fan identification
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2021 ◽  
pp. 191-192
Author(s):  
Ilan Tamir
Keyword(s):  

2021 ◽  
Author(s):  
◽  
Markus Ruehl

<p>Fans are of highest importance for the financial success of sports clubs (van Leeuwen, Quick, & Daniel, 2002). However, the nature of fandom and the meaning that fans place upon their relationship with a sports club varies and different degrees of fandom exist (Wann & Branscombe, 1990). Whilst much research has been done on the assessment of fan identification, little work has contributed to its practical application. For example, for sport marketers to actively strengthen their fan base, more than a mere assessment of the identification level of their fans is necessary. It is suggested that knowledge about the underlying identification drivers of fans with different identification levels is needed to inform any managerial action. This research aims to enhance understanding about the relationship between the level of fan identification and the drivers of identification, and it does so, via a study of New Zealand's only professional football club Wellington Phoenix FC. A cross-sectional convenience sample of 517 Wellington Phoenix fans was surveyed using both online and researcher administered/respondent completed questionnaires. The Sports Spectator Identification Scale (Wann & Branscombe, 1993) was used to measure fan identification, and participants were categorized into five identification levels. Findings show that ten of 16 identification drivers are correlated with the identification level. Of particular interest are findings that indicate a mediating impact of the identification level on specific relationships. For instance, lowly identified fans place a higher relevance on the success of the team, whilst for highly identified fans, success is of lesser relevance. In contrast to that, the sense of belonging created by fellow fans is more important to those who are highly identified. Other drivers such as the general interest in football possess a nearly constant relevance throughout different identification levels. A multivariate factor analysis revealed patterns among identification drivers that suggest fans can be categorized according functional, symbolic and interpersonal constructs that can be described as a live experience factor, an admiration factor and a social network factor. Based on these results, fan profiling was undertaken and various marketing implications were discussed. The insights attained allow researchers and marketing practitioners to better understand the relevance of different drivers on the development of fan identification, and to better understand how marketing strategies may promote such higher levels of identification.</p>


2021 ◽  
Author(s):  
◽  
Markus Ruehl

<p>Fans are of highest importance for the financial success of sports clubs (van Leeuwen, Quick, & Daniel, 2002). However, the nature of fandom and the meaning that fans place upon their relationship with a sports club varies and different degrees of fandom exist (Wann & Branscombe, 1990). Whilst much research has been done on the assessment of fan identification, little work has contributed to its practical application. For example, for sport marketers to actively strengthen their fan base, more than a mere assessment of the identification level of their fans is necessary. It is suggested that knowledge about the underlying identification drivers of fans with different identification levels is needed to inform any managerial action. This research aims to enhance understanding about the relationship between the level of fan identification and the drivers of identification, and it does so, via a study of New Zealand's only professional football club Wellington Phoenix FC. A cross-sectional convenience sample of 517 Wellington Phoenix fans was surveyed using both online and researcher administered/respondent completed questionnaires. The Sports Spectator Identification Scale (Wann & Branscombe, 1993) was used to measure fan identification, and participants were categorized into five identification levels. Findings show that ten of 16 identification drivers are correlated with the identification level. Of particular interest are findings that indicate a mediating impact of the identification level on specific relationships. For instance, lowly identified fans place a higher relevance on the success of the team, whilst for highly identified fans, success is of lesser relevance. In contrast to that, the sense of belonging created by fellow fans is more important to those who are highly identified. Other drivers such as the general interest in football possess a nearly constant relevance throughout different identification levels. A multivariate factor analysis revealed patterns among identification drivers that suggest fans can be categorized according functional, symbolic and interpersonal constructs that can be described as a live experience factor, an admiration factor and a social network factor. Based on these results, fan profiling was undertaken and various marketing implications were discussed. The insights attained allow researchers and marketing practitioners to better understand the relevance of different drivers on the development of fan identification, and to better understand how marketing strategies may promote such higher levels of identification.</p>


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Joanna Phillips Melancon ◽  
Mary Jane Gardner ◽  
Vassilis Dalakas

