Drawing is an innovative practice that provides architects an emancipated spatial apparatus freed from capitalistic pressures such as, deadline, utility and profitability. Through an immersive act to which I refer as experiential criticism, my practice materializes a 1:1 drawing operation with a relative capacity to unite or react or interact with the latent dimensions of the inherited landscape – the post-industrial remains of capitalism and the Midwestern family farm legacies. Utilizes a range of domains as means of exploring not only the tangible but the intangible nature of such material cultivations, the work is based on a series of modulated experimental actions. Reflecting on two bodies of work, Perforated Horizon and InsideOute, this content proposal will consider the practice of drawing as a means of observation and teaching specific to volume, materiality, context and time.