Indian diaspora in Ghana: cultural and family heritage of tourists' travel preference

PurposeThe literature has acknowledged the importance of diaspora studies because of the influx of funds into the local economy, including the tourism and hospitality sector. However, little empirical research appears to be known about the subject matter, principally within the developing country perspective. This study aims to respond to research calls by investigating the impact of diasporic cultural heritage, family heritage on travel preference of West African Indian migrant visitors to their homeland.Design/methodology/approachThis research is guided by the theory of acculturation. A quantitative data were gathered from a sample of 312 diasporas, and the regression analysis was used to analyze the data.FindingsThe study finds that cultural heritage and family heritage have positive and significant impact on travel preference of migrant visitors to their homeland. Further analysis of the independent sample t-test reveals a significant difference between Indian Ghanaians and Ghanaian Indians in their thought of cultural heritage. However, no significant differences were found in the Indian Ghanaian and Ghanaian Indian’s family heritage and travel preference to their homeland.Research limitations/implicationsThis study is destination-specific of Indian migrant visitors. The application of the study’s outcome to other diaspora would demand a larger sample size for generalization to be made. The study offers compelling insights on cultural heritage, family heritage and travel preference to marketing a diaspora tourism site.Originality/valueThe study expands the application of the theory of acculturation within the diaspora literature and establishes that integration and separation strategies of the theory explain the positive interests of the migrant visitors’ traveling preference to their homeland.

DIASPORA IDENTITY: CASE STUDY OF NAIPAUL’S FICTION IN A FREE STATE

The literature produced at global level by dispersed community that has common ancestral homeland is known as the literature of Indian diaspora. Indian communities are spread all over the major countries of the world. The total population of Indian diaspora in the world is near about twenty million. People from India settle abroad and maintain a strong bond with motherland. The diaspora literature have certain important features, that separate their writing from the mainstream of contemporary writers. The Indian writer have brought diaspora literature at world wide recognition. Nobel laureate V.S. Naipaul was famous writer of Indian origin had he has great contribution in diaspora literature. KEYWORDS: Diaspora, Homeland, Dispersed, Indentured, Expatriate, Exile, Migration.

Առած-ասացվածքների լեզվաոճական առանձնահատկությունները Նշան Պեշիկթաշլյանի երգիծավեպերում

Armenian satirical literature has rich traditions and deep roots. The genre of satire reached its apogee in the 19th – 20th centuries, particularly in the works of such Western Armenian writers as Hagob Paronian and Yervand Otian. Being one of the most brilliant satirists in the Diaspora literature, Nshan Peshiktashlian followed the legacy of the Western Armenian writers.

Utilizing the Chinese Diaspora by Russian Firms: Capabilities and Legitimacy Implications

ABSTRACT This article examines the impact of foreign diasporas on host country firms. It contributes to diaspora research by focusing on the context of emerging market host countries and the specific case of Chinese diaspora in Russia. Drawing on the concepts of organizational capabilities and organizational legitimacy, we explain how the Chinese diaspora can be beneficial for the competitiveness of Russian firms, and how Russian firms can uniquely leverage these potential benefits through engagement with individual Chinese diasporans and diaspora institutions. Our article adds to the diaspora literature in several ways. First, unlike the majority of past research, which tends to focus on the benefits for the diaspora's home country, we highlight the potential impact on host country firms, specifically their capabilities and legitimacy at home and abroad. Second, our model can be viewed as a direct response to the many calls in the literature to study the microfoundations of firms’ capabilities. Third, we add to the legitimacy literature by proposing that engagement with a foreign diaspora can help host country firms establish and maintain their legitimacy both at home and on a global scale. Although our framework is informed by the Chinese diaspora in Russia, we discuss its generalizability to other contexts.