Purpose The purpose of this study is to explore the antecedents of consumer entitlement among loyal consumers in response to a perceived brand failure, as well as the effect of consumer entitlement on satisfaction and behavioral intentions. Design/methodology/approach An online questionnaire asked 226 Game of Thrones viewers about their reactions to the final season of the series. Partial least squares structural equation modeling was the analysis method for testing the hypotheses. Findings Investment, perceived justice and collective fairness are all predictors of entitlement. Fan identification increases feelings of investment. Entitlement has a negative relationship with satisfaction, and satisfaction is positively related to relational behaviors. Practical implications Loyal, highly entitled consumers can make life difficult for a brand in customer service encounters, on social media and financially. The manuscript offers managers an understanding of which consumers and situations may elicit entitlement and how to mitigate entitlement. Originality/value This is one of the first studies to attempt to model antecedents of consumer entitlement and to study entitlement among highly loyal consumers in response to a perceived brand failure. The study furthers existing research by pointing out the effect of entitlement on the relationship with the brand and consequences for the brand, as opposed to past studies, which have largely explored the effects of working with entitled consumers on front-line employees.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Antonio S. Williams ◽  
Sungwook Son

PurposeDespite its growth, there has been a lack of investigation on how sport rebranding influences fans and their behaviors. This study sought to examine how a critical aspect of rebranding – logo redesign – influences fans' attitudes toward a sport brand and intent to purchase merchandise bearing the rebranded logo. More specifically, we aim to investigate the influence of varying degrees of logo change and fan identification in relation to brand attitude and purchase intention.Design/methodology/approachAn experimental design, 4 (degrees of logo change) × 2 (fan identification: low, high), was utilized with the sample of 277 participants. The current logo of the Ultimate Fighting Championship was redesigned into three fictitious rebranded logos as stimuli based on different rebranding types.FindingsThe results suggest that color change and revolutionary change generate the most negative attitudes from both high- and low-identified fans, and fan identification is not a significant factor influencing fan attitudes. Regarding purchase intention, low-identified fans are not significantly influenced by logo changes whereas highly identified fans showed similar response to their attitudes.Originality/valueThe findings advance the current body of knowledge on sport rebranding and fan behavior by demonstrating the effects of varying degrees of logo redesign and fan identification levels on brand attitude and purchase intention. Moreover, the current research has important implications for sport marketers on developing effective rebranding and logo redesign strategies.


2021 ◽  
Author(s):  
Laura D’angelo

While the use of digital platforms has harmed some aspects of the music industry, it has also created new opportunities for artists to prosper in terms of marketing, branding, communication and to ultimately become cultural entrepreneurs. Twitter in particular is a social networking service (SNS) that is ideal for studying fan celebrity interactions, as it is a safe space for celebrities to market, brand and communicate with fans through strategic discourse in an informal environment. With SNS such as Twitter, fans now have the opportunity to build seemingly intimate relationships with celebrities, becoming cocreators of content. Widely acknowledged for her unparalleled relationships and interactions with fans on Twitter, singer Lady Gaga, has achieved success and long term viability amidst digitalization through her strategic use of online platforms to not only promote and strengthen her brand, but to build intimate relationships with her fans. Lady Gaga exemplifies how the digitalization of the music industry and growth of online platforms drive artists to take on new roles as entrepreneurs marketers and as conversationalists with fans. As such, this paper presents a review of the extant literature of studies that have explored the connection between celebrity brand building and representation on social media and how fan identification, interaction and intimacy are forged via social media discourse. This is followed by a qualitative discourse analysis of 904 tweets and retweets collected from Lady Gaga’s Twitter account from May 31st, 2015 until April 31st, 2016. This analysis serves to develop an understanding of how language is being used actively, persuasively and to isolate patterns in Lady Gaga’s Twitter discourse. This includes key terms, phrases and overall frequency of these. In analyzing how Lady Gaga uses strategic discourse on Twitter, we can build a greater understanding of how this social medium is used to build intimacy with fans. From this knowledge, both artists and marketers can emulate this model for effective brand management on social media, particularly on Twitter.


