innovative practice
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2021 ◽  
Author(s):  
Duangpun Kritchanchai ◽  
Pheaktra Doung ◽  
Chanrong Khem ◽  
Sirirat Srisakunwan

2021 ◽  
Vol 1 (4) ◽  
Author(s):  
ZHANG AILI

Graphic composition occupies an important position in the basic courses of art major. However, the effect is often not brought into play due to the outdated single teaching method. This study introduces the teaching practice of paper-cutting art thinking in the curriculum teaching reform. It analyses how to use paper-cutting art thinking in the curriculum teaching reform and to use art-cutting thinking to help student better understand abstract language. This study also guides students to use paper-cutting for innovative practice in the basic course to improve the composition. The findings showed that the use of paper-cutting art thinking can effectively help students better understand abstract language. Students are constructing basic courses as the course practice of Chinese using this teaching method is richer and more innovative. The paper-cutting art thinking method provides a richer theoretical basis and practical teaching method for teaching reforms.


2021 ◽  
pp. 170-189
Author(s):  
Peter P. Goché

Drawing is an innovative practice that provides architects an emancipated spatial apparatus freed from capitalistic pressures such as, deadline, utility and profitability. Through an immersive act to which I refer as experiential criticism, my practice materializes a 1:1 drawing operation with a relative capacity to unite or react or interact with the latent dimensions of the inherited landscape – the post-industrial remains of capitalism and the Midwestern family farm legacies. Utilizes a range of domains as means of exploring not only the tangible but the intangible nature of such material cultivations, the work is based on a series of modulated experimental actions. Reflecting on two bodies of work, Perforated Horizon and InsideOute, this content proposal will consider the practice of drawing as a means of observation and teaching specific to volume, materiality, context and time.


Author(s):  
A. W. Woods ◽  
C. A. Short ◽  
N. Mingotti ◽  
K. Schoefert ◽  
L. N. Drumright ◽  
...  

Author(s):  
Steven Kamper ◽  
Amabile B. Dario ◽  
Melina Waibel ◽  
David O'Connor ◽  
Elizabeth Bourne

Author(s):  
Diana Anamaria HERTE ◽  
Dragos DIANU ◽  
Monica CIUCOS ◽  
Daniel BADULESCU ◽  
Alina BADULESCU

Innovation is a key driver in enhancing competitiveness of firms and fostering employment and job creation. This is the reason for the existence of a growing body of literature regarding how firms can improve their innovative practice and, more recently, how they can benefit from the advantages of digitisation. Moreover, many related statistical data is available for big companies, but the topic is relatively little addressed in the case of SMEs.


2021 ◽  
Vol 161 ◽  
pp. S371-S372
Author(s):  
I. Kristensen ◽  
M. Enmark ◽  
A. Edvardsson
Keyword(s):  

2021 ◽  
pp. 003022282110327
Author(s):  
Tharin Phenwan ◽  
Thanarpan Peerawong ◽  
Wanna Jarusomboon ◽  
Ekkapop Sittiwantana ◽  
Chararinchorn Satian ◽  
...  

Background This article demonstrates the innovative practice of using a card game to teach participants about Advance Care Planning (ACP) and palliative care in Thailand via Zoom during the COVID-19 pandemic. Aims To assess the feasibility of using online workshops to conduct sensitive topics of palliative care and death and dying. Methods The interactive online workshops were conducted after imposition of the COVID-19 restriction and national lockdown in Thailand between March and September 2020. The sessions were conducted via Zoom meetings and Facebook secret group. Trained facilitators plus one IT team member hosted each workshop. Participants were given an anonymous post-course evaluation with open-ended written feedback form. Content analysed was used. Results Eleven sessions were conducted. 103 participants joined the online classes. Participants gave an overwhelmingly positive of the workshops, emphasising on: (i) convenient; (ii) social connectedness during the lockdown; (iii) bichronous element of the activities.


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