Contours of Resistance: The Postcolonial Female Subject and the Diaspora in the Punjabi Short Story

Diaspora literature and theory offer significant critiques of traditional ideas regarding nation-states, identities and dominant cultures. While it is true that the literature of the diaspora has been receiving increasing attention as of late, it is worth noting that works written in the diasporans’ native languages are generally not included in wider discussions about the more complex issues related to the diaspora. As an initial corrective for this deficiency, this article explores selected stories in Punjabi, paying special attention to issues relevant to the lives and experiences of women in diaspora. Diasporic conditions, as most of these stories seem to assert, can be painful for women, but even while negotiating within a diverse system of values, many of them eventually discover possibilities for independence and growth. Such personal improvements are attainable due to their newfound economic liberation, but hard-won economic independence comes with a price. The inclusivity implied by identitary hyphens (i.e. Chinese-American; Mexican-American, etc.), so celebrated in diaspora writings in English, are almost as a rule missing in the fictional accounts studied here. In these accounts, an essential feature of diasporic subjectivity is the double sense of “Otherness” strongly felt by people who, having extricated themselves from the cultural demands of their original group, are not unchallenged members of the dominant culture.

Diaspora Tamils and Their Creative Efforts in Historical Perspective

Humans usually migrate from their native at different times and under different natural and artificial conditions. Meanwhile, they intend on to record the tragedies, sufferings and crises that they underwent in the time of their diaspora. Such records create some new literary genre in a particular language. They are included foreign literature, refuge literature, diaspora literature etc. In that respect, this respect, this research examines the tamils – eelam tamils in diaspora and their creative efforts. On the other hand, this research brings out the scenario of not only the eelam tamils but also about the diasporas humans in various places of the world.

“Take Me Back to My Homeland Dead or Alive!”: The Myth of Return Among London’s Turkish-Speaking Community

In classical diaspora literature, the “myth of return” has major significance. It is believed that the “myth of return” is embedded in the minds of immigrants from their arrival. This paper examines post-migration mobilities of the Turkish-speaking community in North London as well as the shift in narratives of homeland among diaspora communities; from the “myth of return” to ritual-like visits or mundane pilgrimages. My ethnographic study analyses the post-migration homeland visiting patterns of the Turkish-speaking community into four categories. I discuss how narratives of episodic homeland visits and the desire to be buried in the homeland have replaced the myth of return.

History in the Attic: Search for Roots in Ramabai Espinet’s The Swinging Bridge

In most of diaspora literature there is an attempt to retrieve the past. This makes one measure time in many ways, different calendars, change of seasons, past encounters narrated through wars, defeats, encounters and disasters. It is remembered through family history, ancestral heritage, nostalgia, memory and even through national disasters. This interaction portrays the immigrants caught in flight of memories, relationships and images. The relocation has its disgust for one thing or the other. The author has to live in the reminiscences, a collective memory representing a symbolic relationship between past and present. The Swinging Bridge by Ramabai Espinet chronicles the multiple exiles that are part of the Indian experience in the Caribbean and Canada through two figures one from the past- great grandmother Gainder and the other from the present - Mona, the protagonist. The novel commemorates the maternal roots and routes of Indo-Caribbean history by establishing the subjectivity of widows and young girls from India who crossed the Kala Pani (Black waters of the Atlantic) in search of new beginnings in Trinidad and the great-grand-daughter who engages in an existential quest for selfhood in Canada. Grief motivates a flood of personal memories as Mona begins to remember intimate details of family life that had been repressed under the cover of migration. Bits and pieces of the past, fragments scattered in various places, childhood memories, overheard conversations, prayer songs, all come together in the attic. She explores the secret songs, photographs and letters giving her a powerful voice for her culture, her family, her fellow women and for herself. Mona’s drive to document history enables her to reveal the family’s carefully guarded secrets- domestic violence, drunken rampages, sexual abuse, illegitimate children, and even AIDS. This paper seeks to analyse the novel’s diasporic contents and find out whether this attempt at retrieval of the past brings about a change in the perception of today’s generation. The author brings to light the problems of a plural society calling for need for relationships and need for mutual respect- all to avoid conflict situations through this effective tracing of history in the novel.