2021 ◽  
Author(s):  
Laura D’angelo

While the use of digital platforms has harmed some aspects of the music industry, it has also created new opportunities for artists to prosper in terms of marketing, branding, communication and to ultimately become cultural entrepreneurs. Twitter in particular is a social networking service (SNS) that is ideal for studying fan celebrity interactions, as it is a safe space for celebrities to market, brand and communicate with fans through strategic discourse in an informal environment. With SNS such as Twitter, fans now have the opportunity to build seemingly intimate relationships with celebrities, becoming cocreators of content. Widely acknowledged for her unparalleled relationships and interactions with fans on Twitter, singer Lady Gaga, has achieved success and long term viability amidst digitalization through her strategic use of online platforms to not only promote and strengthen her brand, but to build intimate relationships with her fans. Lady Gaga exemplifies how the digitalization of the music industry and growth of online platforms drive artists to take on new roles as entrepreneurs marketers and as conversationalists with fans. As such, this paper presents a review of the extant literature of studies that have explored the connection between celebrity brand building and representation on social media and how fan identification, interaction and intimacy are forged via social media discourse. This is followed by a qualitative discourse analysis of 904 tweets and retweets collected from Lady Gaga’s Twitter account from May 31st, 2015 until April 31st, 2016. This analysis serves to develop an understanding of how language is being used actively, persuasively and to isolate patterns in Lady Gaga’s Twitter discourse. This includes key terms, phrases and overall frequency of these. In analyzing how Lady Gaga uses strategic discourse on Twitter, we can build a greater understanding of how this social medium is used to build intimacy with fans. From this knowledge, both artists and marketers can emulate this model for effective brand management on social media, particularly on Twitter.


2021 ◽  
Author(s):  
◽  
Zixuan Zhao

With the easier and wider diffusion of media content from different cultures on web 2.0 platforms like YouTube, Korean Pop music has gained greater global popularity due to the emergence of participatory culture. The current study explores how global K-pop fans' consumption of UGC (user-generated content) and PGC (professional-generated content) is associated with fan motivations, identifications, and UGC creating intention. By utilizing a survey study framework and quantitative research and data gathered from K-pop fans (N [equals] 247) from social media, the study shows that self-esteem, group-affiliation and aesthetic were the strongest motivations of K-pop two types of fan identification (fanship and fandom) and video consumption (UGC and PGC). Fans' fanship level is more associated with their consumption of PGC whereas fan community identification level is more associated with their consumption of UGC. Both fanship level and UGC consumption have positive effects on fans' intention of creating UGC. This study provides added value for fan psychology studies in pop culture context, and also offers practical advice for entertainment companies on the leverage of PGC and UGC videos to enhance fans' psychological connection to their celebrities and communities.


2021 ◽  
pp. 139-166
Author(s):  
Katie Kapurch

This chapter addresses the Beatles’ complex gendered and sexual appeal to audiences and the evolution of fan identification processes in the 1960s and beyond. The chapter unites the growing body of scholarship that treats issues of gender and sexuality in relation to the Beatles and their fans. After consideration of the theoretical difference between androgyny and gender fluidity, Beatles texts are discussed in relation to fan responses. Their gender fluidity inspired many girl fans to scream for (and sing about) the Fabs’ representation of freedom early in the decade. But their music shifted from the girl talk of “She Loves You” to the bravado of “You’re Going to Lose That Girl.” No longer clad in matching boyish suits, the Beatles maintained their fluid gender performance throughout the ’60s. The Beatles’ gender fluidity is a key ingredient in their sustained popularity. The band endures because listeners keep finding themselves in the Beatles.


Author(s):  
Andrew Kim ◽  
Minhong Kim ◽  
Steven Salaga ◽  
James J. Zhang

The Ultimate Fighting Championship (UFC) utilizes a unique pay-per-view (PPV) product distribution structure, and relies heavily on social media to promote its events. Yet, no research has examined how UFC fans’ social media motivation influences their consumption. Using uses and gratifications theory and a mixed-method design, this study qualitatively explored the themes of UFC fans’ social media motivations and identified five themes (i.e., information, convenience, social interaction, entertainment, and economic). Based on these themes, this study developed the Scale of Social Media Motivation through quantitative analyses and further investigated how Scale of Social Media Motivation factors would affect consumption behavior by incorporating fan identification as a mediator. The findings revealed that the factors were positively associated with purchase intentions when fan identification serves as a partial mediator. Discussions are focused on utilizing the social media motivation factors and nurturing fan identification to promote UFC consumption.


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