststatehood Hawaiʻi became a physical center for facilitating the new cultural encounters of the Cold War, with varying degrees of success. For those Americans seeking to sway the loyalties of people in Asia and the Pacific, Hawaiʻi was not only seen as a symbolic representation of America's commitment to democracy and diversity; it was also a place where people from both Asia and the U.S. mainland were physically transported in order to prove the veracity of that message. But those cultural encounters did not always go as planned.


2018 ◽  
pp. 58-74
Author(s):  
Rósa Magnúsdóttir

This chapter discusses Soviet efforts to “tell the truth about Soviet socialism” at home and abroad, showing how not only Soviet anti-Americanism but also American McCarthyism stood in the way of the development of Soviet-American cultural relations in the early years of the Cold War. It surveys the way Soviet cultural institutions as well as Soviet front organizations in the United States were organized in the late Stalin era. It puts the spotlight on the most famous American visit in the postwar period, namely the Steinbeck-Capa 1947 tour. It is a remarkable story of how Soviet propaganda authorities tried to explain postwar socialism and control the visitors’ experiences in the Soviet Union, but it also details Steinbeck’s fascination with Soviet knowledge and understanding of the United States (or lack thereof).


2016 ◽  
Vol 53 (1) ◽  
pp. 212-239 ◽  
Author(s):  
Theodora Dragostinova

This article explores the ambitious Bulgarian cultural program in the United States of America to interrogate the importance of culture in the Cold War dynamics of the 1970s. The case study is examined at two levels; first, in the framework of the expanding contacts between East and West, exploring the importance of cultural diplomacy in the context of détente, and second, at the level of the actual cultural interactions, analyzing the meaning of cultural contacts across national borders and ideological divides. This analysis integrates insights from diverse literatures: international history, transnational history, postcolonial studies, and anthropology. The goal is to showcase the role of a small state on the periphery during the Cold War, to engage the softer side of East–West interactions in a global context, and to emphasize how local communities and individuals creatively shaped the Cold War realities through their own actions. The article also engages contemporary debates about the meaning of these cultural encounters in the context of recent memory wars about the legacy of communism in Bulgaria. The end result is to depict the complex, multidirectional flow of ideas, people, and cultural products between East and West during the long 1970s and to trace their changing interpretations today.


2019 ◽  
Vol 19 (1) ◽  
pp. 64-89
Author(s):  
Anca-Luminiţa Iancu

Abstract Travel narratives are complex accounts that include a significant layer of factual information – related to the geography, history, and/or the culture of a particular place or country – and a more personal layer, comprising the author’s unique perceptions and rendering of the travel experience. In the last thirty years of transition from a communist to a democratic society, the Romanians have been free to travel to any country they choose; however, during the communist period, especially during the 1980s, travelling to Western, capitalist countries, such as France, Great Britain, Canada, or the United States, was rather limited and fraught with complex issues. Still, Romanian travelers during that time managed to visit the United States, on diplomatic- or business-related exchanges, and published interesting travel stories of their experiences there. Therefore, this essay sets out to capture, from a comparative perspective, the impressions and encounters depicted by Radu Enescu in Between Two Oceans (1986), Ion Dinu in Traveler through America (1991) and Viorel Sălăgean in Hello America! (1992), with a view to analyzing how their descriptions and perceptions of two major urban spaces, New York City and San Francisco, reflect the complexity of the American social and cultural landscape in the late 1970s and mid-1980s.


Author(s):  
A. Hakam ◽  
J.T. Gau ◽  
M.L. Grove ◽  
B.A. Evans ◽  
M. Shuman ◽  
...  

Prostate adenocarcinoma is the most common malignant tumor of men in the United States and is the third leading cause of death in men. Despite attempts at early detection, there will be 244,000 new cases and 44,000 deaths from the disease in the United States in 1995. Therapeutic progress against this disease is hindered by an incomplete understanding of prostate epithelial cell biology, the availability of human tissues for in vitro experimentation, slow dissemination of information between prostate cancer research teams and the increasing pressure to “ stretch” research dollars at the same time staff reductions are occurring.To meet these challenges, we have used the correlative microscopy (CM) and client/server (C/S) computing to increase productivity while decreasing costs. Critical elements of our program are as follows:1) Establishing the Western Pennsylvania Genitourinary (GU) Tissue Bank which includes >100 prostates from patients with prostate adenocarcinoma as well as >20 normal prostates from transplant organ donors.


Author(s):  
Vinod K. Berry ◽  
Xiao Zhang

In recent years it became apparent that we needed to improve productivity and efficiency in the Microscopy Laboratories in GE Plastics. It was realized that digital image acquisition, archiving, processing, analysis, and transmission over a network would be the best way to achieve this goal. Also, the capabilities of quantitative image analysis, image transmission etc. available with this approach would help us to increase our efficiency. Although the advantages of digital image acquisition, processing, archiving, etc. have been described and are being practiced in many SEM, laboratories, they have not been generally applied in microscopy laboratories (TEM, Optical, SEM and others) and impact on increased productivity has not been yet exploited as well.In order to attain our objective we have acquired a SEMICAPS imaging workstation for each of the GE Plastic sites in the United States. We have integrated the workstation with the microscopes and their peripherals as shown in Figure 1.


2001 ◽  
Vol 15 (01) ◽  
pp. 53-87 ◽  
Author(s):  
Andrew Rehfeld

Every ten years, the United States “constructs” itself politically. On a decennial basis, U.S. Congressional districts are quite literally drawn, physically constructing political representation in the House of Representatives on the basis of where one lives. Why does the United States do it this way? What justifies domicile as the sole criteria of constituency construction? These are the questions raised in this article. Contrary to many contemporary understandings of representation at the founding, I argue that there were no principled reasons for using domicile as the method of organizing for political representation. Even in 1787, the Congressional district was expected to be far too large to map onto existing communities of interest. Instead, territory should be understood as forming a habit of mind for the founders, even while it was necessary to achieve other democratic aims of representative government.


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